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KOMAI OTOJIRO (ACTIVE LATE 19TH CENTURY):A fine inlaid-iron dish
Meiji era (1868-1912), circa 1875-1880
The circular lobed dish set on a ring foot and chiseled and inlaid in gold and silver with a central reserve of Bukan Zenshi raising his arm as if to strike his tiger companion, the surrounding area decorated with ten smaller roundels of landscapes and various geometric patterns, the rim with a band of fruiting grape leaves, signed in silver on the underside in a rectangular reserve Nihon Kyoto no ju Komai sei
8 1/2in (21.6cm) diameter

小井户次郎（活跃于19世纪晚期） 在镶嵌铁碟的末期，明治大约在1875-1880年

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TWO ARCHITECTURAL STUDIES OF THE GATE TO THE TAJ MAHAL AND THE TOMB OF ITHIMUD AL DAULA:COMPANY SCHOOL, NORTH INDIA, MID 19TH CENTURY
Watercolor and ink on paper; inscribed verso \'The gate of the chief entrance to the enclosure...the Taj\' and \'The Tomb of Nawab Itimad ood Doula near Agra called the Chceni-ka\'; numbered \'2\' and \'14\' in pencil on the recto upper margins.
Image: 6 3/4 x 9 3/4 in. (17 x 24.8 cm);
Folio: 8 5/8 x 11 1/2 in. (22 x 29.2 cm) the larger;
Image: 6 3/4 x 9 1/2 in. (17 x 24.2 cm);
Folio: 8 3/4 x 11 1/2 (22.2 x 29 cm) the smaller

泰姬陵大门和伊希穆德·道拉墓的两项建筑研究 学校，北印度，19世纪中期

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A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers

14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)

南板风格的写字台 江户时代，19世纪

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A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)

金漆烟筒套装 江户时代或明治时代，19世纪中后期

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JUDAICA. :4 titles:
1. Hagadah. Seder Hagadah shel Pesach. According to Roman rite. Hebrew with translation into Judeo-Italian. With commentary Tzeli Esh, R. Judah Modena\'s abridgment of Don Isaac Abrabanel\'s commentary Zevach Pesach. Venice: Alvise Bragadin: 1716. Folio (328 x 230 mm). 24 of 26 leaves. Each page of text enclosed within an elaborate architectonic frame; numerous woodcut initials containing miniature depictions of figures and scenes; large woodcut illustrations placed at the head and/or foot of most pages; smaller woodcuts of Moses, Aaron, David, and Solomon often flanking the text. Trimmed closely. Some leaves with marginal repairs. Modern morocco antique. Based on the 1609 Passover Haggadah published in Venice by Israel Zifroni. Yudlov 131.
2. WAGENSEIL, JOHANN CHRISTOPH. 1633-1705. Exercitationes sex varii argumenti. Altdorf: Johann Heinricus Schoennerstadt, 1687.
4to (217 x 173 mm). 7 engraved headpieces and one full page engraved illustration. 20th-century half calf. A few marginal repairs, some light marginal browning. First illustrated edition with charming views of Altdorf and Prag, See Fürst III, 489.
3. BIBLE, Hebrew. Biblia Hebraica. Edited by Johanne Simonis. Amsterdam, Jacob Wetstein, 1753. 8vo (212 x 123 mm). Engraved title and engraved folding plates. Contemporary vellum. Darlow and Moule, 5155.
4. GANS, DAVID. 1554-1613. Nechmad Vena\'im [Delightful and Pleasant]. Jessnitz: Israel ben Abraham, 1743.
4to (212 x 169 mm). Title within architectural border, numerous astronomical diagrams. Contemporary calf. Without the (often lacking) introduction in Latin.FIRST EDTION, the first Hebrew book to mention Copernicus by name. Vinograd, Jessnitz 49.

犹大。 4个标题：

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FUCHS, LEONHARD. 1501-1566. :Historia Stirpium Commentarii insignes. Basel: Michael Isengrin, 1542.
Folio, (340 x 237 mm). Greek, roman and italic types. 509 full-page botanical woodcuts, 3 smaller cuts in the text, by Veit Rudolph Speckle after Heinrich Fullmauer and Albert Meyer, full-page full-length portrait of Fuchs on title verso, portraits of the 3 artists on fff5r, printer\'s device on title, repeated on final verso, historiated initials in several sizes. Modern calf, spine gilt. Title re-margined, first text leaf torn and repaired, O4-6 torn and repaired some mostly marginal staining, a few leaves with marginal tears and repairs.

FIRST EDITION. \"Perhaps the most celebrated and most beautiful herbal ever published... important in the history of botanical illustration particularly because of the size and beauty of the woodcuts\" (PMM). Leonhard Fuchs professor of medicine at Tübingen, gives accurate descriptions of nearly 500 plants, of which forty had never before been depicted, the majority being native German plants. Amongst the foreign plants are some from America including corn, pumpkin, chili pepper, and snap bean. The illustrations were realized by Heinrich Füllmaurer, Veit Rudolph, and Albert Meyer, who drew the original images from life, mostly using samples from Fuchs\' garden. Their portraits, with that of the author, appear in the book and represent \"one of the earliest examples of such a tribute paid to artists in a printed book\" (PMM). Adams F-1099; Nissen BBI 658; Pritzel 3138; PMM 69; VD16 F 3242.

富克斯，莱昂哈德。1501-1566. 史蒂皮姆评论标志。巴塞尔：迈克尔·伊森格林，1542年。

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MÜLLER, OTTO FRIEDRICH. 1730-1784.:Zoologia Danica seu Animalium Daniae et Norvegiae rariorum ac minus notorum descriptiones et historia. Copenhagen: Typis N. Mulleri (Vol IV by N. Christensen), 1788-1806.
4 volumes in two. 4to (375 x 226 mm). 120 engraved hand-colored plates. Morocco-backed, marbled-paper boards, 2nd volume, containing just volume 4 (1806) slightly smaller.
Provenance: Von Redern, Berlin (armorial bookplate, and stamp to title, in volume 1).

FIRST COMPLETE FOLIO EDITIONS OF ZOOLOGIA DANICA. Otto Muller began the comprehensive Zoologia Danica in 1779, intending it as a complete look at the fauna similar to his Flora Danica, completed with G.C. Oeder. He published two octavo volumes with the title Zoologiae Danicae prodromus before his death. The project was expanded to folio and two additional volumes added between 1788 and 1806. Although the work never fulfilled his vision, it does contain pictures and descriptions of a number of new species of mollusks and zoophytes. See Knight, English Cyclopedia, p 381. Anker 348; Nissen ZBI 2932.

莫莉，其他朋友。1730-1784. 丹麦动物学是丹麦和挪威最罕见的动物之一，其描述和历史也不那么引人注目。哥本哈根：N.Mulleri型，1788-1806年。

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BELON, PIERRE. 1517-1564.:L\'histoire de la nature des oyseaux, avec leurs descriptions, naifs portraicts retirez du naturel. Paris: Guillaume Cavellat, 1555.
Folio (320 x 218 mm). 7 parts in one volume. Woodcut printer\'s device on title and six sectional titles, woodcut portrait of Belon on title verso, two woodcuts of human and bird skeletons and 158 large woodcuts in text of birds by Pierre Gourdelle and others, numerous 11-line and smaller ornamental woodcut initials and head-pieces. Mid-18th-century vellum (endpapers watermarked 1742). Two leaves (l1 and g5) with repaired tears crossing text, some minor staining.

FIRST EDITION (Cavellat issue). One of the most important ornithological works of the Renaissance illustrated with beautiful woodcuts drawn from observation of live specimens. Belon, \"one of the founders of the renewed studies of birds ... mentions about two hundred different birds, mainly European, but some foreign. He made many original observations ... [also treating] anatomical and morphological conditions\" (Anker), whilst also drawing upon earlier writers such as Aristotle and Pliny. Schwerdt notes that the second part \"is interesting to falconers,\" the fine woodcut illustrations including a depiction of a falconer luring a bird, and several of owls, \"including the eagle owl, much used in hawking.\" Anker pp 9-10; BM/STC French p 46; Garrison-Morton-Norman 283 (Cavellat issue); Harvard/Mortimer French 50; Nissen IVB 86; Norman 180.

贝隆，皮埃尔。1517-1564. 奥赛奥克斯的自然历史，连同他们的描述和侏儒肖像画从自然中移除。巴黎：纪尧姆·卡韦拉特，1555年。