361. 贾斯培·琼斯 评论家Sees,来自Leo Castelli的《十》 高清作品[41%]

The Critic Sees, from Ten from Leo Castelli

图片文件尺寸 : 4050 x 4109px

Jasper Johns:The Critic Sees, from Ten from Leo Castelli (ULAE 39), 1967
Screenprint on acetate with embossing on wove paper, signed in pencil, titled, dated and numbered 162/200 (there were also 15 artist\'s proofs), with the blindstamp of the publisher Tanglewood Press, Inc., New York, with the blindstamp of the printer Joan Farrar, New York, the full sheet.
sheet 23 7/8 x 20in (60.6 x 50.8cm)

贾斯培·琼斯 评论家Sees,来自Leo Castelli的《十》

362. 理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合 高清作品[40%]

Sequential II, Sequential VIII, from Sequential Portfolio

图片文件尺寸 : 3955 x 4032px

Richard Anuszkiewicz: Sequential II, Sequential VIII, from Sequential Portfolio, 1972
2 screenprint in colors on 4-ply studio Bristol paper, both signed in pencil, titled \'II\', \'VIII\', respectively, dated, and both numbered 139/200, published by Sanmore Editions, New York, both with full margins. (2 works)
both 26 x 19in (66 x 48.2cm)
both sheets 28 x 21in (71 x 53.3cm)

理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合

363. 伦纳德·祖古哈鲁·福吉塔 猫在子弹前睡觉 高清作品[40%]

Chaton Dormant près d\'une Balle , from Les Chats

图片文件尺寸 : 5184 x 4219px

Léonard Tsuguharu Foujita:Chaton Dormant près d\'une Balle (Kitten Sleeping near a Ball), from Les Chats (Buisson 29.200.8), 1929
Etching and aquatint in colors, on chine appliqué to Japon paper support, signed and numbered 66/100 in pencil, published by Les Editions Artistiques Apollo, Paris, with margins.
12 1/4 x 14 7/8in (31 x 37.5cm)
sheet 12 1/2 x 15in (31.6 x 38.1cm)

伦纳德·祖古哈鲁·福吉塔 猫在子弹前睡觉

364. 马克斯·贝克曼-《沙漠中的基督》——从六块石版到新约 高清作品[40%]

Christus in der Wüste  from Sechs Lithographien zum Neuen Testament

图片文件尺寸 : 5137 x 4617px

MAX BECKMANN:Christus in der Wüste (Größe Figur) from Sechs Lithographien zum Neuen Testament, 1911
signed in pencil, from the unnumbered edition of approximately 40 (there was also a numbered edition of 200)
lithograph, on laid paper
Image 27.5 x 22.5cm (10 13/16 x 8 7/8in).
Published by Neumann, Berlin, 1917

马克斯·贝克曼-《沙漠中的基督》——从六块石版到新约

365. 阿尔曼(Armand Pierre Fernandez,当代艺术I 高清作品[40%]

DO-Arman  (Armand Pierre Fernandez) - 现代艺术 I
图片文件像素:6336 x 5443 px

阿尔曼(Armand Pierre Fernandez,当代艺术I-

Arman * (Armand Pierre Fernandez) - Zeitgenössische Kunst I-

(Nice 1928–2005 New York)
Untitled, 1989, signed, accumulation of paint tubes and caps and acrylic on canvas mounted on wood, cm. 200 x 150 cm, framed

This work is accompanied by a photo certificate signed by the artist

This work is recorded in the Arman Studio Archives New York under number: APA# 8012.89.001

Provenance:
Dante Vecchiato Galleria d’Arte, Padua (label and stamp on the certificate)
European Private Collection

366. 大卫·霍克尼R.A。 向米开朗基罗致敬,出自《奥马吉奥·米开朗琪罗》 高清作品[40%]

Homage to Michelangelo, from \'Omaggio a Michelangelo\'

图片文件尺寸 : 4371 x 5324px

David Hockney R.A.:Homage to Michelangelo, from \'Omaggio a Michelangelo\' (MCA Tokyo 162; Scottish Arts Council 173)
Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed \'h.c.\' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)

大卫·霍克尼R.A。 向米开朗基罗致敬,出自《奥马吉奥·米开朗琪罗》

367. 霍华德·霍奇金 联系/入住,从我们现在的生活方式 高清作品[40%]

In Touch/Checking In, from The Way We Live Now

图片文件尺寸 : 5237 x 5432px

Howard Hodgkin:In Touch/Checking In, from The Way We Live Now, 1990
Lift ground etching and aquatint in colors with handcoloring on Fabriano laid paper, initialed in pencil, dated and numbered 6/50 (there was also a book edition of 200 signed on the justification), published by Karsten Schubert, London, printed and hand-colored by Jack Shirreff at the 107 Workshop, London, the full sheet, framed.
sheet 11 3/4 x 16 7/8in (29.8 x 42.7cm)

霍华德·霍奇金 联系/入住,从我们现在的生活方式

368. 基思·哈林 无标题,来自Pop Shop VI 高清作品[40%]

Untitled, from Pop Shop VI

图片文件尺寸 : 4485 x 4916px

Keith Haring:Untitled, from Pop Shop VI (Littmann p.151), 1989
Screenprint in colors on wove paper, signed in pencil by Julia Gruen (the executor of the Keith Haring Estate) on the reverse, dated and numbered 171/200 (there were also 25 artist\'s proofs), with the estate inkstamp on the reverse, published by Martin Lawrence Limited Editions, New York, with the blindstamp of the printer Durham Press, Pennsylvania, with full margins, framed.
11 1/2 x 14 3/4in (29.1 x 37.4cm)
sheet 13 1/2 x 16 1/2in (34.2 x 41.8cm)

基思·哈林 无标题,来自Pop Shop VI

369. 吉姆·戴恩 Imogen I和II,摘自Jim Dine Complete Graphics 高清作品[40%]

Imogen I and II, from Jim Dine Complete Graphics

图片文件尺寸 : 4225 x 5120px

Jim Dine:Imogen I and II, from Jim Dine Complete Graphics (2 works) (M. 54), 1969
2 screenprints in colors on wove paper, each signed in pencil, both unnumbered proofs aside from editions of 200, both published by Pace Editions, New York, with margins, each framed. (2 works)
8.5 x 7.9in each (22 x 20cm each)
sheet 8 7/8 x 8 1/2in each (22.5 x 21.5cm each)

吉姆·戴恩 Imogen I和II,摘自Jim Dine Complete Graphics

370. 罗伊·利希滕斯坦 《鱼与天》,来自Leo Castelli的《十》 高清作品[39%]

Fish and Sky, from Ten from Leo Castelli

图片文件尺寸 : 4604 x 4306px

Roy Lichtenstein:Fish and Sky, from Ten from Leo Castelli (Corlett 50), 1967
Screenprint on silver gelatin photographic print mounted on three-dimensional lenticular offset lithograph on white composition board with window mount, signed in pencil on composition board as issued and numbered 162/200 (there were also 25 proofs lettered A through Y), published by Tanglewood Press, New York, printed by Maurel Studios, New York, the full sheet.
11 x 14in (27.9 x 35.6cm)
sheet 23 3/4 x 20in (60.3 x 50.8cm)

罗伊·利希滕斯坦 《鱼与天》,来自Leo Castelli的《十》

200油画图片- 高清200绘画作品- 代表作全集 中艺名画下载


361. 贾斯培·琼斯 评论家Sees,来自Leo Castelli的《十》 高清作品[41%]

The Critic Sees, from Ten from Leo Castelli

图片文件尺寸 : 4050 x 4109px

Jasper Johns:The Critic Sees, from Ten from Leo Castelli (ULAE 39), 1967
Screenprint on acetate with embossing on wove paper, signed in pencil, titled, dated and numbered 162/200 (there were also 15 artist\'s proofs), with the blindstamp of the publisher Tanglewood Press, Inc., New York, with the blindstamp of the printer Joan Farrar, New York, the full sheet.
sheet 23 7/8 x 20in (60.6 x 50.8cm)

贾斯培·琼斯 评论家Sees,来自Leo Castelli的《十》

362. 理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合 高清作品[40%]

Sequential II, Sequential VIII, from Sequential Portfolio

图片文件尺寸 : 3955 x 4032px

Richard Anuszkiewicz: Sequential II, Sequential VIII, from Sequential Portfolio, 1972
2 screenprint in colors on 4-ply studio Bristol paper, both signed in pencil, titled \'II\', \'VIII\', respectively, dated, and both numbered 139/200, published by Sanmore Editions, New York, both with full margins. (2 works)
both 26 x 19in (66 x 48.2cm)
both sheets 28 x 21in (71 x 53.3cm)

理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合

363. 伦纳德·祖古哈鲁·福吉塔 猫在子弹前睡觉 高清作品[40%]

Chaton Dormant près d\'une Balle , from Les Chats

图片文件尺寸 : 5184 x 4219px

Léonard Tsuguharu Foujita:Chaton Dormant près d\'une Balle (Kitten Sleeping near a Ball), from Les Chats (Buisson 29.200.8), 1929
Etching and aquatint in colors, on chine appliqué to Japon paper support, signed and numbered 66/100 in pencil, published by Les Editions Artistiques Apollo, Paris, with margins.
12 1/4 x 14 7/8in (31 x 37.5cm)
sheet 12 1/2 x 15in (31.6 x 38.1cm)

伦纳德·祖古哈鲁·福吉塔 猫在子弹前睡觉

364. 马克斯·贝克曼-《沙漠中的基督》——从六块石版到新约 高清作品[40%]

Christus in der Wüste  from Sechs Lithographien zum Neuen Testament

图片文件尺寸 : 5137 x 4617px

MAX BECKMANN:Christus in der Wüste (Größe Figur) from Sechs Lithographien zum Neuen Testament, 1911
signed in pencil, from the unnumbered edition of approximately 40 (there was also a numbered edition of 200)
lithograph, on laid paper
Image 27.5 x 22.5cm (10 13/16 x 8 7/8in).
Published by Neumann, Berlin, 1917

马克斯·贝克曼-《沙漠中的基督》——从六块石版到新约

365. 阿尔曼(Armand Pierre Fernandez,当代艺术I 高清作品[40%]

DO-Arman  (Armand Pierre Fernandez) - 现代艺术 I
图片文件像素:6336 x 5443 px

阿尔曼(Armand Pierre Fernandez,当代艺术I-

Arman * (Armand Pierre Fernandez) - Zeitgenössische Kunst I-

(Nice 1928–2005 New York)
Untitled, 1989, signed, accumulation of paint tubes and caps and acrylic on canvas mounted on wood, cm. 200 x 150 cm, framed

This work is accompanied by a photo certificate signed by the artist

This work is recorded in the Arman Studio Archives New York under number: APA# 8012.89.001

Provenance:
Dante Vecchiato Galleria d’Arte, Padua (label and stamp on the certificate)
European Private Collection

366. 大卫·霍克尼R.A。 向米开朗基罗致敬,出自《奥马吉奥·米开朗琪罗》 高清作品[40%]

Homage to Michelangelo, from \'Omaggio a Michelangelo\'

图片文件尺寸 : 4371 x 5324px

David Hockney R.A.:Homage to Michelangelo, from \'Omaggio a Michelangelo\' (MCA Tokyo 162; Scottish Arts Council 173)
Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed \'h.c.\' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)

大卫·霍克尼R.A。 向米开朗基罗致敬,出自《奥马吉奥·米开朗琪罗》

367. 霍华德·霍奇金 联系/入住,从我们现在的生活方式 高清作品[40%]

In Touch/Checking In, from The Way We Live Now

图片文件尺寸 : 5237 x 5432px

Howard Hodgkin:In Touch/Checking In, from The Way We Live Now, 1990
Lift ground etching and aquatint in colors with handcoloring on Fabriano laid paper, initialed in pencil, dated and numbered 6/50 (there was also a book edition of 200 signed on the justification), published by Karsten Schubert, London, printed and hand-colored by Jack Shirreff at the 107 Workshop, London, the full sheet, framed.
sheet 11 3/4 x 16 7/8in (29.8 x 42.7cm)

霍华德·霍奇金 联系/入住,从我们现在的生活方式

368. 基思·哈林 无标题,来自Pop Shop VI 高清作品[40%]

Untitled, from Pop Shop VI

图片文件尺寸 : 4485 x 4916px

Keith Haring:Untitled, from Pop Shop VI (Littmann p.151), 1989
Screenprint in colors on wove paper, signed in pencil by Julia Gruen (the executor of the Keith Haring Estate) on the reverse, dated and numbered 171/200 (there were also 25 artist\'s proofs), with the estate inkstamp on the reverse, published by Martin Lawrence Limited Editions, New York, with the blindstamp of the printer Durham Press, Pennsylvania, with full margins, framed.
11 1/2 x 14 3/4in (29.1 x 37.4cm)
sheet 13 1/2 x 16 1/2in (34.2 x 41.8cm)

基思·哈林 无标题,来自Pop Shop VI

369. 吉姆·戴恩 Imogen I和II,摘自Jim Dine Complete Graphics 高清作品[40%]

Imogen I and II, from Jim Dine Complete Graphics

图片文件尺寸 : 4225 x 5120px

Jim Dine:Imogen I and II, from Jim Dine Complete Graphics (2 works) (M. 54), 1969
2 screenprints in colors on wove paper, each signed in pencil, both unnumbered proofs aside from editions of 200, both published by Pace Editions, New York, with margins, each framed. (2 works)
8.5 x 7.9in each (22 x 20cm each)
sheet 8 7/8 x 8 1/2in each (22.5 x 21.5cm each)

吉姆·戴恩 Imogen I和II,摘自Jim Dine Complete Graphics

370. 罗伊·利希滕斯坦 《鱼与天》,来自Leo Castelli的《十》 高清作品[39%]

Fish and Sky, from Ten from Leo Castelli

图片文件尺寸 : 4604 x 4306px

Roy Lichtenstein:Fish and Sky, from Ten from Leo Castelli (Corlett 50), 1967
Screenprint on silver gelatin photographic print mounted on three-dimensional lenticular offset lithograph on white composition board with window mount, signed in pencil on composition board as issued and numbered 162/200 (there were also 25 proofs lettered A through Y), published by Tanglewood Press, New York, printed by Maurel Studios, New York, the full sheet.
11 x 14in (27.9 x 35.6cm)
sheet 23 3/4 x 20in (60.3 x 50.8cm)

罗伊·利希滕斯坦 《鱼与天》,来自Leo Castelli的《十》