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卡米尔·皮萨罗（Camille Pissarro）在Un池塘边的村庄-Camille Pissarro

边缘村庄一个池塘--Camille Pissarro (法国, 1830-1903)

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ANONYMOUS (16TH CENTURY):A Shinto Mandala of the Four Deities of Mount Koya
Muromachi period (1333-1573), 16th century
Of ink, colors, and gold on silk; below a bundled up curtain sit the figures of four kami on daises in front of tripartite screens: above are Kariba Myojin and Niu Myojin, shown here as courtiers, with Kariba in Japanese-style court robes and Niu in robes modeled after court garments of the Tang dynasty; below are Kehi Myojin, portrayed as a lady holding a whisk, and the youthful Miyajima Myojin, with his hair drawn up in loops, playing a biwa; below the kami sit a pair of lion dogs, and below them a pair of black and white foxes, now barely discernible; now mounted on a panel
34 x 15 3/4in (86.3 x 40.1cm)

匿名（16世纪） 16世纪，室町山四神的曼荼罗神道

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KANETANE (ACTIVE CIRCA 1467):A Mino tanto with mounts
Muromachi period (1333-1573), 15th century
Hirazukuri, iorimune forged in itame-hada with visible ji-nie, the narrow suguha tempered edge ending in a short turnback and a very small boshi, the omote side carved with suken and the ura side with goma-bashi, the machi-okuri tang with three holes (one plugged), indistinct file marks and signed Kanetane, 11in (27.9cm) long, with a one-piece silver habaki
The koshira-e comprising a black-lacquer saya and tsuka wrapped with same stained dark, the en-suite silver fittings all carved with chrysanthemums with dew drops, the gilt-metal menuki formed as crabs
With Tokubetsu Hozon Token certificate no. 1013969 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 28, 2020

卡尼坦（约1467年活跃） 带山的米诺坦陀罗摩町时期，15世纪

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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UDA KUNIFUSA (ACTIVE CIRCA 1530-1550):An Etchu tanto with mounts
Muromachi period (1333-1573), 16th century
Kanmuri-otoshi configuration forged in itame-hada along the shinogi and masame-hada along the cutting edge, with a narrow suguha tempered edge with nie and sunagashi and a suguha boshi, both sides carved with bohi, the ubu tang with four holes (two overlapping), katte sagari file marks and signed Uda Kunifusa, 10 3/4in (27.3cm) long, with a one-piece silvered copper habaki
The 19th-century koshira-e comprising a russet-lacquer saya decorated with a variety of insects in shell and bone inlays and fitted with a russet-iron kojiri and a kozuka handle, both carved with a dragonfly in relief highlighted in gilt, the dark wood tsuka decorated in inlays to match the saya and fitted with shinchu fuchi-gashira decorated with figures in a landscape in takabori, signed Nara Toshishige, the oval shinchu plate tsuba decorated with landscapes in takabori and gold takazogan
With Kanteisho certificate no. 11259 issued by the Nihon Token Hozonkai (Society for the Preservation of the Japanese Sword) (NPO), dated April 18, 2021
With Hozon Tosogu certificate no 4018203 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated January 15, 2021

UDA KUNIFUSA（活跃于1530-1550年） 16世纪，蒙马奇时期，一个有山的蚀刻坦陀

中国艺术作品集