411. 萨尔瓦多·达利 卡门 高清作品[40%]

Carmen

图片文件尺寸 : 4472 x 5814px

Salvador Dalí:Carmen (Michler Löpsinger 1304-1328)
The complete set of 25 lithographs in colours, 1970, on Japan paper, with title, text in English and justification, each sheet signed and inscribed F/J in pencil, also inscribed F/J in black pen on the justification, one of 26 sets on this paper aside from the edition of 250 on Arches, published by Shorewood Publishers, Inc., New York, the full sheets, loose (as issued), each with very pale time staining, in overall good condition, within the original red cloth-covered portfolio with gold lettering

Sheets 647 x 495mm. (25 1/2 x 19 1/2in.); Folio 695 x 530mm. (27 3/8 x 20 7/8in.)

萨尔瓦多·达利 卡门

412. 约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen) 高清作品[39%]

Konrad Wachsmann, Bauen in Unserer Zeit (Architecture in Our Time) (Poster for an exhibition at the Kunstgewerbemuseum Zürich)-

图片文件尺寸 :

约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen)-Josef Müller-Brockmann

Konrad Wachsmann,Bauen in Unser Zeit(我们时代的建筑)(苏黎世Kunstgewerbemuseum展览海报)--Josef Müller-Brockmann (瑞士, 1914 – 1996)

413. 伦纳德·祖古哈鲁·福吉塔 猫躺着,从猫那里 高清作品[38%]

Chat Allongé, from Les Chats

图片文件尺寸 : 4029 x 5825px

Léonard Tsuguharu Foujita:Chat Allongé, from Les Chats (Buisson 29.200)
Etching with aquatint, 1929, chine collé on imperial Japan paper, signed \'Foujita\' and signed again in Japanese \'Tsuguharu\', inscribed \'E.A.\' in pencil, an artist\'s proof aside from the edition of 100 (there were also ten impressions numbered in Roman numerals), published by Éditions Artistiques Apollo, Paris, with margins, irregularly trimmed at all four sides, the palest of time staining, otherwise in good condition, framed

Plate 315 x 385mm. (12 3/8 x 15 1/8in.); Sheet 382 x 470mm. (15 x 18 1/2in.)

伦纳德·祖古哈鲁·福吉塔 猫躺着,从猫那里

414. 德莱奇,伊夫。1854-1920. 海绵胚胎发生。[巴黎:动物学档案馆,1892年。] 高清作品[37%]

Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]

图片文件尺寸 : 4066 x 5352px

DELAGE, YVES. 1854-1920.:Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]
8vo (236 x 153 mm). Author\'s proof, signed, with some annotations, and original artwork for all illustrations clipped and laid down on card stock leaves, bound in at end. Modern quarter green morocco and cloth. Browning, scattered foxing throughout.

Delage, a professor of zoology at the Sorbonne, was a critic of Darwin\'s theory of natural selection. He was among the scientists of his time who argued for a form of Neo-Lamarckist theory of evolution, which ultimately was abandoned.

德莱奇,伊夫。1854-1920. 海绵胚胎发生。[巴黎:动物学档案馆,1892年。]

415. Hubert Scheibl,当代艺术I 高清作品[35%]

DO-Hubert Scheibl  - 现代艺术 I
图片文件像素:5146 x 5618 px

Hubert Scheibl,当代艺术I-

Hubert Scheibl * - Zeitgenössische Kunst I-

(born in Gmunden in 1952)
Untitled, signed, dated Hubert Scheibl 1988/89, oil on canvas, 250 x 350 cm, stretched over wooden frame

Provenance:
Private Collection, Vienna

Scheibls Landschaften so sie überhaupt welche sind, stammen nicht von heute, sie künden vom Urknall, sind ein Stück Entstehungsgeschichte. Sie erwecken eine Ahnung von einer Zeit, in der sich die vier Elemente noch erbitterte Kämpfe lieferten.
Wolfgang Drechsler
aus: Hacken im Eis, Kunsthalle Bern, 1986

Scheibl\'s landscapes, if they are landscapes at all, are not of today; they tell of the big bang, they are a piece of the story of creation. They evoke the sense of a time when the four elements were still fighting fierce battles.
Wolfgang Drechsler
From: Hacken im Eis, Kunsthalle Bern, 1986

416. 无 题 世界的类型。安特卫普:[1579年之前]。 高清作品[34%]

Typus orbis terrarum. Antwerp: [before 1579].

图片文件尺寸 : 3900 x 4489px

:Typus orbis terrarum. Antwerp: [before 1579]. Hand-colored double-page engraved map, 344 x 496 mm, Latin text on verso, two cartouches, with a ship and sea creatures. Framed. Some repaired separation along centerfold.

First plate with the crack in the lower left still visible. \"For the first time, in 1570, all the elements of the modern atlas were brought to publication in Abraham Ortelius\' Theatrum Orbis Terrarum. The substantial undertaking assembled fifty-three of the best available maps of the world by the most renowned and up-to-date geographers. Unlike earlier compositions ... each of Ortelius\' maps was engraved specifically for his atlas according to uniform format. Through its launching, pre-eminence in map publishing was transfered from Italy to the Netherlands leading to over a hundred years of Dutch supremacy in all facets of cartographical production\" (Shirley Mapping of the World 122). Wagner Northwest Coast 82.

无 题 世界的类型。安特卫普:[1579年之前]。

417. 无 题 新比利时和英格兰阿姆斯特丹:[1642年或更晚]。 高清作品[33%]

Nova Belgica et Anglia nova. Amsterdam: [1642 or later].

图片文件尺寸 : 4438 x 5159px

:Nova Belgica et Anglia nova. Amsterdam: [1642 or later].
Hand-colored double-page engraved map, 388 x 507 mm, Dutch text on verso, decorative cartouche flanked by a native person on each side and surmounted by the Dutch Republic crest, scale bar flanked by mer-children, decorated with three ships, three canoes paddled by natives, a Mohican village, various wildlife including deer, foxes, bears, egrets, rabbits, cranes, turkeys and for the first time on a map beavers, polecats and otters. Framed. Centerfold reinforced on verso, small area of skinning in the Atlantic, but an attractive example.

Blaeu\'s seminal map was the first full printed representation of the manuscript map of Adriaen Block. It is one of the earliest to name Nieu Amsterdam and the earliest to depict insular Manhattan. Burden North America 241.

无 题 新比利时和英格兰阿姆斯特丹:[1642年或更晚]。

418. 斯科特(罗伯特·法尔肯) Terra Nova号离开后从伦敦写给古德里奇夫人的亲笔签名信,日期:6月27日[19]10 高清作品[33%]

Autograph letter, signed, to Lady Goodrich, writing from London after the departure of the Terra Nova, 27 June [19]10

图片文件尺寸 : 5173 x 5877px

SCOTT (ROBERT FALCON):Autograph letter signed (\"R Scott\") to Lady Goodrich (\"My dear Lady Goodrich\"), thanking her for her \"...charming present...\", going on \"...you can no doubt imagine what a number of things demanded attention at the time of the Terra Nova\'s departure...\", and confirming he sails with his wife on 16 July, one page, on British Antarctic Expedition notepaper, dust-staining, creased at folds, some marks, docketed on reverse, 4to (256 x 200mm.), Victoria Street, London, S.W., 27 June [19]10

斯科特(罗伯特·法尔肯) Terra Nova号离开后从伦敦写给古德里奇夫人的亲笔签名信,日期:6月27日[19]10

419. 梅尔,迈克尔。1568-1622. 这是行星山七种金属的振动。奥本海姆:希罗尼穆斯·加勒,1618年。 高清作品[33%]

Viatorium hoc est de Montibus Planetarum Septem seu Metallorum. Oppenheim: Hieronymus Galler, 1618.

图片文件尺寸 : 4492 x 3972px

MAIER, MICHAEL. 1568-1622.:Viatorium hoc est de Montibus Planetarum Septem seu Metallorum. Oppenheim: Hieronymus Galler, 1618.
4to (191 x 163 mm). Title page with woodcut borders, 7 woodcut illustrations in text, woodcut head and tail-pieces. Contemporary calf with Greek cross within a wreath stamped in gilt on upper cover. Rebacked, with repairs to corners, scattered browning and spotting.

RARE FIRST EDITION of Maier\'s mystical work on the seven metals and their corresponding planets, each represented by an allegorical woodcut. Maier was court physician to Emperor Rudolph II and spent time in England at the court of James I. His alchemical writings influenced the curious minds of Elias Ashmole and Isaac Newton. Caillet 7005; Duveen 383; Ferguson II, 65.

梅尔,迈克尔。1568-1622. 这是行星山七种金属的振动。奥本海姆:希罗尼穆斯·加勒,1618年。

420. 萨尔瓦多·达尔 超现实主义的记忆 高清作品[33%]

Memories of Surrealism

图片文件尺寸 : 4207 x 4630px

SALVADOR DALÍ: Memories of Surrealism (Field 71-15-A-L), 1971
Complete portfolio comprising 12 etching, lithograph and drypoint in colors on Arches paper, loose as issued, each signed in pencil and numbered 23/175 (the total edition was 500), with title page, justification, text and introduction by Pierre Restany, published by Transworld Art, New York, printed by Ateliers Rigal, Paris and Ateliers Jobin, Lausanne, Switzerland, each with full margins, contained in original black paper covered portfolio stamped with gold title.
Titles Include: Angel of Dada Surrealism; Surrealist Flower Girl; Ultra Surrealist Corpuscular Galutska; Space Elephant; Surrealist King; The Eye of Surrealist Time; Surrealist Portrait of Dali surrounded by Butterflies; Dressed in the Nude in the Surrealist Fashion; Crazy, Crazy, Crazy Minerva; Caring for a Surrealist Watch; Surrealist Crutches; Surrealist Gastronomy (12 works)
each 20 3/4 x 16 5/8in (52.7 x 42.2cm)
each sheet 30 x 21 1/4in (76.2 x 53.9cm)

萨尔瓦多·达尔 超现实主义的记忆

time油画图片- 高清time绘画作品- 代表作全集 中艺名画下载


411. 萨尔瓦多·达利 卡门 高清作品[40%]

Carmen

图片文件尺寸 : 4472 x 5814px

Salvador Dalí:Carmen (Michler Löpsinger 1304-1328)
The complete set of 25 lithographs in colours, 1970, on Japan paper, with title, text in English and justification, each sheet signed and inscribed F/J in pencil, also inscribed F/J in black pen on the justification, one of 26 sets on this paper aside from the edition of 250 on Arches, published by Shorewood Publishers, Inc., New York, the full sheets, loose (as issued), each with very pale time staining, in overall good condition, within the original red cloth-covered portfolio with gold lettering

Sheets 647 x 495mm. (25 1/2 x 19 1/2in.); Folio 695 x 530mm. (27 3/8 x 20 7/8in.)

萨尔瓦多·达利 卡门

412. 约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen) 高清作品[39%]

Konrad Wachsmann, Bauen in Unserer Zeit (Architecture in Our Time) (Poster for an exhibition at the Kunstgewerbemuseum Zürich)-

图片文件尺寸 :

约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen)-Josef Müller-Brockmann

Konrad Wachsmann,Bauen in Unser Zeit(我们时代的建筑)(苏黎世Kunstgewerbemuseum展览海报)--Josef Müller-Brockmann (瑞士, 1914 – 1996)

413. 伦纳德·祖古哈鲁·福吉塔 猫躺着,从猫那里 高清作品[38%]

Chat Allongé, from Les Chats

图片文件尺寸 : 4029 x 5825px

Léonard Tsuguharu Foujita:Chat Allongé, from Les Chats (Buisson 29.200)
Etching with aquatint, 1929, chine collé on imperial Japan paper, signed \'Foujita\' and signed again in Japanese \'Tsuguharu\', inscribed \'E.A.\' in pencil, an artist\'s proof aside from the edition of 100 (there were also ten impressions numbered in Roman numerals), published by Éditions Artistiques Apollo, Paris, with margins, irregularly trimmed at all four sides, the palest of time staining, otherwise in good condition, framed

Plate 315 x 385mm. (12 3/8 x 15 1/8in.); Sheet 382 x 470mm. (15 x 18 1/2in.)

伦纳德·祖古哈鲁·福吉塔 猫躺着,从猫那里

414. 德莱奇,伊夫。1854-1920. 海绵胚胎发生。[巴黎:动物学档案馆,1892年。] 高清作品[37%]

Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]

图片文件尺寸 : 4066 x 5352px

DELAGE, YVES. 1854-1920.:Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]
8vo (236 x 153 mm). Author\'s proof, signed, with some annotations, and original artwork for all illustrations clipped and laid down on card stock leaves, bound in at end. Modern quarter green morocco and cloth. Browning, scattered foxing throughout.

Delage, a professor of zoology at the Sorbonne, was a critic of Darwin\'s theory of natural selection. He was among the scientists of his time who argued for a form of Neo-Lamarckist theory of evolution, which ultimately was abandoned.

德莱奇,伊夫。1854-1920. 海绵胚胎发生。[巴黎:动物学档案馆,1892年。]

415. Hubert Scheibl,当代艺术I 高清作品[35%]

DO-Hubert Scheibl  - 现代艺术 I
图片文件像素:5146 x 5618 px

Hubert Scheibl,当代艺术I-

Hubert Scheibl * - Zeitgenössische Kunst I-

(born in Gmunden in 1952)
Untitled, signed, dated Hubert Scheibl 1988/89, oil on canvas, 250 x 350 cm, stretched over wooden frame

Provenance:
Private Collection, Vienna

Scheibls Landschaften so sie überhaupt welche sind, stammen nicht von heute, sie künden vom Urknall, sind ein Stück Entstehungsgeschichte. Sie erwecken eine Ahnung von einer Zeit, in der sich die vier Elemente noch erbitterte Kämpfe lieferten.
Wolfgang Drechsler
aus: Hacken im Eis, Kunsthalle Bern, 1986

Scheibl\'s landscapes, if they are landscapes at all, are not of today; they tell of the big bang, they are a piece of the story of creation. They evoke the sense of a time when the four elements were still fighting fierce battles.
Wolfgang Drechsler
From: Hacken im Eis, Kunsthalle Bern, 1986

416. 无 题 世界的类型。安特卫普:[1579年之前]。 高清作品[34%]

Typus orbis terrarum. Antwerp: [before 1579].

图片文件尺寸 : 3900 x 4489px

:Typus orbis terrarum. Antwerp: [before 1579]. Hand-colored double-page engraved map, 344 x 496 mm, Latin text on verso, two cartouches, with a ship and sea creatures. Framed. Some repaired separation along centerfold.

First plate with the crack in the lower left still visible. \"For the first time, in 1570, all the elements of the modern atlas were brought to publication in Abraham Ortelius\' Theatrum Orbis Terrarum. The substantial undertaking assembled fifty-three of the best available maps of the world by the most renowned and up-to-date geographers. Unlike earlier compositions ... each of Ortelius\' maps was engraved specifically for his atlas according to uniform format. Through its launching, pre-eminence in map publishing was transfered from Italy to the Netherlands leading to over a hundred years of Dutch supremacy in all facets of cartographical production\" (Shirley Mapping of the World 122). Wagner Northwest Coast 82.

无 题 世界的类型。安特卫普:[1579年之前]。

417. 无 题 新比利时和英格兰阿姆斯特丹:[1642年或更晚]。 高清作品[33%]

Nova Belgica et Anglia nova. Amsterdam: [1642 or later].

图片文件尺寸 : 4438 x 5159px

:Nova Belgica et Anglia nova. Amsterdam: [1642 or later].
Hand-colored double-page engraved map, 388 x 507 mm, Dutch text on verso, decorative cartouche flanked by a native person on each side and surmounted by the Dutch Republic crest, scale bar flanked by mer-children, decorated with three ships, three canoes paddled by natives, a Mohican village, various wildlife including deer, foxes, bears, egrets, rabbits, cranes, turkeys and for the first time on a map beavers, polecats and otters. Framed. Centerfold reinforced on verso, small area of skinning in the Atlantic, but an attractive example.

Blaeu\'s seminal map was the first full printed representation of the manuscript map of Adriaen Block. It is one of the earliest to name Nieu Amsterdam and the earliest to depict insular Manhattan. Burden North America 241.

无 题 新比利时和英格兰阿姆斯特丹:[1642年或更晚]。

418. 斯科特(罗伯特·法尔肯) Terra Nova号离开后从伦敦写给古德里奇夫人的亲笔签名信,日期:6月27日[19]10 高清作品[33%]

Autograph letter, signed, to Lady Goodrich, writing from London after the departure of the Terra Nova, 27 June [19]10

图片文件尺寸 : 5173 x 5877px

SCOTT (ROBERT FALCON):Autograph letter signed (\"R Scott\") to Lady Goodrich (\"My dear Lady Goodrich\"), thanking her for her \"...charming present...\", going on \"...you can no doubt imagine what a number of things demanded attention at the time of the Terra Nova\'s departure...\", and confirming he sails with his wife on 16 July, one page, on British Antarctic Expedition notepaper, dust-staining, creased at folds, some marks, docketed on reverse, 4to (256 x 200mm.), Victoria Street, London, S.W., 27 June [19]10

斯科特(罗伯特·法尔肯) Terra Nova号离开后从伦敦写给古德里奇夫人的亲笔签名信,日期:6月27日[19]10

419. 梅尔,迈克尔。1568-1622. 这是行星山七种金属的振动。奥本海姆:希罗尼穆斯·加勒,1618年。 高清作品[33%]

Viatorium hoc est de Montibus Planetarum Septem seu Metallorum. Oppenheim: Hieronymus Galler, 1618.

图片文件尺寸 : 4492 x 3972px

MAIER, MICHAEL. 1568-1622.:Viatorium hoc est de Montibus Planetarum Septem seu Metallorum. Oppenheim: Hieronymus Galler, 1618.
4to (191 x 163 mm). Title page with woodcut borders, 7 woodcut illustrations in text, woodcut head and tail-pieces. Contemporary calf with Greek cross within a wreath stamped in gilt on upper cover. Rebacked, with repairs to corners, scattered browning and spotting.

RARE FIRST EDITION of Maier\'s mystical work on the seven metals and their corresponding planets, each represented by an allegorical woodcut. Maier was court physician to Emperor Rudolph II and spent time in England at the court of James I. His alchemical writings influenced the curious minds of Elias Ashmole and Isaac Newton. Caillet 7005; Duveen 383; Ferguson II, 65.

梅尔,迈克尔。1568-1622. 这是行星山七种金属的振动。奥本海姆:希罗尼穆斯·加勒,1618年。

420. 萨尔瓦多·达尔 超现实主义的记忆 高清作品[33%]

Memories of Surrealism

图片文件尺寸 : 4207 x 4630px

SALVADOR DALÍ: Memories of Surrealism (Field 71-15-A-L), 1971
Complete portfolio comprising 12 etching, lithograph and drypoint in colors on Arches paper, loose as issued, each signed in pencil and numbered 23/175 (the total edition was 500), with title page, justification, text and introduction by Pierre Restany, published by Transworld Art, New York, printed by Ateliers Rigal, Paris and Ateliers Jobin, Lausanne, Switzerland, each with full margins, contained in original black paper covered portfolio stamped with gold title.
Titles Include: Angel of Dada Surrealism; Surrealist Flower Girl; Ultra Surrealist Corpuscular Galutska; Space Elephant; Surrealist King; The Eye of Surrealist Time; Surrealist Portrait of Dali surrounded by Butterflies; Dressed in the Nude in the Surrealist Fashion; Crazy, Crazy, Crazy Minerva; Caring for a Surrealist Watch; Surrealist Crutches; Surrealist Gastronomy (12 works)
each 20 3/4 x 16 5/8in (52.7 x 42.2cm)
each sheet 30 x 21 1/4in (76.2 x 53.9cm)

萨尔瓦多·达尔 超现实主义的记忆