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无 题

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Salvador Dal&~;: Plate 10, Vomitac&~;on rec&~;proca from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 10, El Amor y la muerte from Los Caprichos (2 works) (Field 77-3-72; Delteil 47; Harris 45), 1799; 1977
Heliogravure of Goya\'s plate 10, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 10, El Amor y la muerte from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published by the Real Academia, printed by Calcograf&~;a, Madrid, with margins. (2 works)
9 x 9in (22.7 x 17cm); 8 2/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 10号板块，呕吐在REC戈雅一时兴起的过程加上弗朗西斯科·戈雅（Francisco Goya）的第10版，奇想中的爱与死

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Salvador Dal&~;: Plate 14, Qué ramo de bonitas cerezas! from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 14, Qué Sacrificio! from Los Caprichos (2 works) (Field 77-3-67; Delteil 51; Harris 49), 1799; 1977
Heliogravure of Goya\'s plate 14, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 14, Qué Sacrificio! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm).

萨尔瓦多·达尔 板块14，qu一束漂亮的樱桃！来自戈雅的突发奇想加上弗朗西斯科·戈雅（Francisco Goya）的14号钢板，qu牺牲！从幻想中

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Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块，卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号，因为他对突发奇想很敏感

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罗伯特·劳森伯格 更多烤箱）

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ED摩西 鸡蛋和加3号

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OBSEQUENS, JULIUS. fl.4th century.:Des prodiges. Plus les trois livres de Polydore Vergile sur la mesme matière. Lyon: Jean de Tournes, 1555.
8vo (150 x 97 mm). Engraved border to title, engraved initials, 51 engravings by Bernard Solomon throughout. Modern calf, gilt edges, front cover detached.

FIRST EDITION OF THIS TRANSLATION by George de la Bouthière, with 51 engravings attributed to Bernard Solomon. Mortimer French 389.

痴迷，JULIUS。第四世纪。 奇迹。再加上波利多·维吉尔的三本书。里昂：让·德图尔斯，1555年。

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地毯 工作室人员不再考虑逃跑（F）

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圣物雕塑合奏 十八、十九世纪及以后

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G RARD SCHLOSSER公司 他说人们不再会笑了