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John Edward Heliker: Young Printmakers
signed \'Heliker.\' (lower right)
oil on canvas
62 1/4 x 60 1/4 in. (158.1 x 153 cm.)
Painted in 1982.

约翰·爱德华·赫利克 年轻的印刷师62 1/4 x 60 1/4英寸。

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汉斯·塞博德·贝哈姆-

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(Nürnberg 1500-1550 Frankfurt) Allegorien der Monate Januar und Februar, Juli und August, September und Oktober, drei Kupferstiche aus der Folge "Die Landhochzeit", sowie zwei Blatt aus der Folge "Das Bauernfest", 5 x 7,2 cm, 5 x 7,4 cm, 4,8 x 7,5 cm, jeweils bis an die Plattenkante geschnitten, Bartsch 154, 157,158, 162, 165, Passep., ohne Rahmen, (5), (Sch)

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Edgar Plans (B. 1977):Juanín and Olivia (Set of Five)
2021

each numbered on the Certificate of Authenticity as below:
Juanín (Morado): 247/250
Juanín (Naranja): 158/250
Juanín (Rojo): 149/250
Juanín (Rosa): 157/250
Olivia: 116/250
mixed media

each: 16.5 x 9.5 x 10.1 cm (6 1/2 x 3 7/10 x 4 in)

This set of work is accompanied by acrylic Certificates of Authenticity issued by ZHEN. and the original boxes.

埃德加计划（B.1977） 无 题

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Christo Jeanne-Claude:Wrapped Roman Sculptures, Project for Die Glyptothek, München (Schellmann 158), 1991
Collotype and screenprint in colors on wove paper with collage of fabric, transparent polyethylene, thread, twine, and masking tape with pencil additions, signed in pencil and numbered 64/111 (there were also 30 artist\'s proofs), published by Edition Schellmann, Munich/New York, with the blindstamp of the printer Domberger, Filderstadt, the full sheet, framed.
sheet 39 3/8 x 27 1/2 x 1/4in (100 x 70 x 1.2cm)

克里斯托和珍妮·克劳德 包装罗马雕塑，慕尼黑Die Glyptoothek项目

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MOXON, JOSEPH. 1627-1691.:A Tutor to Astronomy and Geography. London: S. Roycroft, for Joseph Moxon, 1686.
Small 4to (199 x 158 mm). Engraved portrait frontispiece, engraved and woodcut illustrations in text. Contemporary brown suede, rebacked. Covers worn, browning and spotting, marginal tear to Bb4 and larger tear to Hh1 into text, ink ownership inscription (dated 1692) on free front endpaper.

Fourth edition, enlarged and corrected. Moxon was Hydrographer to Charles II, as well as a mapmaker, globe maker, and mathematical instrument maker. ESTC R11899; Wing M3025.

约瑟夫·莫森。1627-1691. 天文和地理导师。伦敦：S.Roycroft，代表约瑟夫·莫森，1686年。

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DANTI, EGNATIO. 1536-1586.:PROCLUS. c.412-485. La sfera di Proclo Liceo. Florence: Giunti, 1573.
2 parts in 1 volume. 4to (215 x 158 mm). Woodcut Medici arms on first title page, woodcut illustration of an astrolabe on verso of second title page, woodcut diagrams in text, woodcut initials. Later vellum, paper lettering piece on spine. Covers slighlty soiled, scattered browning, spotting and marginal staining.

FIRST EDITION of Danti\'s translation of the influential astronomical text by Proclus, the Neo-Platonic philosopher who lived and wrote in a time that was on the threshold between the ancient world and the Middle Ages. Danti taught at the University of Pisa, and was Cosmographer to the Medici court. His treatise on the use of the astrolabe, bound here after the work of Proclus, was the first book on the subject published in Italy. Adams P-2137; Brunet IV, 896; Camerini 22; Houzeau Lancaster I, 913.

丹蒂，埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨：Giunti，1573年。

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MERIAN, MATTHAEUS. 1593-1650.:Todten-Tanz / La danse des morts. Basel: Jean Rodolphe Imhof, 1756.
4to (204 x 158 mm). Text in French and German, French title page dated 1756, engraved German title page dated 1744, 43 engraved illustrations in text. Contemporary brokatpapier boards, rebacked in modern quarter morocco, depicting allegorical figures of spring and summer framed in foliate borders. Boards worn, corners bumped, top margin of German title page trimmed away to remove old ownership inscription (with visible offsetting on French title page), light spotting and minor stains.

Bilingual edition with French text by Jacques Anthony Chauvin, but with new plates created from the final state of Merian\'s original plates. The images reproduce parts of the Totentanz fresco (c.1440) that lined a cemetery wall in Basel. Merian\'s engravings, first published in 1621, made the fresco famous throughout Europe. The original fresco was demolished in 1805. Le Blanc III, p 31; Thieme-Becker XXIV, 412.

梅里安，马修。1593-1650. 托顿·坦兹/死亡之舞。巴塞尔：让·鲁道夫·伊姆霍夫，1756年。

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费尔南多·莱格尔-现代-

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(Argentan 1881–1955 Gif-sur-Yvette)
Étude pour “Les Constructeurs”, 1952, mit Initialen signiert und datiert, Gouache auf Papier, 22,5 x 28,5 cm, gerahmt

Das Werk ist beim Comité Léger, Paris, registriert. Eine Echtheitsbestätigung liegt bei.
Die vorliegende Gouache wird in das in Vorbereitung befindliche, vom Comité Léger herausgegebene Werkverzeichnis aufgenommen.

Das Thema der Bauarbeiter ist eines der bekanntesten Projekte der 1940er und frühen 1950er Jahre, als es zum Hauptthema von Légers Arbeit wurde.
Léger selbst hat berichtet, wie er zu diesem Thema kam: „Die Idee kam mir, als ich jeden Abend mit dem Auto nach Chevreuse fuhr. Dort war auf dem Feld eine Fabrik im Bau. Ich sah die Männer, die hoch oben auf den Stahlträgern schwankten! Ich sah den Menschen wie einen Floh: Er schien immer noch in seinen Erfindungen versunken zu sein, während der Himmel über ihm war. Das wollte ich darstellen, den Kontrast zwischen dem Menschen und seinen Erfindungen, zwischen dem Arbeiter und der ganzen Metallarchitektur, dieser Härte, diesem Eisenwerk, diesen Bolzen und Nieten. Auch die Wolken habe ich technisch arrangiert, aber sie bilden einen Kontrast zu den Trägern“.
Fernand Léger in: Werner Schmalenbach, Fernand Léger, New York, 1976, Seite 158.

Die vorliegende Studie ist dem oberen Teil des großformatigen Gemäldes „Les Constructeurs“, 1951, („Die Bauarbeiter“) in der Sammlung des Puschkin-Museums der Schönen Künste in Moskau entnommen.

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BELON, PIERRE. 1517-1564.:L\'histoire de la nature des oyseaux, avec leurs descriptions, naifs portraicts retirez du naturel. Paris: Guillaume Cavellat, 1555.
Folio (320 x 218 mm). 7 parts in one volume. Woodcut printer\'s device on title and six sectional titles, woodcut portrait of Belon on title verso, two woodcuts of human and bird skeletons and 158 large woodcuts in text of birds by Pierre Gourdelle and others, numerous 11-line and smaller ornamental woodcut initials and head-pieces. Mid-18th-century vellum (endpapers watermarked 1742). Two leaves (l1 and g5) with repaired tears crossing text, some minor staining.

FIRST EDITION (Cavellat issue). One of the most important ornithological works of the Renaissance illustrated with beautiful woodcuts drawn from observation of live specimens. Belon, \"one of the founders of the renewed studies of birds ... mentions about two hundred different birds, mainly European, but some foreign. He made many original observations ... [also treating] anatomical and morphological conditions\" (Anker), whilst also drawing upon earlier writers such as Aristotle and Pliny. Schwerdt notes that the second part \"is interesting to falconers,\" the fine woodcut illustrations including a depiction of a falconer luring a bird, and several of owls, \"including the eagle owl, much used in hawking.\" Anker pp 9-10; BM/STC French p 46; Garrison-Morton-Norman 283 (Cavellat issue); Harvard/Mortimer French 50; Nissen IVB 86; Norman 180.

贝隆，皮埃尔。1517-1564. 奥赛奥克斯的自然历史，连同他们的描述和侏儒肖像画从自然中移除。巴黎：纪尧姆·卡韦拉特，1555年。

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ASTRONOMY. :7 titles:
1. GASSENDI, PIERRE. 1592-1655. Tychonis Brahei, equitis dani, astronomorum coryphaei, vita. The Hague: Adrian Vlacq, 1655. 4to (200 x 153 mm). Main title page in red and black, 2 engraved portraits (of Brahe and Copernicus), 2 woodcut diagrams in text. 20th century half vellum and marbled boards. Light toning and occasional spotting.
2. GALILEI, GALILEO. 1564-1642. Le operationi del compasso geometrico e militare.... Bologna: H.H. Del Dozzo, 1656. 4to (230 x 155 mm). Engraved folding chart, woodcut illustrations in text. Modern quarter morocco and marled boards. Lacking front blank, light scattered spotting.
3. DARIOT, CLAUDE. 1533-1594. Dariotus redivivus, or a Brief Introduction Conducing to the Judgement of the Stars. London: Andrew Kemb, 1653. Small 4to (175 x 135 mm). Woodcut illustrations in text. Modern quarter morocco and marbled boards. Lacking first gathering, title page replaced in facsimile, paper repairs to first 8 leaves, with first 3 mounted to stubs, chipping to corners, extensive browning and spotting.
4. PASSEMENT, CLAUDE SIMEON. 1702-1760. Construction d\'un telescope par reflexion, de Mr. Newton.... Amsterdam: Pierre Mortier, 1741. 12mo (158 x 94 mm). Title page in red and black, folding engraved plate at back. Modern quarter calf and marbled boards. Browning throughout, marginal worming to last few leaves (not affecting plate).
5. GALILEI, GALILEO. 1564-1642. VENTURI, GIMABATISTA. editor. Memorie e lettere inedite finora o disperse di Galileo Galilei. Modena: G. Vincenzi, 1818. 2 parts in 1 volume. 4to (272 x 197 mm). 2 engraved portraits, 7 engraved folding plates. 19th century quarter green morocco and marbled boards. Rubbed, scattered foxing.
6. MAGINI, GIOVANNI ANTONIO. 1555-1617. Carteggio inedito di Ticone Brahe, Giovanni Keplero ed di altri celebri astronoi e matematici dei secoli XVI e XVII. Bologna: Nicola Zanichelli, 1886. 4to. Wood engraved illustrations in text. Publisher\'s printed wrappers. Spine cracked and separating, upper wrapper loose, corners rolled, several chips around edges, browning. Inscribed by the author on the upper wrapper.
7. PETERS, CHRISTIAN HEINRICH FRIEDRICH, and EDWARD BALL KNOBEL. Ptolemy\'s Catalogue of Stars. A Revision of the Almagest. Washington, DC: Carnegie Institute, 1915. 20th century cloth, paper label on spine, publisher\'s front wrapper bound in. Corners bumped, toning.

天文学。 7个标题：