41. “海因里希·维尔纳（1830年1861年），费迪南德·格奥尔格·瓦尔德米勒（Ferdinand Georg Waldmüller）的已婚夫妇约翰和马格达莱娜·维尔纳的儿子高清作品[90%]

图片文件尺寸 : 2749 x 3508px

“海因里希·维尔纳（1830年1861年），费迪南德·格奥尔格·瓦尔德米勒（Ferdinand Georg Waldmüller）的已婚夫妇约翰和马格达莱娜·维尔纳的儿子-Ferdinand Georg Waldmüller

Heinrich Werner (1830 1861), der Sohn des Ehepaares Johann und Magdalena Werner--Ferdinand Georg Waldmüller (奥地利, 1793-1865)

42. UTAGAWA KUNIYOSHI（1797-1861）江户时代，19世纪中期高清作品[90%]

图片文件尺寸 : 4776 x 5696px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), mid-19th century
A vertical oban tate-e print triptych entitled Yoshinoyama gassen (Battle at Mount Yoshino) depicting the fight between Sato Tadanobu, dressed in Minamoto Yoshitsune\'s armor, and the Yamabushi (warrior monk) Yokogawa Kakuhan, signed Ichiyusai Kuniyoshi and with a kiri seal; published by Sumiyoshiya Matagoro, with a black aratame seal and censor\'s seals Kinugasa and Murata (3)
14 x 9 1/2in (35.6 x 24cm) each approximately

UTAGAWA KUNIYOSHI（1797-1861）江户时代，19世纪中期

43. “工业士兵，帕西第一口井的司钻（1855-1861），作者：Ignace François Bonhome 高清作品[89%]

图片文件尺寸 : 2814 x 5379px

“工业士兵，帕西第一口井的司钻（1855-1861），作者：Ignace François Bonhome-Ignace François Bonhomme

Les soldats de lindustrie, premier foreur du puits de Passy (18551861)--Ignace François Bonhomme (法国, 1809-1881)

44. “工业士兵，第二个帕西井司钻（1855-1861），作者：Ignace François Bonhome 高清作品[89%]

图片文件尺寸 : 3012 x 5315px

“工业士兵，第二个帕西井司钻（1855-1861），作者：Ignace François Bonhome-Ignace François Bonhomme

Les soldats de lindustrie, deuxième foreur du puits de Passy (18551861)--Ignace François Bonhomme (法国, 1809-1881)

45. 尼古拉斯·皮涅曼（Nicolas Pieneman）的《一个人的肖像》，可能是彼得鲁斯·奥古斯特斯·德·热内斯特特（Petrus Augustus de Genestet，1829-1861）高清作品[86%]

图片文件尺寸 : 3182 x 3752px

尼古拉斯·皮涅曼（Nicolas Pieneman）的《一个人的肖像》，可能是彼得鲁斯·奥古斯特斯·德·热内斯特特（Petrus Augustus de Genestet，1829-1861）-Nicolaas Pieneman

Portrait of a Man, perhaps Petrus Augustus de Genestet (18291861)--Nicolaas Pieneman (荷兰, 1809 – 1860)

46. UTAGAWA KUNIYOSHI（1797-1861）江户时期，约1844-1845年，三幅木版印刷品高清作品[86%]

图片文件尺寸 : 4794 x 3855px

UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately

UTAGAWA KUNIYOSHI（1797-1861）江户时期，约1844-1845年，三幅木版印刷品

47. Utagawa Kuniyoshi（1797-1861）怪物骷髅时期，约1844年高清作品[85%]

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi（1797-1861）怪物骷髅时期，约1844年