图片文件尺寸 : 4961 x 5959px

Andy Warhol:Old Fashioned Vegetable, from Campbell Soup II (Feldman Schellmann II.54), 1969
Screenprint in colors on smooth wove paper, signed in ball-point pen on the reverse, an unnumbered proof (aside from the edition of 250), published by Factory Additions, New York, printed by Salvatore Silkscreen Co., Inc., New York, the full sheet, framed.
31 7/8 x 18 3/4in (80.9 x 47.6cm)
sheet 35 x 23in (88.9 x 58.4cm)

安迪·沃霍尔 来自坎贝尔汤II的老式蔬菜

图片文件尺寸 : 4076 x 4092px

Helen Bradley:The Photographer
signed, signed with fly insignia and inscribed \'Helen Bradley/Nellie Bly.\' (lower right); further dedicated and inscribed \'To Bruce/This is Harry Clegg who was Keen on Photography/and Father used to ask him to come to tea/and Photograph Mother, George + Me. But, Oh, what/a time it took waiting for the Bird to come out/and flap its wings and say Cheep, Cheep./I fell asleep standing up.\' (on sheet verso)
felt-tip and ball-point pen on paper
21.5 x 24.5cm (8 7/16 x 9 5/8in).

海伦·布拉德利 摄影师

图片文件尺寸 : 3934 x 5157px

Richard Diebenkorn:Large Bright Blue, from Eight Color Etchings series (Guillemin p.111), 1980
Etching and aquatint in colors on Rives BFK paper, initialed in pencil, dated and numbered 13/35 (there were also 10 artist\'s proofs), with the blindstamp of publisher/printer Crown Point Press, Oakland, California, with full margins, framed.
23 7/8 x 14 1/8in (60.6 x 35.9cm)
sheet 39 7/8 x 26 1/8 in (101.3 x 66.4cm)

理查德·迪本科恩 大亮蓝色，来自八色蚀刻系列

图片文件尺寸 : 5002 x 5832px

Robert H. Colescott:Pontchartrain (quadriptych), 1997
Etching, sugar lift and spit bite aquatint with drypoint in colors, printed on 4 sheets of Arches Cream cover paper, adjacently, signed in pencil, dated, and numbered 8/20 on the right panel (there were also 10 artist\'s proofs), with the blindstamp, on right panel, of the publisher/printer Crown Point Press, San Francisco, each the full sheet. (quadriptych)
each image 41 1/2 x 29 3/8in (105.4 x 74.6cm)
each sheet 46 1/4 x 29 3/8in (117.4 x 74.6cm)
overall 46 1/4 x 117in (117.4 x 297.1cm)

罗伯特·科尔斯科特 蓬查特兰

图片文件尺寸 : 5041 x 3797px

Pablo PICASSO:COUPLE: FEMME ET HOMME CHIEN, 1972
(Bloch, 2010; Baer, 2021, VII B a.)
Planche 155 tirée de la \"suite 156\"
Eau-forte, grattoir, pointe sèche et aquatinte sur vélin
Epreuve d\'artiste numérotée X/XV avec le tampon de la signature de l\'artiste
Galerie Louise Leiris, éditeur, Paris
Annotation de monsieur Serge Reggiani et son ex-femme madame Noël Reggiani au dos
Sujet: 36,6 x 49,1 cm
Feuille: 50 x 64,5 cm

巴勃罗·毕加索 夫妇：狗和女人，1972年

图片文件尺寸 : 3945 x 4531px

Ed Ruscha:Van Ness, Santa Monica, Vine, Melrose, from Why Draw a Landscape?, 1999
Direct gravure on Somerset paper, signed in pencil, dated and numbered 47/50, with the blindstamp of the publisher/printer Crown Point Press, San Francisco, the full sheet, framed.
sheet 16 x 20in (40.6 x 50.8cm)

Ed俄罗斯 Van Ness，Santa Monica，Vine，Melrose，摘自《为什么画风景》？

图片文件尺寸 : 4649 x 4569px

Andy Warhol:Tomato-Beef Noodle O\'s, from Campbell\'s Soup II (Feldman Schellmann II.61), 1969
Screenprint in colors on wove paper, signed in ball-point pen and numbered with a rubber stamp 182/250 on verso (there were also 26 artist\'s proofs lettered A-Z), published by Factory Additions, New York, printed by Salvatore Silkscreen Co., Inc., New York, the full sheet, framed.
sheet 35 x 23in (88.9 x 58.4cm)

安迪·沃霍尔 坎贝尔汤II番茄牛肉面O’s

图片文件像素：5069 x 5064 px

Tancredi，当代艺术I-

Tancredi * - Zeitgenössische Kunst I-

(Feltre/Belluno 1927–1964 Rome)
Untitled, 1953, mixed media on hardboard (faesite), 100 x 150 cm, framed

Provenance:
Barbara Finzi Collection, Mestre
European Private Collection

Exhibited:
Verona, Tancredi - 92 opere inedite 1950–1955, Palazzo Forti,
14 March - 16 May 1987, exh. cat. p. 62 with ill.
Belluno, Opere d’Arte Contemporanea dalle collezioni private del Bellunese, Palazzo Crepadona, 15 December 1989 – 28 January 1990, exh. cat. p. 53, no. 17 (label on the reverse)

Literature:
M. Dalai Emiliani, Tancredi. I dipinti e gli scritti, Allemandi, Turin 1996, no. 411 with ill.

I set out from the point through instinctive graphics and colours to conquer new images of nature.
Tancredi

图片文件尺寸 : 5164 x 5369px

Richard Diebenkorn:Clubs and Spades (8 works), 1981
A group comprising eight etchings and aquatints on wove paper, five in colors, each initialed in pencil, each dated and numbered 24/35 except for Combination which is numbered 24/40 (there were also 11 artist\'s proofs), each with the blindstamp of the publisher Crown Point Press, Oakland, California, each with full margins, each framed. (8 works)

Titles Include:
Black Club, Blue Club, Card Game, Combination, Oakland Image, Spreading Spade, Tri-color, Tri-color II
assorted images from 13 1/2 x 9 1/2in (34.3 x 24.1cm) to 19 x 18in (48.2 x 45.7cm)
assorted sheets from 30 x 22 1/2in (76.2 x 57.2cm) to 37 1/2 x 30 3/4in (95.2 x 78.1cm)

理查德·迪本科恩 梅花和黑桃

图片文件像素：5541 x 3948 px

乔治·康多，当代艺术I-

George Condo - Zeitgenössische Kunst I-

(born in Concord, New Hampshire, USA in 1957)
Cap d’ Antibes, 1990, signed, titled and dated on the reverse, oil on canvas, 65 x 46 cm, framed

Provenance:
Bischofberger Gallery, Zurich
Acquired from the above by the present owner

« I just wanted to say, \'There must be a way to work figuratively that doesn’t end up looking like some boring realism, some boring photorealism.\'

The point is not to see how well somebody paints a figure, but something beyond that. A way of saying that the figure itself becomes a map of a number of intellectual processes involved in the idea of making an art work.»

George Condo, 2004, www.brunobischofberger.com/condo-bio