图片文件尺寸 : 5247 x 4186px
Yves Klein:Dimanche: Le Journal d\'un Seul Jour
Halftone and letterpress on newsprint, 1960, a four-page faux newspaper, produced by the artist on 27th November 1960 for the Festival d\'Art d\'Avant-garde, Paris, the full sheet folded (as issued), with time staining, creases to the margins and other minor defects, in overall good condition
Sheet 556 x 760mm. (21 7/8 x 29 7/8in.)
Yves小 星期天：一天的报纸
图片文件尺寸 : 4322 x 5627px
Marc Chagall:Carte de Voeux pour Amié Maeght, Paris 1960 (Mourlot 303)
Lithograph in colours, 1960, on Arches wove paper, from an unknown edition size, the full sheet with deckle edge below, some minor light- and time staining, the colours still good, generally good condition
Image 190 x 285mm. (7 1/2 x 11 1/2in.); Sheet 284 x 350mm. (11 1/8 x 13 1/4in.)
马克·夏加尔 1960年巴黎AmiéMaight贺卡
图片文件尺寸 : 4326 x 4995px
Joan Miró:Festa Major (Mourlot 1154)
Lithograph in colours, 1978, on Arches wove paper, signed and numbered \'H.C. XVII/XXV\' in pencil, one of 25 hors commerce impressions aside from the edition of 75, printed by Damià Caus, published by Galeria Maeght, Barcelona, the full sheet with a deckle edge above, with pale time staining, a vertical crease at right upper sheet edge, otherwise in good condition, the colours fresh and bright
Image 880 x 580mm. (34 5/8 x 22 7/8in.); Sheet 990 x 725mm. (39 x 28 1/2in.)
胡安·米罗 主要缔约方
图片文件尺寸 : 4466 x 4049px
Roy Lichtenstein:Untitled, Illustration for Polemic Magazine (Corlett lll.1), 1957
Woodcut on mulberry paper, signed in pencil and annotated \'(S.82)\', a proof signed in 1982 from the unknown edition size (according to Corlett, proofs were also signed in 1979), created as an illustration for Polemic Magazine, published by Adelbert College Student Council, Western Reserve University, Cleveland, printed by Press of the Times, Oberlin, Ohio, with wide margins.
sheet 5 7/8 x 8 3/4in (14.5 x 22.2cm)
罗伊·利希滕斯坦 无标题，Polemic杂志插图
图片文件尺寸 : 5080 x 4381px
Richard Hamilton:A little bit of Roy Lichtenstein for... (Lullin 53)
Screenprint in colours, 1964, on cartridge paper, signed, dated, titled and dedicated \'for Ron\' in pencil, a proof aside from the edition of 40, printed by Kelpra Studio, published by the artist, London, with wide margins, with pale time staining, some creases mainly to the margins, other minor surface defects, in overall good condition, framed
Image 515 x 691mm. (20 1/4 x 27 1/4in.); Sheet 580 x 840mm. (22 7/8 x 33 1/8in.)
汉密尔顿 一点点罗伊·利希滕斯坦。。。
图片文件尺寸 : 5291 x 5393px
Marc Chagall:Les Amoureux de la Tour Eiffel (Mourlot 187)
Lithograph in colours, 1960, on Arches wove paper, signed and numbered XI/XXV in pencil, an artist\'s proof aside from the edition of 50, printed and published by Mourlot, Paris, the full sheet with a deckle edge at right, with pale time and mount staining, the colours slightly attenuated but still strong, otherwise in good condition, framed
Image 556 x 441mm. (21 7/8 x 17 3/8in.); Sheet 659 x 501mm. (25 7/8 x 19 3/4in.)
马克·夏加尔 埃菲尔铁塔爱好者
图片文件尺寸 : 5336 x 3982px
Richard Hamilton:Adonis in Y fronts (Lullin 52)
Screenprint in colours, 1963, on TH Saunders wove paper, signed and dated in pencil, a proof aside from the edition of 40, printed by the artist and Chris Prater at Kelpra Studio, published by the artist, London, trimmed to the image and laid down on board, with time-staining, the upper left corner disturbed, a scratch to the centre left of the image, other minor surface defects, framed
Image 608 x 815mm. (23 7/8 x 32 1/8in.); Sheet 610 x 805mm. (24 x 31 3/4in.)
汉密尔顿 阿多尼斯在Y前线
图片文件尺寸 : 4953 x 4131px
Henri de Toulouse-Lautrec:Pourquoi pas?... Une fois n\'est pas coutume (Why not, one time does not make a habit of it) (Wittrock 30; Delteil 40; Adriani 45), 1893
Lithograph printed in olive-green on wove paper, signed in pencil and numbered \'No. 86\', with the artist\'s red monogram stamp (Lugt 1338), from the edition of 100, printed by Ancourt Cie., Paris for the periodical L\'Escaramouche, the full sheet.
sheet 15 x 11in (38.3 x 28.2cm)
罗特列克 为什么不呢？一次不习惯
图片文件尺寸 : 3895 x 4962px
Marc Chagall:Granada from Paroles Peintes I (Kornfeld 121)
Etching and aquatint in colours, 1962, on BFK Rives wove paper, signed and inscribed Épreuve d\'artiste in pencil, an artist\'s proof aside from the numbered edition of 183, published in Paroles Peintes, the full sheet, with pale time staining, in overall good condition, framed
Plate 330 x 240mm. (13 x 9 3/8in.); Sheet 382 x 281mm. (15 x 11in.)
马克·夏加尔 来自Paroles Peintes I的格拉纳达
图片文件尺寸 : 4076 x 4092px
Helen Bradley:The Photographer
signed, signed with fly insignia and inscribed \'Helen Bradley/Nellie Bly.\' (lower right); further dedicated and inscribed \'To Bruce/This is Harry Clegg who was Keen on Photography/and Father used to ask him to come to tea/and Photograph Mother, George + Me. But, Oh, what/a time it took waiting for the Bird to come out/and flap its wings and say Cheep, Cheep./I fell asleep standing up.\' (on sheet verso)
felt-tip and ball-point pen on paper
21.5 x 24.5cm (8 7/16 x 9 5/8in).
海伦·布拉德利 摄影师
图片文件尺寸 : 5247 x 4186px
Yves Klein:Dimanche: Le Journal d\'un Seul Jour
Halftone and letterpress on newsprint, 1960, a four-page faux newspaper, produced by the artist on 27th November 1960 for the Festival d\'Art d\'Avant-garde, Paris, the full sheet folded (as issued), with time staining, creases to the margins and other minor defects, in overall good condition
Sheet 556 x 760mm. (21 7/8 x 29 7/8in.)
Yves小 星期天：一天的报纸
图片文件尺寸 : 4322 x 5627px
Marc Chagall:Carte de Voeux pour Amié Maeght, Paris 1960 (Mourlot 303)
Lithograph in colours, 1960, on Arches wove paper, from an unknown edition size, the full sheet with deckle edge below, some minor light- and time staining, the colours still good, generally good condition
Image 190 x 285mm. (7 1/2 x 11 1/2in.); Sheet 284 x 350mm. (11 1/8 x 13 1/4in.)
马克·夏加尔 1960年巴黎AmiéMaight贺卡
图片文件尺寸 : 4326 x 4995px
Joan Miró:Festa Major (Mourlot 1154)
Lithograph in colours, 1978, on Arches wove paper, signed and numbered \'H.C. XVII/XXV\' in pencil, one of 25 hors commerce impressions aside from the edition of 75, printed by Damià Caus, published by Galeria Maeght, Barcelona, the full sheet with a deckle edge above, with pale time staining, a vertical crease at right upper sheet edge, otherwise in good condition, the colours fresh and bright
Image 880 x 580mm. (34 5/8 x 22 7/8in.); Sheet 990 x 725mm. (39 x 28 1/2in.)
胡安·米罗 主要缔约方
图片文件尺寸 : 4466 x 4049px
Roy Lichtenstein:Untitled, Illustration for Polemic Magazine (Corlett lll.1), 1957
Woodcut on mulberry paper, signed in pencil and annotated \'(S.82)\', a proof signed in 1982 from the unknown edition size (according to Corlett, proofs were also signed in 1979), created as an illustration for Polemic Magazine, published by Adelbert College Student Council, Western Reserve University, Cleveland, printed by Press of the Times, Oberlin, Ohio, with wide margins.
sheet 5 7/8 x 8 3/4in (14.5 x 22.2cm)
罗伊·利希滕斯坦 无标题，Polemic杂志插图
图片文件尺寸 : 5080 x 4381px
Richard Hamilton:A little bit of Roy Lichtenstein for... (Lullin 53)
Screenprint in colours, 1964, on cartridge paper, signed, dated, titled and dedicated \'for Ron\' in pencil, a proof aside from the edition of 40, printed by Kelpra Studio, published by the artist, London, with wide margins, with pale time staining, some creases mainly to the margins, other minor surface defects, in overall good condition, framed
Image 515 x 691mm. (20 1/4 x 27 1/4in.); Sheet 580 x 840mm. (22 7/8 x 33 1/8in.)
汉密尔顿 一点点罗伊·利希滕斯坦。。。
图片文件尺寸 : 5291 x 5393px
Marc Chagall:Les Amoureux de la Tour Eiffel (Mourlot 187)
Lithograph in colours, 1960, on Arches wove paper, signed and numbered XI/XXV in pencil, an artist\'s proof aside from the edition of 50, printed and published by Mourlot, Paris, the full sheet with a deckle edge at right, with pale time and mount staining, the colours slightly attenuated but still strong, otherwise in good condition, framed
Image 556 x 441mm. (21 7/8 x 17 3/8in.); Sheet 659 x 501mm. (25 7/8 x 19 3/4in.)
马克·夏加尔 埃菲尔铁塔爱好者
图片文件尺寸 : 5336 x 3982px
Richard Hamilton:Adonis in Y fronts (Lullin 52)
Screenprint in colours, 1963, on TH Saunders wove paper, signed and dated in pencil, a proof aside from the edition of 40, printed by the artist and Chris Prater at Kelpra Studio, published by the artist, London, trimmed to the image and laid down on board, with time-staining, the upper left corner disturbed, a scratch to the centre left of the image, other minor surface defects, framed
Image 608 x 815mm. (23 7/8 x 32 1/8in.); Sheet 610 x 805mm. (24 x 31 3/4in.)
汉密尔顿 阿多尼斯在Y前线
图片文件尺寸 : 4953 x 4131px
Henri de Toulouse-Lautrec:Pourquoi pas?... Une fois n\'est pas coutume (Why not, one time does not make a habit of it) (Wittrock 30; Delteil 40; Adriani 45), 1893
Lithograph printed in olive-green on wove paper, signed in pencil and numbered \'No. 86\', with the artist\'s red monogram stamp (Lugt 1338), from the edition of 100, printed by Ancourt Cie., Paris for the periodical L\'Escaramouche, the full sheet.
sheet 15 x 11in (38.3 x 28.2cm)
罗特列克 为什么不呢？一次不习惯
图片文件尺寸 : 3895 x 4962px
Marc Chagall:Granada from Paroles Peintes I (Kornfeld 121)
Etching and aquatint in colours, 1962, on BFK Rives wove paper, signed and inscribed Épreuve d\'artiste in pencil, an artist\'s proof aside from the numbered edition of 183, published in Paroles Peintes, the full sheet, with pale time staining, in overall good condition, framed
Plate 330 x 240mm. (13 x 9 3/8in.); Sheet 382 x 281mm. (15 x 11in.)
马克·夏加尔 来自Paroles Peintes I的格拉纳达
图片文件尺寸 : 4076 x 4092px
Helen Bradley:The Photographer
signed, signed with fly insignia and inscribed \'Helen Bradley/Nellie Bly.\' (lower right); further dedicated and inscribed \'To Bruce/This is Harry Clegg who was Keen on Photography/and Father used to ask him to come to tea/and Photograph Mother, George + Me. But, Oh, what/a time it took waiting for the Bird to come out/and flap its wings and say Cheep, Cheep./I fell asleep standing up.\' (on sheet verso)
felt-tip and ball-point pen on paper
21.5 x 24.5cm (8 7/16 x 9 5/8in).
海伦·布拉德利 摄影师