图片文件尺寸 : 4874 x 5637px

Sol LeWitt: Plate #33, from Five Pointed Stars (K. 1996.18), 1996
Embossing on Twinrocker handmade paper, signed in pencil, verso, dated, numbered TP #60 (a unique trial proof, aside from the edition of 15 with 3 artist\'s proofs), annotated TPP/SL, published/printed by Two Palms Press, New York, the full sheet.
sheet 8 1/2 x 8 1/2in (21.6 x 21.6cm) (irregular)

索尔·莱维特 板#33，来自五角星

图片文件尺寸 : 4518 x 5516px

Sam Francis:Concert Hall Set I (Lembark L. 223, SF-230), 1977
Lithographs in colors on wove paper, each signed in pencil and annotated \'BAT\', \'CTP I\' and \'CTP II\' respectively (a proof and two unique color variants, aside from the edition of 75 plus 6 artist\'s proofs), each with the blindstamp of the publisher/printer, each with full margins.
each sheet approx. 29 1/8 x 23 1/8in (74 x 58.7cm)

山姆·弗朗西斯 音乐厅一套

图片文件尺寸 : 4290 x 4665px

Henry Moore O.M., C.H.:Black Figure on Pink Background (Cramer 96)
Lithograph printed in colours, 1967, on Japon nacré, signed, dated and inscribed \'Artist\'s Proof\' in pencil, an artist\'s proof aside from the numbered edition of 100, printed by J.E. Wolfensberger, Zurich, published by Das Kunstwerk, Baden-Baden, with margins, 105 x 130mm (4 1/8 x 5 1/8in)(I)

亨利·摩尔O.M.，C.H。 粉色背景上的黑色人物

图片文件尺寸 : 4737 x 5528px

Keith Haring:One Plate, from Growing (Littmann p.89)
Unique screenprint in colours, 1988, on Lenox Museum Board, signed, dated and numbered TP 30/40 in pencil, one of 40 colour variant trial proofs aside from the edition of 100 (there were also 15 artist\'s proofs), printed by Rupert Jasen Smith, published by Martin Lawrence Limited Editions, New York, with their blindstamps, the full sheet, in very good condition, the colours strong and vibrant, framed

Sheet 1018 x 764mm. (40 1/8 x 30in.)

基思·哈林 一个盘子，来自成长

图片文件尺寸 : 4163 x 4106px

Tom Wesselmann:Bedroom Face #41, 1990
Screenprint in colors on 4 ply cotton rag museum board, signed in pencil and numbered PP 1/3 (a printer\'s proof aside from the edition of 90, there were also 12 artist\'s proofs), with the blindstamps of the publisher, International Images, Inc., Putney, Vermont/ Screened Images, Long Island, with full margins.
50 x 58 1/4in (127 x 148cm)
sheet 59 1/4 x 67 1/4in (150.5 x 170.8cm)

汤姆·韦塞尔曼 卧室面#41

图片文件尺寸 : 4383 x 4860px

Keith Haring:Portrait of Joseph Beuys (Littmann p.61), 1986
Screenprint in gold ink on white canvas, signed in black felt pen, dated and numbered IX/XXX (a proof aside from the edition of 90 and 6 artist\'s proofs in brown ink on brown canvas), published by Edition Schellmann, Munich and New York and Galerie Bernd Klüser, Munich, the full sheet.
sheet 31 1/4 x 23 5/8in (79.5 x 60cm)

基思·哈林 约瑟夫·贝伊斯的肖像

图片文件尺寸 : 4803 x 5761px

Keith Haring:Portrait of Joseph Beuys (Littmann p.61), 1986
Screenprint in gold ink on white canvas, signed in black felt pen, dated and numbered XV/XXX (a proof aside from the edition of 90 and 6 artist\'s proofs in brown ink on brown canvas), published by Edition Schellmann, Munich and New York and Galerie Bernd Klüser, Munich, the full sheet.
sheet 31 1/4 x 23 5/8in (79.5 x 60cm)

基思·哈林 约瑟夫·贝伊斯的肖像

图片文件尺寸 : 5131 x 5248px

Keith Haring:Portrait of Joseph Beuys (Littman p.61), 1986
Screenprint in gold ink on canvas, signed in black felt pen, dated and numbered in Roman numerals V/XXX (a proof, aside from the edition of 90 and 6 artist\'s proofs in brown ink on brown canvas), published by Edition Schellmann, Munich and New York and Galerie Bernd Klüser, Munich, the full sheet.
sheet 31 1/4 x 23 5/8in (79.5 x 60 cm)

基思·哈林 约瑟夫·贝伊斯的肖像

图片文件尺寸 : 5397 x 5715px

Keith Haring:Plate V, from Growing (Littmann p. 91), 1988
Unique screenprint in colors on Lenox Museum Board, signed in pencil, dated and annotated \'TP 22/40\' (one of 40 unique color variant trial proofs, aside from the edition of 100 plus 15 artist\'s proofs), with the blindstamp of the publisher/printer, Martin Lawrence Ltd., Editions/Rupert Jasen Smith, New York, with full margins, framed.
29 x 39in (73.7 x 99.1cm)
sheet 30 x 40in (76.2 x 101.6cm)

基思·哈林 板块V，来自成长

图片文件尺寸 : 3072 x 4203px

“他们用有证据的东西从头到脚把他套上，以免他在路上遭遇袭击。”-George Woolliscroft Rhead

They harnessed him from head to foot with what was of proof, lest perhaps he should meet with assaults in the way.--George Woolliscroft Rhead (英国, 1855-1920)