41. 萨尔瓦多·达利 图版38,出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 38 高清作品[34%]

Plate 38, from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 38, from Los Caprichos

图片文件尺寸 : 5088 x 3911px

Salvador Dalí:Plate 38, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 38, from Los Caprichos (2 works) (Field 77-3-44; Delteil 75; Harris 73), 1977; 1799
Heliogravure of Goya\'s plate 38, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 38, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版38,出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 38

42. 萨尔瓦多·达利 53号板块,戈雅突发奇想的地平线弗朗西斯科·戈雅(Francisco Goya)53号,多好的金峰啊!从幻想中 高清作品[32%]

Plate 53, El Horizonte from Les Caprices de Goya; FRANCISCO GOYA  Plate 53, Que Pico de Oro! from Los Caprichos

图片文件尺寸 : 4155 x 5805px

Salvador Dalí:Plate 53, El Horizonte from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 53, Que Pico de Oro! from Los Caprichos (2 works) (Field 77-3-27; Delteil 90; Harris 88), 1977; 1799
Heliogravure of Goya\'s plate 53, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 53, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 53号板块,戈雅突发奇想的地平线弗朗西斯科·戈雅(Francisco Goya)53号,多好的金峰啊!从幻想中

43. 萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想 高清作品[32%]

Plate 72, Con todos estos lios, no te escaparas  from Les Caprices de Goya; Francisco Goya , Plate 72, No te escaparas , from Los Caprichos

图片文件尺寸 : 4882 x 4623px

Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想

44. 萨尔瓦多·达利 54号板块,塔兰图拉(Tarantula),来自戈雅的随想曲弗朗西斯科·戈雅(Francisco Goya)第54版,一时兴起的耻辱 高清作品[32%]

Plate 54, Tarantula de poca monta, from Les Caprices de Goya; FRANCISCO GOYA  Plate 54, El Vergonrozo from Los Caprichos

图片文件尺寸 : 3931 x 4621px

Salvador Dalí:Plate 54, Tarantula de poca monta, from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 54, El Vergonrozo from Los Caprichos (2 works) (Field 77-3-26: Delteil 89; Harris 91), 1977; 1799
Heliogravure of Goya\'s plate 54, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 54, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 54号板块,塔兰图拉(Tarantula),来自戈雅的随想曲弗朗西斯科·戈雅(Francisco Goya)第54版,一时兴起的耻辱

45. 萨尔瓦多·达尔 第49版,戈雅随想曲中的山羊笼弗朗西斯科·戈雅(Francisco Goya)第49版,奇想中的妖精 高清作品[31%]

Plate 49, Cagallones de cabra from Les Caprices de Goya; FRANCISCO GOYA  Plate 49,  Duendecitos from Los Caprichos

图片文件尺寸 : 4326 x 5576px

Salvador Dal&~;: Plate 49, Cagallones de cabra from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 49, Duendecitos from Los Caprichos (2 works) (Field 77-3-31; Delteil 86; Harris 84), 1799; 1977
Heliogravure of Goya\'s plate, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 49, Duendecitos from Los Caprichos, circa 1881, etching on wove paper, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第49版,戈雅随想曲中的山羊笼弗朗西斯科·戈雅(Francisco Goya)第49版,奇想中的妖精

46. 宗教哲学。 4个标题: 高清作品[31%]

4 titles:

图片文件尺寸 : 5075 x 5921px

RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题:

47. 萨尔瓦多·达尔 图版65,《戈雅随想曲》中的Al matadero与FRANCISCO GOYA Plate 10,Donde v妈妈?来自Los Caprichos 高清作品[31%]

Plate 65, Al matadero from Les Caprices de Goya; WITH FRANCISCO GOYA  Plate 10, Donde vá mamá? from Los Caprichos

图片文件尺寸 : 4378 x 6019px

Salvador Dal&~;: Plate 65, Al matadero from Les Caprices de Goya; WITH FRANCISCO GOYA (1746-1828) Plate 10, Donde vá mamá? from Los Caprichos (2 works) (Field 77-3-16; Delteil 102; Harris 100), 1791; 1977
Heliogravure of Goya\'s plate 65, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 65, Donde vá mamá? from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 图版65,《戈雅随想曲》中的Al matadero与FRANCISCO GOYA Plate 10,Donde v妈妈?来自Los Caprichos

48. 萨尔瓦多·达利 24号板块,是戈雅一时兴起的一幅巨幅画作弗朗西斯科·戈雅(Francisco Goya)24岁,1977年一时兴起没有补救办法1799年 高清作品[31%]

Plate 24, Es un cuadro colosal from Les Caprices de Goya; FRANCISCO GOYA  Plate 24,  Nohubo remedio from Los Caprichos  1977; 1799

图片文件尺寸 : 4447 x 4683px

Salvador Dalí:Plate 24, Es un cuadro colosal from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 24, Nohubo remedio from Los Caprichos (2 works) 1977; 1799 (Field 77-3-57; Delteil 61; Harris 59), 1977;1799
Heliogravure of Goya\'s plate 24, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 24, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 1/2 x 8 3/8in (29.2 x 20.5cm)

萨尔瓦多·达利 24号板块,是戈雅一时兴起的一幅巨幅画作弗朗西斯科·戈雅(Francisco Goya)24岁,1977年一时兴起没有补救办法1799年

49. 六张<I>SURIMONO SHIKISHIBAN</I>照片 江户时代,19世纪 高清作品[31%]

Edo period , 19th century

图片文件尺寸 : 4888 x 5777px

SIX SURIMONO SHIKISHIBAN PRINTS:Edo period (1615-1868), 19th century
The first, a courtesan in a kimono decorated with a large dragon, and two poems, from the series Fuzoku onna Suikoden, hyaku-hachi ban no uchi (Fashionable Women as the 108 of the Water Margin), signed Ichiyusai Kuniyoshi ga (Utagawa Kuniyoshi, 1797–1861) and sealed; the second, the archer Miuranosuke confronting the court lady Tamamo no mae, with poems, signed Gakutei (Yashima Gakutei, 1786?–1868), with partially obscured publisher\'s seal; the third, depicting a beauty in a roundel and a peacock on a fan face, with a poem, from the series Honchoren juban tsuzuki (10 for the Honcho Circle), signed Gakutei (Yashima Gakutei, 1786?–1868) and sealed Sadaoka; the fourth, of the goddess Benzaiten playing a biwalute beneath prunus blossoms, with four poems, signed Eisen ga (Keisai Eisen, 1790-1848); the fifth, of two beauties, one preparing to put an inked brush to paper and the other holding a painting of Mount Fuji, with four poems, signed Keisai (Keisai Eisen, 1790-1848); the sixth, of two beauties playing with Japanese battledore and shuttlecock next to a blossoming prunus tree, with two poems, signed Eisho hitsu (Shunsai Eisho/Harukawa Eicho, 1784-1848) and sealed (6)
8 5/16 x 7 1/2in (21.1 x 19cm), the largest

六张<I>SURIMONO SHIKISHIBAN</I>照片 江户时代,19世纪

50. 萨尔瓦多·达尔 37号板,S来自戈雅的突发奇想弗朗西斯科·戈雅(Francisco Goya)板37,如果知道的话更多来自异想天开的门徒 高清作品[31%]

Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA  Plate 37, Si sabrá mas el discipulo from Los Caprichos

图片文件尺寸 : 3905 x 5874px

Salvador Dal&~;: Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 37, Si sabrá mas el discipulo from Los Caprichos (2 works) (Field; 77-3-45; Delteil 74; Harris 72), 1799; 1977
Heliogravure of Goya\'s plate 37, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 37, Si sabrá mas el discipulo from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 37号板,S来自戈雅的突发奇想弗朗西斯科·戈雅(Francisco Goya)板37,如果知道的话更多来自异想天开的门徒

fifth油画图片- 高清fifth绘画作品- 代表作全集 中艺名画下载


41. 萨尔瓦多·达利 图版38,出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 38 高清作品[34%]

Plate 38, from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 38, from Los Caprichos

图片文件尺寸 : 5088 x 3911px

Salvador Dalí:Plate 38, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 38, from Los Caprichos (2 works) (Field 77-3-44; Delteil 75; Harris 73), 1977; 1799
Heliogravure of Goya\'s plate 38, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 38, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版38,出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 38

42. 萨尔瓦多·达利 53号板块,戈雅突发奇想的地平线弗朗西斯科·戈雅(Francisco Goya)53号,多好的金峰啊!从幻想中 高清作品[32%]

Plate 53, El Horizonte from Les Caprices de Goya; FRANCISCO GOYA  Plate 53, Que Pico de Oro! from Los Caprichos

图片文件尺寸 : 4155 x 5805px

Salvador Dalí:Plate 53, El Horizonte from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 53, Que Pico de Oro! from Los Caprichos (2 works) (Field 77-3-27; Delteil 90; Harris 88), 1977; 1799
Heliogravure of Goya\'s plate 53, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 53, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 53号板块,戈雅突发奇想的地平线弗朗西斯科·戈雅(Francisco Goya)53号,多好的金峰啊!从幻想中

43. 萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想 高清作品[32%]

Plate 72, Con todos estos lios, no te escaparas  from Les Caprices de Goya; Francisco Goya , Plate 72, No te escaparas , from Los Caprichos

图片文件尺寸 : 4882 x 4623px

Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想

44. 萨尔瓦多·达利 54号板块,塔兰图拉(Tarantula),来自戈雅的随想曲弗朗西斯科·戈雅(Francisco Goya)第54版,一时兴起的耻辱 高清作品[32%]

Plate 54, Tarantula de poca monta, from Les Caprices de Goya; FRANCISCO GOYA  Plate 54, El Vergonrozo from Los Caprichos

图片文件尺寸 : 3931 x 4621px

Salvador Dalí:Plate 54, Tarantula de poca monta, from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 54, El Vergonrozo from Los Caprichos (2 works) (Field 77-3-26: Delteil 89; Harris 91), 1977; 1799
Heliogravure of Goya\'s plate 54, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 54, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 54号板块,塔兰图拉(Tarantula),来自戈雅的随想曲弗朗西斯科·戈雅(Francisco Goya)第54版,一时兴起的耻辱

45. 萨尔瓦多·达尔 第49版,戈雅随想曲中的山羊笼弗朗西斯科·戈雅(Francisco Goya)第49版,奇想中的妖精 高清作品[31%]

Plate 49, Cagallones de cabra from Les Caprices de Goya; FRANCISCO GOYA  Plate 49,  Duendecitos from Los Caprichos

图片文件尺寸 : 4326 x 5576px

Salvador Dal&~;: Plate 49, Cagallones de cabra from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 49, Duendecitos from Los Caprichos (2 works) (Field 77-3-31; Delteil 86; Harris 84), 1799; 1977
Heliogravure of Goya\'s plate, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 49, Duendecitos from Los Caprichos, circa 1881, etching on wove paper, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第49版,戈雅随想曲中的山羊笼弗朗西斯科·戈雅(Francisco Goya)第49版,奇想中的妖精

46. 宗教哲学。 4个标题: 高清作品[31%]

4 titles:

图片文件尺寸 : 5075 x 5921px

RELIGIOUS PHILOSOPHY. :4 titles:
1. CLARKE, SAMUEL. 1599-1682. A Mirrour or Looking-Glasse both for Saints, and Sinners. London: Printed for Thomas Newberry, 1654. 8vo (163 x 107 mm). Engraved portrait, additional engraved title with historiated border. Modern quarter morocco and marbled boards. Portrait laid down and trimmed into image border at outside edge, spotting and some staining.
2. [PEYRERE, ISAAC DE LA. 1596-1676.] Men before Adam. Or a Discourse upon the twelfth, thirteenth, and fourteenth verses of the Fifth Chapter of the Epistle of the Apostle Paul to the Romans. London: 1656. 8vo (165 x 100 mm). Engraved folding map of the holy lands. Contemporary mottled calf, rebacked, morocco gilt lettering piece on spine. Extensive ink notations on recto and verso of front blank and rear endpaper, ink ownership inscription on title, some ink marginalia, browning and minor staining, margins and edges of map trimmed.
3. DALE, ANTHONY. 1638-1708. De oraculis veterum ethnicorum dissertiones duae.... Amsterdam: Henric and Theodor Boom, 1700. 8vo (210 x 159 mm). Title page in red and black with woodcut printer\'s device, 8 folding engraved plates. Modern half calf and marbled boards. Library stamp on title (Ex Bibliotheca Viennensis), crudely erased; light spotting. Second edition. Caillet 10999.
4. WILLIAM OF TYRE. 1130-1186. Geschichte der Kreuzzuege und des Koenighreichs Jerusalem. Stuttgart: Adolph Krabbe, 1840. 8vo. Publisher\'s mottled boards. Wear and chipping to covers, corners bumped, lacking 2 plans and a chart, spotting and foxing. First German edition of Historia rerum in partibus transmarinis gestarum, translated by E. and R. Kausler.

宗教哲学。 4个标题:

47. 萨尔瓦多·达尔 图版65,《戈雅随想曲》中的Al matadero与FRANCISCO GOYA Plate 10,Donde v妈妈?来自Los Caprichos 高清作品[31%]

Plate 65, Al matadero from Les Caprices de Goya; WITH FRANCISCO GOYA  Plate 10, Donde vá mamá? from Los Caprichos

图片文件尺寸 : 4378 x 6019px

Salvador Dal&~;: Plate 65, Al matadero from Les Caprices de Goya; WITH FRANCISCO GOYA (1746-1828) Plate 10, Donde vá mamá? from Los Caprichos (2 works) (Field 77-3-16; Delteil 102; Harris 100), 1791; 1977
Heliogravure of Goya\'s plate 65, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 65, Donde vá mamá? from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 图版65,《戈雅随想曲》中的Al matadero与FRANCISCO GOYA Plate 10,Donde v妈妈?来自Los Caprichos

48. 萨尔瓦多·达利 24号板块,是戈雅一时兴起的一幅巨幅画作弗朗西斯科·戈雅(Francisco Goya)24岁,1977年一时兴起没有补救办法1799年 高清作品[31%]

Plate 24, Es un cuadro colosal from Les Caprices de Goya; FRANCISCO GOYA  Plate 24,  Nohubo remedio from Los Caprichos  1977; 1799

图片文件尺寸 : 4447 x 4683px

Salvador Dalí:Plate 24, Es un cuadro colosal from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 24, Nohubo remedio from Los Caprichos (2 works) 1977; 1799 (Field 77-3-57; Delteil 61; Harris 59), 1977;1799
Heliogravure of Goya\'s plate 24, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 24, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 1/2 x 8 3/8in (29.2 x 20.5cm)

萨尔瓦多·达利 24号板块,是戈雅一时兴起的一幅巨幅画作弗朗西斯科·戈雅(Francisco Goya)24岁,1977年一时兴起没有补救办法1799年

49. 六张<I>SURIMONO SHIKISHIBAN&lt;/I>照片 江户时代,19世纪 高清作品[31%]

Edo period , 19th century

图片文件尺寸 : 4888 x 5777px

SIX SURIMONO SHIKISHIBAN PRINTS:Edo period (1615-1868), 19th century
The first, a courtesan in a kimono decorated with a large dragon, and two poems, from the series Fuzoku onna Suikoden, hyaku-hachi ban no uchi (Fashionable Women as the 108 of the Water Margin), signed Ichiyusai Kuniyoshi ga (Utagawa Kuniyoshi, 1797–1861) and sealed; the second, the archer Miuranosuke confronting the court lady Tamamo no mae, with poems, signed Gakutei (Yashima Gakutei, 1786?–1868), with partially obscured publisher\'s seal; the third, depicting a beauty in a roundel and a peacock on a fan face, with a poem, from the series Honchoren juban tsuzuki (10 for the Honcho Circle), signed Gakutei (Yashima Gakutei, 1786?–1868) and sealed Sadaoka; the fourth, of the goddess Benzaiten playing a biwalute beneath prunus blossoms, with four poems, signed Eisen ga (Keisai Eisen, 1790-1848); the fifth, of two beauties, one preparing to put an inked brush to paper and the other holding a painting of Mount Fuji, with four poems, signed Keisai (Keisai Eisen, 1790-1848); the sixth, of two beauties playing with Japanese battledore and shuttlecock next to a blossoming prunus tree, with two poems, signed Eisho hitsu (Shunsai Eisho/Harukawa Eicho, 1784-1848) and sealed (6)
8 5/16 x 7 1/2in (21.1 x 19cm), the largest

六张<I>SURIMONO SHIKISHIBAN</I>照片 江户时代,19世纪

50. 萨尔瓦多·达尔 37号板,S来自戈雅的突发奇想弗朗西斯科·戈雅(Francisco Goya)板37,如果知道的话更多来自异想天开的门徒 高清作品[31%]

Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA  Plate 37, Si sabrá mas el discipulo from Los Caprichos

图片文件尺寸 : 3905 x 5874px

Salvador Dal&~;: Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 37, Si sabrá mas el discipulo from Los Caprichos (2 works) (Field; 77-3-45; Delteil 74; Harris 72), 1799; 1977
Heliogravure of Goya\'s plate 37, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 37, Si sabrá mas el discipulo from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 37号板,S来自戈雅的突发奇想弗朗西斯科·戈雅(Francisco Goya)板37,如果知道的话更多来自异想天开的门徒