图片文件尺寸 : 5341 x 4757px
Marc Chagall:Le Vagabond (Cramer 20)
Etching, 1967, on Japan paper, signed and numbered 34/35 in pencil, the full sheet, with a deckle edge at right, with pale mount and time staining, a short scratch to the upper right margin, in overall good condition
Plate 309 x 236mm. (12 1/8 x 9 1/4in.); Sheet 515 x 387mm. (20 1/4 x 15 1/4in.)
马克·夏加尔 勒瓦加邦
图片文件尺寸 : 2224 x 3081px
“她跑了一段距离，转了几圈，然后开始害怕杰西·威尔科克斯-史密斯-Jessie Willcox Smith
她跑了一段距离，转了几圈，然后开始害怕--Jessie Willcox Smith (美国, 1863 – 1935)
图片文件尺寸 : 5353 x 4659px
Richard Hamilton:Marcel Duchamp (not in Lullin)
Offset lithograph in colours with laminated silver foil, 1966, on wove paper, printed at the occasion of the exhibition A Reconstruction of Marcel Duchamp\'s Large Glass at the Hatton gallery, 16-27 May 1966, with time staining, in overall good condition, framed
Sheet 741 x 495mm. (29 1/8 x 19 1/2in.)
汉密尔顿 马塞尔·杜尚
图片文件尺寸 : 2501 x 1746px
卡斯帕·大卫·弗里德里希（Caspar David Friedrich）的《冬-夜-老年与死亡》-Caspar David Friedrich
冬季-夜间-老年和死亡（来自1803年的白天和人类周期）--Caspar David Friedrich (德国, 1774-1840)
图片文件尺寸 : 1960 x 3313px
“年轻的彼得·维尔布鲁根（Pieter Verbruggen the Younger）设计的带有时间寓言的墓碑-Pieter Verbruggen the Younger
带有时间寓言的墓碑设计--Pieter Verbruggen the Younger (Flemish, 1648-1691)
图片文件尺寸 : 4134 x 4290px
Francis Bacon:Triptych 1986-87 (Right panel) (Sabatier 6)
Etching and aquatint in colours, 1987, on Arches wove paper, signed and numbered 44/99 in pencil, printed and published by Poligrafa, Barcelona, the full sheet, with very pale time-staining, in good condition
Plate 655 x 482mm. (25 3/4 x 19in.); Sheet 896 x 625mm. (35 1/4 x 24 5/8in.)
弗朗西斯·培根 三联画1986-87
图片文件像素：5925 x 4626 px
Jií（Georg）Dokoupil，当代艺术I-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-
(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher
Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y
Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015
Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015
Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.
The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..
Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.
Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil
图片文件尺寸 : 1604 x 2202px
布伦希尔德站了很长一段时间，被亚瑟·拉卡姆吓得头昏眼花-Arthur Rackham
布伦希尔德站了很长一段时间，神志不清，惊慌失措--Arthur Rackham (英国, 1867-1939)
图片文件尺寸 : 5834 x 3888px
丹克瓦特·德雷尔（Dankvart Dreyer）的《丰收时节的富南风景，背景为韦德尔斯博格》-Dankvart Dreyer
丰收时节的阜南风景，背景是威德堡--Dankvart Dreyer (丹麦, 1816 – 1852)
图片文件尺寸 : 3206 x 2131px
罗伯特·查尔斯·达德利（Robert Charles Dudley）的《1857-1858年瓦伦西亚》-Robert Charles Dudley
18571858年瓦伦西亚铺设前电缆时--Robert Charles Dudley (英国, 1826-1909)
图片文件尺寸 : 5341 x 4757px
Marc Chagall:Le Vagabond (Cramer 20)
Etching, 1967, on Japan paper, signed and numbered 34/35 in pencil, the full sheet, with a deckle edge at right, with pale mount and time staining, a short scratch to the upper right margin, in overall good condition
Plate 309 x 236mm. (12 1/8 x 9 1/4in.); Sheet 515 x 387mm. (20 1/4 x 15 1/4in.)
马克·夏加尔 勒瓦加邦
图片文件尺寸 : 2224 x 3081px
“她跑了一段距离，转了几圈，然后开始害怕杰西·威尔科克斯-史密斯-Jessie Willcox Smith
她跑了一段距离，转了几圈，然后开始害怕--Jessie Willcox Smith (美国, 1863 – 1935)
图片文件尺寸 : 5353 x 4659px
Richard Hamilton:Marcel Duchamp (not in Lullin)
Offset lithograph in colours with laminated silver foil, 1966, on wove paper, printed at the occasion of the exhibition A Reconstruction of Marcel Duchamp\'s Large Glass at the Hatton gallery, 16-27 May 1966, with time staining, in overall good condition, framed
Sheet 741 x 495mm. (29 1/8 x 19 1/2in.)
汉密尔顿 马塞尔·杜尚
图片文件尺寸 : 2501 x 1746px
卡斯帕·大卫·弗里德里希（Caspar David Friedrich）的《冬-夜-老年与死亡》-Caspar David Friedrich
冬季-夜间-老年和死亡（来自1803年的白天和人类周期）--Caspar David Friedrich (德国, 1774-1840)
图片文件尺寸 : 1960 x 3313px
“年轻的彼得·维尔布鲁根（Pieter Verbruggen the Younger）设计的带有时间寓言的墓碑-Pieter Verbruggen the Younger
带有时间寓言的墓碑设计--Pieter Verbruggen the Younger (Flemish, 1648-1691)
图片文件尺寸 : 4134 x 4290px
Francis Bacon:Triptych 1986-87 (Right panel) (Sabatier 6)
Etching and aquatint in colours, 1987, on Arches wove paper, signed and numbered 44/99 in pencil, printed and published by Poligrafa, Barcelona, the full sheet, with very pale time-staining, in good condition
Plate 655 x 482mm. (25 3/4 x 19in.); Sheet 896 x 625mm. (35 1/4 x 24 5/8in.)
弗朗西斯·培根 三联画1986-87
图片文件像素：5925 x 4626 px
Jií（Georg）Dokoupil，当代艺术I-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-
(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher
Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y
Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015
Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015
Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.
The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..
Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.
Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil
图片文件尺寸 : 1604 x 2202px
布伦希尔德站了很长一段时间，被亚瑟·拉卡姆吓得头昏眼花-Arthur Rackham
布伦希尔德站了很长一段时间，神志不清，惊慌失措--Arthur Rackham (英国, 1867-1939)
图片文件尺寸 : 5834 x 3888px
丹克瓦特·德雷尔（Dankvart Dreyer）的《丰收时节的富南风景，背景为韦德尔斯博格》-Dankvart Dreyer
丰收时节的阜南风景，背景是威德堡--Dankvart Dreyer (丹麦, 1816 – 1852)
图片文件尺寸 : 3206 x 2131px
罗伯特·查尔斯·达德利（Robert Charles Dudley）的《1857-1858年瓦伦西亚》-Robert Charles Dudley
18571858年瓦伦西亚铺设前电缆时--Robert Charles Dudley (英国, 1826-1909)