图片文件尺寸 : 4484 x 4519px
Josef Albers:I-S Va 4, from Six Variants (Danilowitz 192.4), 1969
Screenprint in colors on Arches paper, signed in pencil, titled, dated and numbered 44/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, with full margins, framed.
15 x 30in (38.1 x 76.2cm)
sheet 28 x 35 15/16in (71.1 x 91.3cm)
阿伯斯 I-S Va 4，来自六种变体
图片文件尺寸 : 4268 x 4654px
Josef Albers:WLS IV, from White Line Squares (Series I) (Danilowitz 171.4, Gemini 5), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 121/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS IV，来自白线广场
图片文件尺寸 : 3962 x 5678px
Josef Albers:WLS I, from White Line Squares (Series I) (Danilowitz 171.1, Gemini 2), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 16/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS I，来自白线广场
图片文件尺寸 : 4910 x 4153px
Josef Albers:WLS XIV, from White Line Squares (Series II) (Danilowitz 172.6, Gemini 15), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 61/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS XIV，来自白线广场
图片文件尺寸 : 4767 x 4274px
Josef Albers:I-S Va 2, from Six Variants (Danilowitz 192.2), 1969
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 106/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
21 3/8 x 29 7/8in (54.3 x 75.9cm)
sheet 27 7/8 x 35 3/4in (70.8 x 90.8cm)
阿伯斯 I-S Va 2，来自六种变体
图片文件尺寸 : 5399 x 3880px
Josef Albers:WLS XV, from White Line Square (Series II) (Danilowitz 172.7, Gemini 16), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and annotated \'Trial proof VI\' (aside from the edition of 125 plus 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS XV，来自白线广场
图片文件尺寸 : 4757 x 5736px
Josef Albers:Gray Instrumentation IIg, from Gray Instrumentation II (Danilowitz 228.7), 1975
Screenprint in colors on Arches 88 paper, signed in pencil, titled and numbered 25/36 (there were also 10 artist\'s proofs), with the blindstamp of the artist and publisher/printer, Tyler Graphics Ltd., Bedford, with the artist\'s copyright inkstamp (on reverse), with full margins, colors attenuated, framed.
11 x 11in (27.9 x 27.9cm)
sheet 18 7/8 x 18 7/8in (47.9 x 47.9cm)
阿伯斯 灰色仪表IIg，来自灰色仪表II
图片文件尺寸 : 4741 x 5634px
Josef Albers:Four plates, from Six Variants (4 works) (Danilowitz 192.1; 192.2; 192.3; 192.6), 1969
4 screenprints in colors on Arches paper, each signed in pencil, each titled, each dated and each numbered 135/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
Titles include: I-S Va 1, I-S Va 2, I-S Va 3, I-S Va 6 (4 works)
assorted from 25 x 25 7/8in (63.5 x 65.7cm) to 21 1/2 x 30in (54.6 x 76.2cm)
sheet 27 7/8 x 35 7/8in (70.8 x 91.1cm)
阿伯斯 六种型号的四块板
图片文件尺寸 : 3994 x 5123px
Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)
约瑟夫·亚伯斯 公式：发音组合II，文件夹26
光学艺术1950年代至1960年代 光学艺术是一种以数学为主题的抽象艺术形式，它使用简单形式和颜色的重复来创造振动效果、波纹图案、前景-背景混淆、夸张的深度感和其他视觉效果。 从某种意义上说，所有的绘画都是基于视觉感知的技巧：操纵透视规则以产生三维空间的幻觉，混合颜色以创造光影效果，等等。对于光学艺术，观众的眼睛用来理解视觉图像的规则本身就是艺术品的“主题”。 20 世纪中期，Victor Vasarely、Josef Albers和MC Escher等艺术家尝试了光学艺术。埃舍尔的作品虽然不抽象，但广泛涉及各种形式的视觉技巧和悖论。 在 1960 年代，“欧普艺术”一词被用来描述越来越多的抽象画家的作品。这一运动由 Vasarely 和Bridget Riley领导，包括Richard Anuszkiewicz、François Morellet和Jesús-Rafael Soto等艺术家。 |
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| 麦克埃舍尔 | 1898-1972 | 荷兰插画家 | ||
| 维克多·瓦萨里 | 1908-1997 | 匈牙利/法国画家 | ||
| 耶稣-拉斐尔·索托 | 1923-2005 | 委内瑞拉画家/装置艺术家 | ||
| 肯尼斯·诺兰 | 1924-2010 | 美国画家 | ||
| 弗朗索瓦·莫雷莱 | 1926年出生 | 法国画家/雕塑家 | ||
| 我有雅科夫 | 1928年出生 | 以色列画家/雕塑家 | ||
| 朱利安斯坦扎克 | 1928年出生 | 波兰/美国画家 | ||
| 理查德·阿努兹凯维奇 | 生于 1930 年 | 美国画家 | ||
| 布里奇特莱利 | 1931年出生 | 英国画家 | ||
| 克劳德图西尼昂 | 1932年出生 | 加拿大画家 | ||
| 圭多·莫利纳里 | 1933-2004 | 加拿大画家 | ||
| 劳伦斯·潘 | 生于 1937 年 | 美国画家 | ||
图片文件尺寸 : 4484 x 4519px
Josef Albers:I-S Va 4, from Six Variants (Danilowitz 192.4), 1969
Screenprint in colors on Arches paper, signed in pencil, titled, dated and numbered 44/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, with full margins, framed.
15 x 30in (38.1 x 76.2cm)
sheet 28 x 35 15/16in (71.1 x 91.3cm)
阿伯斯 I-S Va 4，来自六种变体
图片文件尺寸 : 4268 x 4654px
Josef Albers:WLS IV, from White Line Squares (Series I) (Danilowitz 171.4, Gemini 5), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 121/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS IV，来自白线广场
图片文件尺寸 : 3962 x 5678px
Josef Albers:WLS I, from White Line Squares (Series I) (Danilowitz 171.1, Gemini 2), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 16/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS I，来自白线广场
图片文件尺寸 : 4910 x 4153px
Josef Albers:WLS XIV, from White Line Squares (Series II) (Danilowitz 172.6, Gemini 15), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 61/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS XIV，来自白线广场
图片文件尺寸 : 4767 x 4274px
Josef Albers:I-S Va 2, from Six Variants (Danilowitz 192.2), 1969
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 106/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
21 3/8 x 29 7/8in (54.3 x 75.9cm)
sheet 27 7/8 x 35 3/4in (70.8 x 90.8cm)
阿伯斯 I-S Va 2，来自六种变体
图片文件尺寸 : 5399 x 3880px
Josef Albers:WLS XV, from White Line Square (Series II) (Danilowitz 172.7, Gemini 16), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and annotated \'Trial proof VI\' (aside from the edition of 125 plus 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)
阿伯斯 WLS XV，来自白线广场
图片文件尺寸 : 4757 x 5736px
Josef Albers:Gray Instrumentation IIg, from Gray Instrumentation II (Danilowitz 228.7), 1975
Screenprint in colors on Arches 88 paper, signed in pencil, titled and numbered 25/36 (there were also 10 artist\'s proofs), with the blindstamp of the artist and publisher/printer, Tyler Graphics Ltd., Bedford, with the artist\'s copyright inkstamp (on reverse), with full margins, colors attenuated, framed.
11 x 11in (27.9 x 27.9cm)
sheet 18 7/8 x 18 7/8in (47.9 x 47.9cm)
阿伯斯 灰色仪表IIg，来自灰色仪表II
图片文件尺寸 : 4741 x 5634px
Josef Albers:Four plates, from Six Variants (4 works) (Danilowitz 192.1; 192.2; 192.3; 192.6), 1969
4 screenprints in colors on Arches paper, each signed in pencil, each titled, each dated and each numbered 135/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
Titles include: I-S Va 1, I-S Va 2, I-S Va 3, I-S Va 6 (4 works)
assorted from 25 x 25 7/8in (63.5 x 65.7cm) to 21 1/2 x 30in (54.6 x 76.2cm)
sheet 27 7/8 x 35 7/8in (70.8 x 91.1cm)
阿伯斯 六种型号的四块板
图片文件尺寸 : 3994 x 5123px
Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)
约瑟夫·亚伯斯 公式：发音组合II，文件夹26
光学艺术1950年代至1960年代 光学艺术是一种以数学为主题的抽象艺术形式，它使用简单形式和颜色的重复来创造振动效果、波纹图案、前景-背景混淆、夸张的深度感和其他视觉效果。 从某种意义上说，所有的绘画都是基于视觉感知的技巧：操纵透视规则以产生三维空间的幻觉，混合颜色以创造光影效果，等等。对于光学艺术，观众的眼睛用来理解视觉图像的规则本身就是艺术品的“主题”。 20 世纪中期，Victor Vasarely、Josef Albers和MC Escher等艺术家尝试了光学艺术。埃舍尔的作品虽然不抽象，但广泛涉及各种形式的视觉技巧和悖论。 在 1960 年代，“欧普艺术”一词被用来描述越来越多的抽象画家的作品。这一运动由 Vasarely 和Bridget Riley领导，包括Richard Anuszkiewicz、François Morellet和Jesús-Rafael Soto等艺术家。 |
|
|
||||
| 麦克埃舍尔 | 1898-1972 | 荷兰插画家 | ||
| 维克多·瓦萨里 | 1908-1997 | 匈牙利/法国画家 | ||
| 耶稣-拉斐尔·索托 | 1923-2005 | 委内瑞拉画家/装置艺术家 | ||
| 肯尼斯·诺兰 | 1924-2010 | 美国画家 | ||
| 弗朗索瓦·莫雷莱 | 1926年出生 | 法国画家/雕塑家 | ||
| 我有雅科夫 | 1928年出生 | 以色列画家/雕塑家 | ||
| 朱利安斯坦扎克 | 1928年出生 | 波兰/美国画家 | ||
| 理查德·阿努兹凯维奇 | 生于 1930 年 | 美国画家 | ||
| 布里奇特莱利 | 1931年出生 | 英国画家 | ||
| 克劳德图西尼昂 | 1932年出生 | 加拿大画家 | ||
| 圭多·莫利纳里 | 1933-2004 | 加拿大画家 | ||
| 劳伦斯·潘 | 生于 1937 年 | 美国画家 | ||