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JUKAKUSAI HISATAKA:A gold lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, aokin, and colored takamaki-e against a bright gold kinji ground, one side with a cockerel perched on a kanko drum by a flowering plum tree, the other side with a hen and three chicks under flowering branches, signed Jukakusai Hisataka and Issai Hisataka with a kao (cursive monogram); glass ojime; wood storage box
3 5/8in (8.5cm) high

久久保久 19世纪江户时期的四箱金漆

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SAKO RYUHEI (B. 1976):Tea Caddy 04
Reiwa era (2019-current), 2021
A mokumegane (forged and marbleized) and hammered natsume (tea caddy), made from silver, copper, shakudo (copper-gold alloy), shibuichi (copper-silver alloy), and kuromido (alloy-copper, arsenic), signed Ryu and dated 2021 on bottom
With lid and wood tomobako storage box
3 1/8 x 3in (8 x 7.7cm)

坂龙平（1976年出生） Tea Caddy 04 Reiwa时代，2021

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Bruce Onobrakpeya:Afieki I
signed and dated \'Bruce Onobrakpeya, Lagos/ Sep 1978\' (lower right); numbered, titled and inscribed \'1/30 Afieki I (metal base)\' (lower left); further inscribed \'deep etching\' (lower centre)
deep foil etching on board
62 x 88cm (24 7/16 x 34 5/8in).

布鲁斯·奥诺布拉克佩亚 视图I

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FUTAGI SEIHO (1884-1954):A large lacquer sakazuki and stand
Showa era (1926-1989)
The red lacquered wide wood sake cup decorated on the obverse in hiramaki-e of snow-covered Mount Fuji ascending above the clouds in the background, and the Shira-ito Waterfall of Fujinomiya and its accompanying forest of maple and pine trees over a nashiji ground in the foreground, the tendrils of water depicted in gold and silver low-relief maki-e flowing to the very edge of the dish, the surface of the rock of the waterfall cliff decorated with gold Gyobu square flakes, on the reverse of the sakazuki a blossoming prunus tree and clouds in gold in hiramaki-e and low-relief; the accompanying black lacquered stand featuring a rimmed platform with a hiramaki-e motif of two cranes in flight surrounded by gold mist, the indented rounded legs of the stand covered in the stalks and leaves of a bamboo forest, the interior of the stand decorated in nashiji; the designs of the sakazuki and stand together completing the felicitous motif of pine, bamboo, and prunus
With lacquered wood outer tomobako storage box signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer, and the sakazuki with its own lacquered wood tomobako storage box which fits inside the larger box, also signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer
2 5/8 x 7 7/8in (6.7 x 20cm), sakazuki; 8 3/8 x 8 1/2 x 7in (21.3 x 21.6 x 17.8cm), stand

福田成和（1884-1954） 大漆坂崎和标准昭和时代

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Yoshitomo Nara (B. 1959):Eleven Works: N\'s YARD Posters
(i) Sorry, Couldn\'t Draw the Left Eye!; (ii) The Little Star Dweller; (iii) In the Milky Lake / Thinking One; (iv) Thinking My Home; (v) Dream Time; (vi) Should I Go?; (vii) Blankey; (viii) News; (ix) Let\'s Talk About Glory; (x) Young Mother; (xi) Midnight Truth

(i) printed with the artist\'s copyright, titled and dated 2003 on lower left
(ii) printed with the artist\'s copyright, titled and dated 2006 on lower right
(iii) printed with the artist\'s copyright, title and dated 2011 on lower left
(iv) printed with the artist\'s copyright, titled and dated 2020 on lower right
(v) printed with the artist\'s copyright, titled and dated 2011 on lower left
(vi) printed with the artist\'s copyright, titled and dated 2011 on lower right
(vii) printed with the artist\'s copyright, titled and dated 2012 on lower left
(viii) printed with the artist\'s copyright, titled and dated 2011 on lower left
(ix) printed with the artist\'s copyright, titled and dated 2012 on lower left
(x) printed with the artist\'s copyright, titled and dated 2011 on lower left
(xi) printed with the artist\'s copyright, titled and dated 2017 on lower left
screenprint

sheet (i-ii): 72.9 x 51.5 cm (28 3/4 x 20 1/4 in)
sheet (iii-xi): 50 x 35 cm (19 5/8 x 13 3/4 in)

奈良美智（1959年） 无 题

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Lovis Corinth的《躺着的裸体女性-I》（Liegender Weiblicher Akt I）-Lovis Corinth

Reclining Female Nude I (Liegender Weiblicher Akt I)--Lovis Corinth (德国, 1858-1925)

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David Hayes:Two Studies for Sculptures
unsigned; one dated \'2006\' (lower right), one dated \'2005\' (lower right)
gouache on paper
24 x 22 1/4 in (61.0 x 56.5 cm) and 22 1/4 x 25 3/4 in (56.5 x 65.4 cm)
unframed

大卫·海耶斯 雕塑的两个研究

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: Kalika
signed in Bengali Bina ke Mukul lower left, inscribed July 28, 1943, \'Kalika\' lower right
watercolour on paper
21.5 x 27cm (8 7/16 x 10 5/8in).

无 题 迦理迦

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Marcos Grigorian:Eclipse I
found construction object on acrylic mixed media compound on board, framed
signed \"Marcos Grigorian\", dated \"1988\", titled \"Eclypse\" and inscribed \"1320 Madison Avenue N.Y.C. 10128\" on the verso, executed in 1988
81.28 x 58.42cm (32 x 23in).

马可斯·格里戈里安 日蚀I

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KOMA YASUTADA LINEAGE:A rogin lacquer three-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e, takamaki-e, and togidashi maki-e against a rogin (shibuichi-nuri) ground, depicting two Chinese boys playing by a tsuitate screen with a grained wood frame and bearing an ink landscape with sailboats and mountains, signed Koma Yasutada saku (Made by Koma Yasutada); ojime stone; netsuke wood, carved as a crouching figure
2 5/8in (6.6cm) high

KOMA YASUTADA血统 19世纪江户时期的罗金漆三箱