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YAMADA JOKASAI:A gold lacquer three-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver and colored takamaki-e and shell against a matte gold lacquer ground, one side with a cockerel peering out from a basket of twigs and the other with a hen and chicks on a gardener\'s leaf-scoop, signed Joka with a kao (cursive monogram); agate ojime
2 1/2in (6.3cm) high

山田县 19世纪江户时代或明治时代的金漆三箱

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TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each

筑冈义雄（1839-1892） 明治时代，1885-1895年

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A FINE MINIATURE UCHIDASHI (REPOUSSE) ARMOR:Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century
The component parts of russet-iron, including a kabuto adorned with a gilt-metal oni maedate, hanbo, do, o-sode, kote, haidate, and tsubo suneate, all assembled and laced in the manner of a full-sized armor, the do and o-sode decorated with a coiling rain dragon hammered up in uchidashi technique; with a stand and wood storage box
14 1/4in (36.3cm) high, mounted as in illustration

一种精致的微型内置（再生）盔甲 明治或大正时代，20世纪初

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YOSHIMITSU (LATE 19TH CENTURY):A pair of large bronze models of archers
Meiji era (1869-1912), late 19th century
Cast in two shades of bronze and highlighted with gilt, each archer shown in a back-leaning stance, their bows drawn with an arrow notched, dressed in armor decorated on the cuirass with dragon and phoenix roundels and carrying a quiver of arrows, a sword and dagger at his side, signed Yoshimitsu saku; each set on a wood base
20 1/4in (51.4cm) high (figure only, excluding bow); 29in (73cm) high overall

YOSHIMITSU（19世纪晚期） 一对大型弓箭手青铜模型明治时代，19世纪晚期

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HOSHIN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver, black, and red hiramaki-e and takamaki-e against a gold kinji and fine hirame ground, depicting a large stag beetle and other insects including a grasshopper, a mantis, and a dragonfly, signed Hoshin; fitted with a glass bead ojime
3 1/4in (8.2cm) high

霍辛[印度西南部城市] 19世纪江户时代或明治时代的金漆四箱

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TWO LACQUER BOXES:Edo period (1615-1868) or Meiji era (1868-1912), 19th/early 20th century
Both boxes with domed overhanging kabusebuta covers, decorated in gold and silver hiramaki-e on a nashiji or hirame ground, the larger tebako (cosmetic box) with floral family crests and scrolling vines and flowers with inlays of shell, applied with gilt cord rings engraved with paulownia flowers, with a removable inner tray decorated in hirame on a dark brown ground; the smaller fushibako (pigment box) decorated with fruiting tachibana (mandarin) and pine trees, interiors nashiji
6in (15.2cm) high, the larger

两个漆盒 江户时代或明治时代，19世纪/20世纪初

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JITOKUSAI GYOKUZAN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of oval profile with applied cord-runners, decorated in gold and colored hiramaki-e and takamaki-e against a gold hirame and nashiji ground, depicting a rats\' wedding: rats in samurai uniform carry a norimono (palanquin) across the tiled roof of a grand human dwelling, bamboo in the background, signed Jitokusai Gyokuzan with a kao (cursive monogram); coral bead ojime
3 1/2in (8.9cm) high

吉多库赛·久库赞 19世纪江户时代或明治时代的金漆四箱

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KOMAI OTOJIRO (ACTIVE LATE 19TH CENTURY):A fine inlaid-iron dish
Meiji era (1868-1912), circa 1875-1880
The circular lobed dish set on a ring foot and chiseled and inlaid in gold and silver with a central reserve of Bukan Zenshi raising his arm as if to strike his tiger companion, the surrounding area decorated with ten smaller roundels of landscapes and various geometric patterns, the rim with a band of fruiting grape leaves, signed in silver on the underside in a rectangular reserve Nihon Kyoto no ju Komai sei
8 1/2in (21.6cm) diameter

小井户次郎（活跃于19世纪晚期） 在镶嵌铁碟的末期，明治大约在1875-1880年

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A FINE LACQUER BUNKO (DOCUMENT BOX):Meiji era (1868-1912), late 19th century
Rectangular with rounded corners decorated in gold and silver takamaki-e, hiramaki-e, kinji and nashiji with embellishments of pewter, mother-of-pearl, hirame, kirikane, and inlaid gilt metal, the exterior with a continuous scene of a mooring with a thatched roof by rushing waters with reeds and mooring piles, a flock of chidori (sea birds) in flight beneath a full moon and clouds, the interior of the cover decorated with scattered shells from the kaiawase (shell-matching) game, with silver rims
With a wood tomobako storage box
16 x 12 3/4 x 5 1/4in (40.6 x 32.3 x 13.2cm)

一个精美的漆布子（文件盒） 明治时代，19世纪晚期

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YAMAKAWA TAKATSUGU (ACTIVE LATE 19TH/EARLY 20TH CENTURY):A pair of silver okimono (table ornaments) of carp
Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century
Cast in silver as a pair of swimming carp, the surface worked to resemble the natural skin and scales of the fish, the eyes finished in shakudo and gilt, signed Takatsugu, with a wood stand (2)
13 1/4in (33.6cm) long, the longer

山川高松（活跃于19世纪末/20世纪初） 一对19世纪末/20世纪初大正时代或明治时代的银观音