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约翰·威廉·沃特豪斯的《甜蜜的远方》-John William Waterhouse

甜蜜的没有--John William Waterhouse (英国, 1849 - 1917)

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“参观你最西边的国家公园乘坐匿名者的火车旅行-train by Anonymous

参观你的远西国家公园旅行--Anonymous

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约翰·格奥尔格·梅耶·冯·布莱门的《山上（山上和远方）》-Johann Georg Meyer von Bremen

越过山丘和远方-Johann Georg Meyer von Bremen (德国, 1813–1886)

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Mayama Kōji的《南满洲铁路远东与欧洲最重要的连接线（涪陵）》-Mayama Kōji

南满铁路远东与欧洲最重要的联系[涪陵]--Mayama Kōji (Japanese, 19th/20th Century)

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奈良美智 九部作品：N＆s YARD海报午夜真相；在银河湖/思考一；毯子；棒棒糖让我们谈谈荣耀；年轻母亲；我该去吗？；消息明天很遥远

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FOUR RARE ASTROLOGICAL TREATISES.:A sammelband including:
1. REGIOMONTANUS, JOHANNES. 1436–1476. Tabul[a]e Directionum... Cum plerisq[ue] additionibus: ac novis tabellis: quin [et] Gaurici compendiolo. Edited by Luca Gaurico. Venice: Lucas Antonius Junta, 1524.
8vo (210 x 145 mm). Title page in red and black, woodcut printer\'s device in red at base, and at colophon of each part. Contemporary German blindstamped pigskin over wooden boards, brass clasps, straps renewed.
Provenance: Gyorgy Kern? (ink inscription); two library stamps (illegible).
2. ALCHABITIUS [AL-QABISI, ABU AL-SAQR \'ABD AL-\'AZIZ IBN \'UTHMAN IBN \'ALI]. Fl.950. Opus ad scrutanda stellarum magisterial isagogicum. Venice: Melchior Sessa Petrus de Ravanis, 1521.
Sessa woodcut device to title, woodcut horoscopes and diagrams. Adams A-24.
3. LEOPOLD, DUKE OF AUSTRIA. 1176-1230. Compilatio de astrorum scientia Decem continentis tractatus. Venice: Melchior Sessa Petrus de Ravanis, 1520.
Adams L-516.
4. ALBUMASAR [ABU MA\'SHAR AL-BALKHI, JA\'FAR IBN MUHAMMAD]. 787-886. De magnis coniunctionibus annorum revolutionibus ac eorum profectionibus octo continens tractatus. Venice: Melchoir Sessa, 1515. Woodcut illustration of an astronomer to title, Sessa device to colophon, 271 woodcut illustrations of planets constellations, diagrams and horoscopes. Adams A-566.

A very rare compendium of early 16th-century Venetian editions of important astrological and astronomical works, bound in a contemporary German pigskin binding. Leopold\'s compendium consists primarily of the writings of Abu Ma\'shar. The woodcuts in the last work are executed in the most accomplished Venetian manner.

四本罕见的占星论著。 sammelband包括：

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ALDROVANDI, ULISSE.:De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.
Folio (358 x 230 mm). Engraved title with architectural border, engraved portrait, woodcut illustrations throughout. Modern morocco-backed marbled paper boards, gilt titles to spine. Engraved title repaired and laid down, as is the \"Registrum\" at end.

FIRST EDITION of Aldrovandi\'s treatise on shellfish, octopi, shells, and jellyfish—one of the earliest works and the largest assembly of conchological illustrations and descriptions to date. Aldrovandi \"was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds\" (DSB). Nissen ZBI 68.

乌利塞，阿尔德罗凡迪。 在他死后，我吃了书中剩下的四种动物：不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚：J.B.Bellagambam，1606年。

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托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

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EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.

东亚艺术。 10个标题：

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BRY, THEODOR DE. 1528-1598; AND THOMAS HARIOT.:Admiranda Narratio Fida Tamen, de Commodis et Incolarum Ritibus Virginiae. Frankfurt: Johann Wechel, 1590.
Folio (332 x 240 mm). Engraved title (first issue, see below), engraved arms on dedication leaf, double-page engraved map of Virginia in first state, engraved plate of Adam and Eve in first state with inscription \"Iodocus a winghe in Theodore de Bry fe.\" and 27 engraved plates after John White. Late 19th-century red morocco gilt by \"Bradstreet\'s for J. Comly MacCoy,\" gilt edges. Some light mostly marginal staining. Provenance: J.C. MacCoy (booklabel and binding).


FIRST EDITION, MOSTLY FIRST ISSUE (see below) OF THE FIRST VOLUME OF DE BRY\'S GREAT VOYAGES, BEING THOMAS HARIOT\'S DESCRIPTION OF VIRGINIA, and published during De Bry\'s lifetime. Thomas Hariot accompanied the 1585 expedition to Roanoke funded by Sir Walter Raleigh and acted as a translator. He had learned Carolina Algonquian from two Roanoke chiefs brought to England by Raleigh the year before. His account is a very encouraging one as the mysterious disappearance of Roanoke colony was not reported in Europe until John White, the expedition artist and mapmaker, returned in 1590.The 23 illustrations to the text, which are after John White\'s drawings, are by far the most important visual record of New World natives as first encountered by the English colonists. Also included is the highly important double-page map, the first map to identify Chesapeake Bay and \"the first printed map of this degree of detail and accuracy for any part of the present area of the United States\" (Cumming). It was dubbed by Burden \"one of the most significant cartographical milestones in colonial North American history ... the most accurate map drawn in the sixteenth century of any part of that continent. It became the prototype of the area until long after James Moxon\'s map in 1671... This is the first map to focus on Virginia (now largely North Carolina), and records the first English attempts at colonization in the New World. First issue engraved title as Church 140a, the plate not worn but without the printed \"cum gratia et privilege...\" at the bottom of the title panel. Map and most plates in first issue (plates 4, 7, 11, 12 second issue). D6 is a blank and genuine. Burden 76 (first state); Church 140; Cumming Southeast 12-13; European Americana 590/31; Sabin 8784.

布莱，西奥多·德。1528-1598年托马斯·哈里奥特。 弗吉尼亚州商业和国际贸易部。法兰克福：约翰·韦切尔，1590年。