图片文件尺寸 : 4289 x 5317px

AUGUSTE RODIN: Age d\'Airain, petit modle dit aussi \'2me rduction\'
signed \'Rodin\' (on the base), inscribed with the foundry mark \'Alexis Rudier Fondeur Paris\' (to the verso) and stamped with the raised signature \'A. Rodin\' (on the inside of the base)
bronze with brown-black patina
64.4 cm (25 3/8in). high
Conceived between 1875-1877, this reduction from November 1904, this bronze version cast by the Alexis Rudier Foundry in November 1943.

八月日 黄铜时代，小型MOD也就是说“2ME R减少

图片文件尺寸 : 3941 x 4018px

After Andy Warhol:Ludwig van Beethoven, c. 2002
Porcelain plaque with printed décor in colors in original wooden frame, with the printed signature \'Andy Warhol\' and the manufacturer\'s mark \'Rosenthal studio-line\', numbered \'42\'/49 in felt pen on the edition label affixed to the frame verso, from the series \'Andy Warhol Collection\', published by Rosenthal studio-line, Germany and The Andy Warhol Art Foundation for the Visual Arts Inc., New York, with edition label, accompanying certificate and original wooden box.
20 1/8 x 20 1/8 x 1in (51 x 51 x 2.5cm) including frame

安迪·沃霍尔之后 路德维希·范·贝多芬

图片文件像素：5663 x 4147 px

米谢·弗龙-

Jean-Michel Folon * - Zeitgenössische Kunst I-

(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.

This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.

This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.

Provenance:
European Private Collection

The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.

La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.

“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César

图片文件尺寸 : 4173 x 4118px

KOMAI COMPANY:An inlaid-iron dish
Meiji era (1868-1912), late 19th century
Circular and set on three low bracket feet, decorated in gold and silver overlays with a temple and shrine complex, a village, and sailing vessels in the distance before Mount Fuji, all framed by a writhing dragon and phoenix in flight on trailing ivy, scattered cherry blossoms, and clouds, the rim with chrysanthemum florets, signed in gilt in a rectangular reserve Nihon Kyoto no ju Komai sei below a dragonfly mark
7 3/8in (18.7cm) diameter

科迈 一个镶嵌的铁碟明治时代，19世纪晚期

图片文件尺寸 : 4961 x 4823px

A KOREAN TEA BOWL OF GOHON TYPE:Joseon dynasty (1392-1897), 17th/18th century
Of stoneware covered with biwa loquat-colored glaze with cream-colored highlights typical of Korean wares made for export to the Japanese market, the bowl thinly potted with shallow horizontal striations encircling the exterior, the foot ring unglazed with chatter marks to the interior; with wood storage box having calligraphy on lid stating Gohonde Chawan and label on reverse of lid certifying that the calligraphy was written by Matsudaira Ise no Kami Tada[]
5 1/2 x 5 3/4 x 2 3/8 (14 x 14.7 x 6.1cm)

一个朝鲜式茶碗 朝鲜王朝，17-18世纪

图片文件尺寸 : 4887 x 5305px

Mark Tobey:After the Harvest; Devoted, from Transitions; Blossoming Moments (3 works), 1971; 1970
2 etchings and aquatints and 1 screenprint in colors on assorted wove papers, each signed in pencil, dated and numbered 5/75; 25/75; 93/96, respectively, each with the blindstamp of the publisher Editions de Beauclair, Frankfurt am Main, each with full margins. (3 works)
12 1/2 x 9 1/2in (31.7 x 24cm); 12 1/2 x 9 1/2in (31.7 x 24cm); 19 x 13 1/2in (48.2 x 34.2cm)
sheet 21 x 17in (53.3 x 43.1cm); 21 x 17in (53.3 x 43.1cm); 26 x 19 7/8in (66 x 50.5cm)

托贝 收获后专注于过渡绽放的瞬间

图片文件尺寸 : 4642 x 5258px

Mark Tobey:Kopf; Trio, pl. 1, from Transitions; Movements in White, pl. 7 from Transitions (3 works), 1967;1970
1 lithograph and 2 etchings and aquatints in colors on assorted wove papers, each signed in pencil, dated and numbered 45/150; 9/75; 25/75, respectively, two with the blindstamp of the publisher Editions de Beauclair, Frankfurt am Main, each with full margins. (3 works)
8 x 6in (20.3 x 15.2cm); 12 1/2 x 9 1/2in (31.7 x 24cm); 12 1/2 x 9 1/2in (31.7 x 24cm)
sheet 13 x 10in (33 x 25.4cm); 21 x 17in (53.3 x 43.1cm); 21 x 17in (53.3 x 43.1cm)

托贝 Kopf三人组，第1页，来自Transitions白色运动，第7页，来自Transitions

图片文件尺寸 : 4294 x 4781px

AUGUSTE RODIN:Nu féminin assis, petit modèle dit aussi \'Petite étude de mouvement\'
signed \'A. Rodin\' (to the front), inscribed \'© by Musée Rodin 1962\' (on the rim), inscribed with the foundry mark \'Georges Rudier Fondeur Paris\' (on the reverse), imprinted with the Musée Rodin reference number \'619\' (on the reverse) and stamped with the raised signature \'A. Rodin\' (on the inside)
bronze with black-green patina
30.2cm (11 7/8 in). high
Conceived circa 1885, this bronze version cast by the Georges Rudier Foundry in 1962 in an edition of 11.

八月日 裸体女性坐着，小模特也说“小动作研究”30.2厘米高

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi（1797-1861） 怪物骷髅时期，约1844年

图片文件尺寸 : 4448 x 5897px

Pablo Picasso:Original copper plate VII from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière,Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 VII\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
etching sheet 13 x 10in (33 x 25.5cm)

巴勃罗·毕加索 Carmen Portfolio的原版铜版VII，附带纸上蚀刻