图片文件尺寸 : 2756 x 3668px

埃德加·德加的《梳头发的女人》-Edgar Degas

梳头发的女人--Edgar Degas (法国, 1834-1917)

图片文件尺寸 : 2817 x 4000px

阿尔伯特·贝斯纳德的《裸女梳头》-Albert Besnard

裸体女孩梳头--Albert Besnard (法国, 1849-1934)

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Edward Collier:A trompe l\'oeil still life of a framed letter rack with a copy of Antony Thysius\'s Sondaghsche uren, a letter, a Delft Almanac, two combs, a quill, a portrait miniature and other objects,
signed with initials \'E.C.\' (on the letter, centre)
oil on panel
46.2 x 64.3cm (18 3/16 x 25 5/16in).

爱德华·科利尔 一个装裱的书架上的错视静物，上面有安东尼·蒂修斯（Antony Thysius）的《Sondaghsche uren》、一封信、一本代尔夫特年鉴、两把梳子、一根羽毛笔、一幅肖像画和其他物品，

图片文件尺寸 : 4933 x 5492px

AN ARITA PORCELAIN VASE:Edo period (1615-1868), late 17th century
Decorated in in underglaze cobalt blue, polychrome enamels, and gilt with continuous design of pine, plum and bamboo, the \"Three Friends of Winter\", the shoulder painted with a collar of floral octagonal reserves framed by a cloud band and a comb-tooth pattern, with a later wood dome cover pierced with floral scroll, and a fitted wood stand
10 3/8in (26.5cm) high (jar only)

阿里塔瓷瓶 江户时期，17世纪晚期

图片文件尺寸 : 2913 x 4000px

Jan Van Os的《牡丹、公鸡梳和牵牛花与菠萝、玉米穗、甜瓜、葡萄、李子和覆盆子的静物》-Jan Van Os

牡丹静物，公鸡’s梳子和牵牛花配菠萝、玉米穗、甜瓜、葡萄、李子和覆盆子--Jan Van Os (荷兰, 1744–1808)

图片文件尺寸 : 4778 x 5216px

NARITA MORIKANE (DATES UNKNOWN):Two woodblock prints
Showa era (1926-1989), 1931
Each an oban tate-e, the first depicting a beauty combing her hair by a river, her kimono hanging on a branch beside her, the second depicting a beauty applying a red band to her upper arm, both form the series Adesugata Nijushi ko (24 Figures of Charming Women), each signed and sealed Morikane, and with publisher\'s seal Yamase (2)
16 x 11 1/8in (40.6 x 28.2cm)

纳瑞塔·莫里凯恩（日期不详） 两幅木版印刷品《昭和时代》，1931年

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Kunzite and Hiddenite Carving of a Cockatoo by Manfred Wild :Circa 1980
Idar-Oberstein, Germany
The body of this attractive mid-sized bird is carved from a rare transparent pastel green Spodumene known as Hiddenite, surmounted by a comb and tail feathers of pink kunzite rendered from the same variety of Spodumene. The gold vermeil feet rest upon a base of associated Brazilian minerals, namely blue-green tourmaline in a matrix of lepidolite and quartz, unsigned. Measuring 6 x 5 x 3 1/2in (15.3 x 12.7 x 8.9cm)

曼弗雷德·维尔德的昆兹特和希登石雕鹦鹉 无 题

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朱塞佩·甘巴里 一个春天的寓言，一个年轻女人梳着头发，另一个拿着一篮花，在风景中还有一个冬天的寓言，一个年轻女人在室内旋转，一个老妇人和孩子在火盆上取暖

图片文件尺寸 : 4515 x 4269px

Circle of Santi di Tito:Portrait of a lady, three-quarter-length, traditionally identified as Lady Trevelyan, in a black dress holding a book
bears inscription \'Lady Trevelyan wife of/ Sir John Trevelyan/ of Nettle Combe/ and daughter of/ Sir John Halywell Knight\' (on the reverse)
oil on canvas
131 x 97cm (51 9/16 x 38 3/16in).

提图斯圣徒圈 一位女士的肖像，四分之三长，传统上被称为特雷维廉女士，穿着黑色连衣裙，手里拿着一本书

图片文件尺寸 : 4959 x 5094px

KIKUGAWA EIZAN (1787-1867):Three woodblock prints
Edo period (1615-1868), circa 1811-1814
Oban tate-e prints including:
Hira bosetsu (Twilight Snow at Mount Hira), from the series Furyu bijin Omi hakkei (Fashionable Beauties for the Eight Views of Omi), signed Eizan hitsu, published by Sanoya Kihei; Toi no Tamagawa (The Cloth-fulling Jewel River), from the series Furyu Mutamagawa (Fashionable Six Jewel Rivers), signed Kikugawa Eizan hitsu, published by Yamaguchi Tobei; a beauty combing a child\'s topknot from the series Bijin ko-dakara awase (Comparison of Beauties and Precious Children), signed Kikugawa Eizan hitsu, published by Moriya Jihei (3)
15 1/8 x 10 1/8in (38.4 x 25.7cm) the first two, approximately; 13 3/4 x 9 1/8in (34.9 x 23.2cm), the third

Kikugawa Eizan（1787-1867） 三幅木版版画多时期，约1811-1814年