图片文件尺寸 : 3962 x 5678px

Josef Albers:WLS I, from White Line Squares (Series I) (Danilowitz 171.1, Gemini 2), 1966
Lithograph in colors on Arches Cover paper, initialed in pencil, titled, dated and numbered 16/125 (there were also 15 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
15 3/4 x 15 3/4in (40 x 40cm)
sheet 20 3/4 x 20 3/4in (52.7 x 52.7cm)

阿伯斯 WLS I，来自白线广场

图片文件尺寸 : 4485 x 4916px

Keith Haring:Untitled, from Pop Shop VI (Littmann p.151), 1989
Screenprint in colors on wove paper, signed in pencil by Julia Gruen (the executor of the Keith Haring Estate) on the reverse, dated and numbered 171/200 (there were also 25 artist\'s proofs), with the estate inkstamp on the reverse, published by Martin Lawrence Limited Editions, New York, with the blindstamp of the printer Durham Press, Pennsylvania, with full margins, framed.
11 1/2 x 14 3/4in (29.1 x 37.4cm)
sheet 13 1/2 x 16 1/2in (34.2 x 41.8cm)

基思·哈林 无标题，来自Pop Shop VI

图片文件尺寸 : 4734 x 5406px

Robert Indiana:The Golden Future of America, from An American Portrait (Sheehan 92), 1976
Screenprint in colors on Arches 88 paper, signed in pencil, dated and numbered 171/175 (there were also 25 artist\'s proofs), with the blindstamp of the publisher Transworld Art, New York, with the blindstamp of the printer Simca Print Artists, Inc., New York, with full margins, framed.
22 x 17 1/3in (57 x 44.3cm)
sheet 26 1/3 x 20in (66.5 x 51cm)

罗伯特·印第安纳 美国的金色未来，从一幅美国肖像