32. 彼得·哈雷,当代艺术I 高清作品[47%]

DO-Peter Halley - 现代艺术 I
图片文件像素:5946 x 5480 px

彼得·哈雷,当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

35. Abdoulaye Diaassouba“Aboudia” 无 题 高清作品[46%]

图片文件尺寸 : 4674 x 5577px

Abdoulaye Diarrassouba \"Aboudia\":Patrol licorn
2011

daté \"05 04 2011\" en bas à droite
huile et acrylique sur toile

dated \"05 04 2011\" on lower right
oil and acrylic on canvas

190 x 238 cm.
74 13/16 x 93 11/16in.

Abdoulaye Diaassouba“Aboudia” 无 题

36. 伊丽莎白·塞基亚玛 无 题 高清作品[46%]

图片文件尺寸 : 4794 x 5151px

Elizabeth Sekyiamah:Blue Osibobo
2022

signé et daté \"E.Sekyiamah 2022\" en bas à gauche
acrylique sur toile

signed and dated \"E.Sekyiamah 2022\" lower left
acrylic on canvas

196 x 190 cm.
77 3/16 x 74 13/16 in.

伊丽莎白·塞基亚玛 无 题

38. 源自乔治·布拉克 黄色花瓶 高清作品[45%]

Vase de fleurs jaunes

图片文件尺寸 : 4035 x 4283px

After Georges Braque:Vase de fleurs jaunes, c.1955
Aquatint in colors on Rives BFK paper, signed in pencil and numbered 190/300, with the blindstamp of the publisher Maeght Editeur, Paris, with full margins, framed.
19 x 13 5/8in (48.1 x 34.5cm)
sheet 26 x 19 7/8in (66 x 52cm)

源自乔治·布拉克 黄色花瓶

40. 纳吉娅·迈哈吉 贝鲁特希望线 高清作品[45%]

Ligne d\'espoir pour Beyrouth

图片文件尺寸 : 4451 x 4726px

Najia Mehadji: Ligne d\'espoir pour Beyrouth
acrylique sur toile
signé, daté et titré au dos
exécuté en 2020
180 x 190cm (70 7/8 x 74 13/16in).

acrylic on canvas
signed, dated and titled

纳吉娅·迈哈吉 贝鲁特希望线

190油画图片- 高清190绘画作品- 代表作全集 中艺名画下载


32. 彼得·哈雷,当代艺术I 高清作品[47%]

DO-Peter Halley - 现代艺术 I
图片文件像素:5946 x 5480 px

彼得·哈雷,当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

35. Abdoulaye Diaassouba“Aboudia” 无 题 高清作品[46%]

图片文件尺寸 : 4674 x 5577px

Abdoulaye Diarrassouba \"Aboudia\":Patrol licorn
2011

daté \"05 04 2011\" en bas à droite
huile et acrylique sur toile

dated \"05 04 2011\" on lower right
oil and acrylic on canvas

190 x 238 cm.
74 13/16 x 93 11/16in.

Abdoulaye Diaassouba“Aboudia” 无 题

36. 伊丽莎白·塞基亚玛 无 题 高清作品[46%]

图片文件尺寸 : 4794 x 5151px

Elizabeth Sekyiamah:Blue Osibobo
2022

signé et daté \"E.Sekyiamah 2022\" en bas à gauche
acrylique sur toile

signed and dated \"E.Sekyiamah 2022\" lower left
acrylic on canvas

196 x 190 cm.
77 3/16 x 74 13/16 in.

伊丽莎白·塞基亚玛 无 题

38. 源自乔治·布拉克 黄色花瓶 高清作品[45%]

Vase de fleurs jaunes

图片文件尺寸 : 4035 x 4283px

After Georges Braque:Vase de fleurs jaunes, c.1955
Aquatint in colors on Rives BFK paper, signed in pencil and numbered 190/300, with the blindstamp of the publisher Maeght Editeur, Paris, with full margins, framed.
19 x 13 5/8in (48.1 x 34.5cm)
sheet 26 x 19 7/8in (66 x 52cm)

源自乔治·布拉克 黄色花瓶

40. 纳吉娅·迈哈吉 贝鲁特希望线 高清作品[45%]

Ligne d\'espoir pour Beyrouth

图片文件尺寸 : 4451 x 4726px

Najia Mehadji: Ligne d\'espoir pour Beyrouth
acrylique sur toile
signé, daté et titré au dos
exécuté en 2020
180 x 190cm (70 7/8 x 74 13/16in).

acrylic on canvas
signed, dated and titled

纳吉娅·迈哈吉 贝鲁特希望线