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弗朗西斯科·皮拉内西-

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(Rom 1756–1810 Paris)
Drei Radierungen mit Ansichten aus Pompei: “Veduta del Sepolcro di C. Mamia negli avanzi dell’antica Città di Pompei”; “Veduta del Tempio d’Iside quale oggi esiste fragli avanzi dell’antica Città di Pompei”; “Veduta della Porta dell’antica Città di Pompei”, jeweils in der Platte betitelt, signiert, datiert Cav. Francesco Piranesi incise 1788 bzw. 1789, 52 x 72 cm, 53 x 72,5 cm, 52 x 71,5 cm, Passep., ohne Rahmen, (3), (Sch)

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约瑟夫·冯·阿贝塞尔-

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(Judenburg 1850–1928 Graz)
Vor der Porta della Carta zwischen Markusdom und Dogenpalast, verso altes Etikett “Porta Carta (Tor d. Dogenpalastes) in Venedig, Aquarell gemalt im gütigen Auftrage d. hochwolg. Frau Mariane Passini geb. Sailler für deren Herrn Gemal Herrn D. techn. Friedr. Passini kk. SektionsChef Ritter hoher Orden etc. Weihnacht 1912”, signiert J. v. Arbesser, Tusche, Aquarell auf Karton, 40,3 x 26,3 cm, Passep., gerahmt, fleckig, (BH)

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Federico Zuccaro在威尼斯圣弗朗西斯科·德拉·维格纳的“圣玛丽·玛格达琳的转化研究”-Federico Zuccaro

图研究圣玛利亚抹大拉的皈依’威尼斯圣弗朗西斯科·德拉·维纳--Federico Zuccaro (意大利, ca. 1542 - 1609)

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皮耶罗·多拉齐奥-

Piero Dorazio * - Zeitgenössische Kunst I-

(Rome 1927–2005 Perugia)
Akme, 1974–75, signed, titled and dated on the reverse, with the stamp of Studio Piero Dorazio, oil on canvas, 105 x 75 cm, framed

This work is accompanied by a photo certificate signed by the artist

This work is registered in the Archivio Opera Piero Dorazio, Todi and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Piero Della Francesca, Arezzo
European Private Collection

Exhibited:
Padua, Piero Dorazio, Anfiteatro Arte, 2007, exh. cat. p. 54 with ill.

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Bartholomeus Breenbergh Circle，1900年以前的绘画大师和版画，水彩画，微型画-

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(1598-um 1657)
Blick auf den Tempio della Sibilla in Tivoli, Feder in Braun, braun laviert, auf Bütten, 19 x 27 cm, gebräunt, fleckig, Passep., ohne Rahmen, (Sch)

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弗里德里希·冯·内里的《威尼斯大运河冬季景观，从卡瓦利·弗朗切蒂宫到圣玛丽亚·德拉致敬》-Friedrich von Nerly

威尼斯大运河冬季景观，从卡瓦尔弗朗切蒂宫到圣玛丽亚德拉礼堂--Friedrich von Nerly (德国, 1807-1878)

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“罗马，圣玛丽亚·德尔·波波洛教堂的场景，背景是路易吉·马切西的朱利奥二世·德拉·罗维埃纹章风琴画廊-Luigi Marchesi

罗马，圣玛丽亚·德尔·波波洛教堂的场景，背景是朱利奥二世的纹章风琴画廊--Luigi Marchesi (意大利, 1825-1862)

图片文件尺寸 : 3904 x 4648px

Stefano della Bella:Nine studies of men
pen, brown ink and black chalk on paper laid down
5.7 x 2.8cm (2 1/4 x 1 1/8in). and smaller, overall sheet size 21.5 x 17.6cm (8 7/16 x 6 15/16in).

斯蒂法诺·德拉·贝拉 九项男性及以下研究，总纸张尺寸21.5 x 17.6cm。

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DELLA PORTA, GIOVANNO BATTISTA. 1538-1615. :3 titles:
1. La fisonomia dell\'huomo, et la celeste ... Libri sei. Venice: Nicolò Pezzana, 1668. 4to (222 x 161 mm). Woodcut printer\'s device on title. Modern half calf.
2. Phytognomonica. Frankfurt:. Wechel and Fischer, 1591. 8vo. (173 x 114 mm). Woodcut printer\'s device on title, woodcut portrait and numerous woodcut illustrations in text. 16th century calf. Repairs to spine ends, light wear to joints.
3. De humana physiognomonia. Hanau: W. Antonius, 1593. 8vo (185 x 118 mm). Woodcut printer\'s device on title and numerous woodcut illustrations in text. Adams P-1925.

开门，年轻的击球手。1538–1615. 3个标题：

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Arnulf Rainer，当代艺术I-

Arnulf Rainer * - Zeitgenössische Kunst I-

(born in Baden near Vienna in 1929)
Heavenly Love (“Jupiter und Io” copy after Correggio from the 19th century), 2002, overpainting, oil, oil crayon on canvas (oval), 52 x 44.5 cm, framed

Exhibited and published:
Arte. Genio. Follia Il giorno e la notte dell ‘artista, Siena, Complesso Museale Santa Maria della Scala, Edizione Gabriele Mazzotta, 2009, p. 487 (full-page colour ill.)
Amor Psyche Action-Vienna. The Feminine in Viennese Actionism, DOX Centre for Contemporary Art, Prague 2012, Verlag für moderne Kunst Nürnberg, p. 211 (full-page colour ill.)

Provenance:
Private Collection, Austria