Liu Yichun, Chen Yifeng. Long Museum West Bund, Shanghai, China. 2011–2014
刘一春,陈一峰。中国上海西外滩龙博物馆。2011–2014-
大约有52幅作品符合查询(搜索耗时:0.0309秒)
图片文件尺寸 : 5038 x 4024px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), 1770
A chuban tate-e print depicting a courtesan of the Motoya with a client disguised as an itinerant monk, his face reflected in a basin on the veranda, signed Suzuki Harunobu ga
11 x 8 1/8in (28.1 x 20.5cm)
铃木春武(1725-1770) 江户时代,1770年
图片文件尺寸 : 3966 x 4107px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), circa 1768-69
A chuban tate-e print entitled Matsu wa senzai no chigiri (The Pine Tree Is a Pledge of 1,000 Years), depicting two lovers and a poem, signed Suzuki Harunobu ga
10 7/8 x 8in (27.7 x 20.3cm)
铃木春武(1725-1770) 江户时期,约1768-69年
图片文件尺寸 : 4186 x 5793px
SUZUKI HARUNOBU (1725-1770) AND KATSUKAWA SHUNCHO (ACTIVE CIRCA 1780-1801):Two chuban yoko-e prints and eight oban yoko-e shunga prints
Edo period (1615-1868), 18th century
Two chuban yoko-e prints; the first depicting a young man\'s striped kimono draped on a rack, and a noren (cloth curtain) with kiri (paulownia), sealed Koryu; the second entitled Woman under Kotatsu and Masked Man, from the series Enshoku koi no urakata (The Spell of Amorous Love); eight oban yoko-e shunga prints; the first two prints from the series Koshoku zue juniko (Erotic Illustrations for the 12 Months); the other six prints from the series Imayo irokumi no ito (Threads of Modern Encounters) in five designs, each unsigned (10)
10 1/16 x 15 3/8in (25.2 x 39.2cm), the largest
铃木春武(1725-1770)和长川顺町(活跃于1780-1801年) 江户时期,18世纪,两幅竹本横绘和八幅奥本横绘
大约有52幅作品符合查询(搜索耗时:0.0309秒)
图片文件尺寸 : 5038 x 4024px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), 1770
A chuban tate-e print depicting a courtesan of the Motoya with a client disguised as an itinerant monk, his face reflected in a basin on the veranda, signed Suzuki Harunobu ga
11 x 8 1/8in (28.1 x 20.5cm)
铃木春武(1725-1770) 江户时代,1770年
图片文件尺寸 : 3966 x 4107px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), circa 1768-69
A chuban tate-e print entitled Matsu wa senzai no chigiri (The Pine Tree Is a Pledge of 1,000 Years), depicting two lovers and a poem, signed Suzuki Harunobu ga
10 7/8 x 8in (27.7 x 20.3cm)
铃木春武(1725-1770) 江户时期,约1768-69年
图片文件尺寸 : 4186 x 5793px
SUZUKI HARUNOBU (1725-1770) AND KATSUKAWA SHUNCHO (ACTIVE CIRCA 1780-1801):Two chuban yoko-e prints and eight oban yoko-e shunga prints
Edo period (1615-1868), 18th century
Two chuban yoko-e prints; the first depicting a young man\'s striped kimono draped on a rack, and a noren (cloth curtain) with kiri (paulownia), sealed Koryu; the second entitled Woman under Kotatsu and Masked Man, from the series Enshoku koi no urakata (The Spell of Amorous Love); eight oban yoko-e shunga prints; the first two prints from the series Koshoku zue juniko (Erotic Illustrations for the 12 Months); the other six prints from the series Imayo irokumi no ito (Threads of Modern Encounters) in five designs, each unsigned (10)
10 1/16 x 15 3/8in (25.2 x 39.2cm), the largest
铃木春武(1725-1770)和长川顺町(活跃于1780-1801年) 江户时期,18世纪,两幅竹本横绘和八幅奥本横绘