图片文件尺寸 : 4521 x 4621px
Moffat Takadiwa:
Smell of foreign policy, 2015
matriaux de rcupration, capsules de bouteilles et spray
190 x 154 x 34cm (74 51/64 x 60 5/8 x 13 25/64in).
莫法特·塔卡迪瓦 2015年外交政策的味道
大约有92幅作品符合查询(搜索耗时:0.0253秒)
彼得·哈雷,当代艺术I-
Peter Halley - Zeitgenössische Kunst I-
(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm
We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.
Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna
Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014
Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.
“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…
Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric
图片文件尺寸 : 4035 x 4283px
After Georges Braque:Vase de fleurs jaunes, c.1955
Aquatint in colors on Rives BFK paper, signed in pencil and numbered 190/300, with the blindstamp of the publisher Maeght Editeur, Paris, with full margins, framed.
19 x 13 5/8in (48.1 x 34.5cm)
sheet 26 x 19 7/8in (66 x 52cm)
源自乔治·布拉克 黄色花瓶
大约有92幅作品符合查询(搜索耗时:0.0253秒)
彼得·哈雷,当代艺术I-
Peter Halley - Zeitgenössische Kunst I-
(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm
We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.
Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna
Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014
Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.
“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…
Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric
图片文件尺寸 : 4035 x 4283px
After Georges Braque:Vase de fleurs jaunes, c.1955
Aquatint in colors on Rives BFK paper, signed in pencil and numbered 190/300, with the blindstamp of the publisher Maeght Editeur, Paris, with full margins, framed.
19 x 13 5/8in (48.1 x 34.5cm)
sheet 26 x 19 7/8in (66 x 52cm)
源自乔治·布拉克 黄色花瓶