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源自爱德华·科利·伯恩-琼斯爵士，BT.，A.R.A.，R.W.S。 玫瑰的传说

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Fritz Syberg的《Fælledparken的传奇儿童》-Fritz Syberg

Fælledparken的传奇儿童--Fritz Syberg (丹麦, 1862-1939)

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“Cafe Cuties Duo（SivirSoraka）-传奇飞溅艺术联盟”作者：Ina Wong-Ina Wong

Cafe Cuties Duo（SivirSoraka）传奇飞溅艺术联盟--Ina Wong (Indonesian, 20th Century)

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Zao Wou-Ki:Untitled (Ågerup 242), 1973
Lithograph in colors on Arches paper, signed in pencil and annotated \'Avec les hommages de\', an unnumbered proof, aside from the edition of 99, published/printed by Mythes et Legendes/Bellini, Paris, with full margins.
15 1/2 x 26in (39 x 66.2cm)
sheet 21 1/8 x 29 3/4in (53.7 x 75.8cm)

赵无极 无 题

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意大利，1840°左右，1900年以前的绘画大师和版画，水彩画，微缩画-

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Elegante Gesellschaft in einem zweispännigen Carretto Siciliano, dahinter Vulkanausbruch, handschriftliche Legende “Presso Ving(c)enzo Ferro Strada di Chiaja N. 9”, Aquarell auf Papier auf Papier kaschiert, 20 x 26 cm, Passep., gerahmt, (Hu)

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TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each

筑冈义雄（1839-1892） 明治时代，1885-1895年

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CUNNINGHAM (ALEXANDER):

坎宁厄姆（亚历山大） 《巴胡特之塔：一座装饰着大量雕塑的佛教纪念碑，描绘了公元前三世纪的佛教传说和历史》，第一版，W.H.Allen，1879年

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POGANY, WILLY. 1882-1955.:14 costume designs for The Thunderbird, one-act Aztec ballet choreographed by Michel Fokine with libretto by his wife Vera Fokina, performed in the revue Get Together, opened at the New York Hippodrome, September 3, 1921, watercolor, gouache and silver paint over pencil, 13 measure 480 x 348 mm (19 x 13 5/8 inches); and one for Vera Fokina measuring 535 x 370 mm (20 1/2 x 14 1/2 inches), all but one signed \"Willy Pogany\" and four with Fokine\'s autograph pencil notation \"O. K./ M. Fokine,\" with additional manuscript notes in Russian and English, many in his hand, on versos, various date labels affixed to the versos, fabric samples to the verso of one, some chipping to corners, minor soiling. Housed in custom cloth box, morocco title label Willy Pogany 1882-1955 on spine.

FINE COLLECTION OF POGANY COSTUME DESIGNS FOR FOKINE\'S THE THUNDERBIRD. Hungarian-born artist Willy Pogány was one of the most versatile artists of the early 20th Century. He first gained fame as an exceptional children\'s and other gift book illustrator after he moved to London in 1908. Ten years later he came to the United States where he became a prolific contributor to books and magazines and a busy set and costume designer for Broadway, the Metropolitan Opera and the movies. His murals graced theaters and apartment buildings. In Hollywood, he was art director for many motion pictures including Dames, Dante\'s Inferno, Kid Millions and Wonder Bar. Walter Lantz\'s Technicolor animated short Scrambled Eggs (1939) featured Pogány\'s Peterkin, a mischievous satyr.

Michel Fokine (1880-1942) was one of the most influential dancers and choreographers of the Modern Era. Sergei Diaghilev made him resident choreographer of the Ballets Russes in 1909. Among his greatest ballets for this company were The Firebird (1910); Petrushka (1912); and Le Spectre de la Rose (1911) in which Nijinsky danced the lead role. He and his wife, ballerina Vera Fokina, left Russia in 1918. After the triumphal 1918 New York debut of Rimsky-Korsakov\'s opera Le Coq d\'or at The Met as a ballet by Fokine with sets and costumes by Pogány (\"as mad as Trotzky [sic] and twice as exhilarating\"), the choreographer and his designer teamed again for a new ballet based on an Aztec legend. The Thunderbird was the highlight of Dillingham\'s oddly assorted Broadway revue Get Together. Fokina was responsible for the libretto; and she and her husband danced as Princess Nahua and Atzlan. The music was a selection from Russian composers Borodin, Glinka and Tchaikovsky, and Fokine also choreographed a ballet on ice for the show based on \"The Red Shoes.\" \"Fokine has done a gorgeous piece of choreography, and Mr. Pogany has given it setting and costumes that surpass anything he has heretofore done, not even his \'Coq d\'Or.\' The story of the princess released by love from the power of a wizard and her union with her warrior lover is beautifully told\" (New York Tribune, Sept. 5, 1921). The Thunderbird was like a Native American Firebird. Perhaps the loveliest of Pogány\'s designs was for Fokina\'s princess, a silver costume with white ostrich plumes.

帕甘，威利。1882-1955. 《雷鸟》（The Thunderbird）的14件服装设计，由米歇尔·福金（Michel Fokine）编舞，由其妻子维拉·福金娜（Vera Fokina）演唱剧本，是一幕阿兹特克芭蕾舞剧，于1921年9月3日在纽约竞技场开幕，

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