图片文件尺寸 : 4864 x 3937px

土壤钍 正面强化，我们看到了哪些界限，苗条的吉姆听起来不像苗条的简那么性感吗

图片文件尺寸 : 1892 x 2472px

“王子相信他给了她比哈里·克拉克留给自己更多的智慧-Harry Clarke

王子相信他给了她比他留给自己更多的智慧--Harry Clarke (Irish, 1889–1931)

图片文件尺寸 : 2716 x 3716px

“看看我是否带了一件比你们所有人都高贵的礼物！”-Maud Hunt Squire

看看我是不是带了一件比你们所有人都更高贵的礼物--Maud Hunt Squire (美国, 1873-1954)

图片文件尺寸 : 930 x 1961px

“朱莉娅·亚瑟（Julia Arthur）为斯特罗布里奇（Strobridge）和科恩（Co）献上《不止女王》-Strobridge and Co

朱莉亚·亚瑟呈现的不仅仅是女王--Strobridge and Co (美国, 1910-1954)

图片文件尺寸 : 2624 x 3512px

“他已经禁食了24个多小时了，很快就被埃德蒙·杜拉克迷倒了-Edmund Dulac

他已经禁食了24个多小时，没有一点时间就睡着了--Edmund Dulac (法国, 1882 – 1953)

图片文件尺寸 : 4084 x 5772px

A WOOD FIGURE OF PRINCE SHOTOKU AT AGE TWO:Muromachi period (1333-1573), 15th/16th century
The figure standing in typical pose, his face looking older than his age, evidence of his worldly wisdom, his palms pressed together in prayer before his chest, his feet concealed within the ends of his red hakama; the figure of a two-piece construction in the uchiguri technique
19 3/4in (50.2cm) high

肖托库王子两岁时的木像 室町时期，15/16世纪

图片文件尺寸 : 3943 x 5543px

Maynard Dixon: Paea\'s Pearl from The Adventures of Paea\'s Pearl
signed and dated \'Maynard Dixon / 1911\' (lower left), titled and inscribed \'- His voice sank to the merest shred of breath - he pressed his lips close against her ear -\' (on the reverse), artist\'s printer notations including \'No detail in shadows to be accented / Better have too little than too much\' (on the reverse)
gouache and watercolor wash on paperboard
19 3/4 x 12 3/4in
framed 38 x 29 1/2in
Painted in 1911.

狄克森 《帕亚珍珠历险记》中的帕亚珍珠19 3/4 x 12 3/4英寸框架38 x 29 1/2英寸

图片文件尺寸 : 5028 x 4284px

A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers

14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)

南板风格的写字台 江户时代，19世纪

图片文件像素：5224 x 4132 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection

Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.

More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.

When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975

图片文件尺寸 : 5242 x 5650px

LARTIGUE, JACQUES-HENRI. 1894-1986.:The Photographs of Jaccques-Henri Lartigue [Collector\'s Portfolio]. New York: Time-Life Books, 1978.
Folio (450 x 332 mm). 16 pp booklet and 10 gelatin silver print photographs, each numbered \"185/5000\" in pencil in lower margin, each mounted to mat with gilt titles and blindstamp to overmat. Lacking portfolio, slight soiling to wrapper of text booklet, light foxing to mats. Together with an unused florentine paper mat board.

Lartigue began taking photographs as a boy in France, and continued it as a lifelong pursuit, in spite of studying painting at the Academie Julian in Paris, and considering himself a painter, rather than photographer. His photographs capture playful and often kinetic images of everyday life, including racing cars, airplanes, and people at leisure.

拉蒂格，雅克-亨利。1894-1986. Jaccques Henri Lartigue的照片[收藏家的作品集]。纽约：时间生活图书，1978年。