304. 威廉·赫伯特·巴克·邓顿 《大平原与荒野之心》,摘自《西部之心》系列 高清作品[40%]

On the Great Plains and Heart of the Wilderness, from Heart of the West Series

图片文件尺寸 : 4095 x 4183px

William Herbert \'Buck\' Dunton:On the Great Plains and Heart of the Wilderness, from Heart of the West Series, 1932; 1933
Two lithographs on wove paper, each signed in pencil, titled, dated, annotated \'Prong Horn Antelope\' and \'Elk.\' respectively, numbered \'No. 54-100.\' and \'No. 98\' respectively, with margins, each framed.
11 3/4 x 10 in. (29.8 x 25.4 cm.)
each framed 25 1/2 x 22 1/2 in. (64.8 x 57.2 cm.)

威廉·赫伯特·巴克·邓顿 《大平原与荒野之心》,摘自《西部之心》系列

305. 威廉·赫伯特·巴克·邓顿 一组肖像5 高清作品[37%]

A Group of Portraits 5

图片文件尺寸 : 4430 x 5250px

William Herbert \'Buck\' Dunton:A Group of Portraits, 1931
A group of 5 lithographs on various wove paper, four signed in pencil, each titled and dated, annotated \'Knew Bert and his posse, Clay Allison and other early western characters...\', \'Model: Van Price. No. 69.\', \'Model: Corn Weeds. No. 73.\', \'Model: Chapman Ballard. No. 52.\', \'Model: Bill Woods. No. 74.\' respectively, with margins, each framed.

Titles and dates include:
The Old Timer (Harry R. Leatherman), from the Southwest Series, 1929; Texas Bronc Twister, from the Southwestern Series, 1930; Taos Pueblo Indian Girl (Corn Weeds), from Southwestern Series, 1931; The Old Pioneer, from the Old Timer Series, 1931; The Prospector, from the Southwestern Series, 1931 (5)
various sizes

威廉·赫伯特·巴克·邓顿 一组肖像5

306. 赫伯特·F·罗伊尔 有四座山峰的景观,可能是Rùm岛的Hallival、Askival、Trollabhal和Sgur nan Gillian 高清作品[36%]

Landscape with four mountain peaks, probably Hallival, Askival, Trollabhal and Sgurr nan Gillean, Isle of Rùm

图片文件尺寸 : 4865 x 4728px

Herbert F. Royle:Landscape with four mountain peaks, probably Hallival, Askival, Trollabhal and Sgurr nan Gillean, Isle of Rùm
signed \'H Royle\' (lower left); bears inscription naming peaks (in pencil on the reverse)
oil on board
30.5 x 40.7cm (12 x 16in).

赫伯特·F·罗伊尔 有四座山峰的景观,可能是Rùm岛的Hallival、Askival、Trollabhal和Sgur nan Gillian

307. 彼得·弗朗西斯·彼得斯` by Pieter Francis Peters 高清作品[34%]

DO-Pieter Francis Peters - Gemälde des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

彼得·弗朗西斯·彼得斯-

-

(Nymwegen 1818–1903 Stuttgart)
Blick auf die Bucht von Santa Margherita (bei Genua), Ligurien, Italien, signiert P. F. Peters, Öl auf Holz, 28 x 73,5 cm, gerahmt

Pieter Francis Peters wurde ursprünglich von seinem Vater zum Glasmaler ausgebildet, bevor er 1836 nach Deutschland zog. Er unternahm mehrere Reisen nach Oberbayern, Tirol, in die Schweiz und nach Italien, auf denen mehrere stimmungsvolle Landschaftsgemälde entstanden. Die Gegend um die Bucht von Santa Margherita, wie sie auf dem diesem Bild zu sehen ist, war bereits im 19. Jahrhundert ein beliebtes Ziel für Touristen, denn Besucher, die nach Portofino wollten, reisten oft zuerst durch Santa Margherita. Ligurien wurde von illustren italienischen und ausländischen Persönlichkeiten besucht – der Diplomat, Reisende und Geheimdienstoffizier Aubrey Herbert sowie die Schriftstellerin Elizabeth von Arnim gehörten zu jenen Personen, die die Gegend in Mode brachten.

308. 旅行。 11个标题: 高清作品[24%]

11 titles:

图片文件尺寸 : 4226 x 6023px

TRAVEL. :11 titles:
1. HULSIUS, LEVINUS. Anders Schiffert in die Orientalischen Indien, so die Hollandische Schiff. Frankfurt: Levinum Hulsium, 1605. 4to. Modern half calf, spine lettered in gilt. Light wear corners and joints.
2. HUTTON, WILLIAM. A Journey from Birmingham to London. Birmingham: Pearson and Rollason, 1785. 12mo. Modern quarter leather. Spotting throughout.
3. CHAPPE D\'AUTEROCHE, JEAN-BAPTISTE. A Journey into Siberia, Made by Order of the King of France. London: T. Jefferys, 1770. 4to. Engraved folding map with hand-coloring and 9 engraved plates. Contemporary calf. Covers worn, joints cracking.
4. GLAISHER, JAMES, ed. Travels in the Air. Philadelphia: J.B. Lippincott Co., 1871. 8vo. Numerous engraved plates. Covers worn, joints cracking, textblock broken.
5. SANSON, NICOLAS. L\'Affrique, en plusieurs cartes nouvelles et exactes. Paris: Chez L\' Autheur, 1656. 4to. 18 double-paged engraved maps. Contemporary morocco, rebacked.
6. CARR, JOHN. A Northern Summer; or Travels round the Baltic, through Denmark, Sweden, Russia, Prussia, and part of Germany, in the year 1804. London: R. Phillips, 1805. 4to. 3 (of 11) engraved plates. Half morocco binding. Joints cracking, chips to both ends of spine.
7. CHEVALIER, BARON. Suite des Voyages de Mr Tavernier. Paris: Gervais Clouzier, 1680. 4to. Engraved frontispiece. Numerous folding plates. Modern quarter morroco. Spine evenly faded.
8. SANDYS (GEORGE). A Relation of a Journey Begun An: Dom. 1610. Foure Bookes Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, of the Remote Parts of Italy, and Islands Adioyning. London: Andrew Crooke, 1637. Engraved title. Half calf over marbled boards, gilt-lettered spine.
9. HERBERT, THOMAS. Some Yeares Travels into Divers Parts of Asia and Afrique. London: Jacob Blome and Richard Bishop, 1638. Additional engraved title, numerous engraved plates and maps in the text throughout. Half calf over marbled boards, gilt lettered spine. Joints worn.
10.FEDCHENKO, A.P. Puteshestvie v Turkestan (Travels in Turkestan). St. Petersburg and Moscow: 1875. Engraved frontispiece, numerous engraved plates. Modern half cloth.
11. ARTAMONOV, M. Etudes D\'Histoire Ancienne des Khazares. Leningrad: Editions d\' Etat, 1936. 4to. Russian text. Publisher\'s stamped cloth.

旅行。 11个标题:

309. 英语圣经:伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦:罗伯特·巴克,[1613]-1611。 高清作品[19%]

The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611.

图片文件尺寸 : 5080 x 4062px

BIBLE IN ENGLISH: THE GREAT \"SHE\" BIBLE.:The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611. Folio (390 x 257 mm). title and final leaf supplied in facsimile, lacking 2 quires A and F, and with 19 leaves supplied from a later edition, engraved map of Canaan by John Speed, loosely inserted, and with its margins restored with some loss. Title to New Testament title dated 1611, set within wide woodcut pictorial borders, wood-cut head and tail pieces, calendar and almanack printed in red and black, occasional light toning, a few upper margins cut slightly close to border line. Paneled calf, antique, red speckled edges.
Collation: A1 (General Title, a facsimile of the He Bible and dated 1611), A2-4 (a2 margin slightly restored, a few restored holes affecting letters), B1-4, C1-6, D1-4: Quire A1-6 lacking (Title to genealogies and first 11 pages), B-E6, (Lacking quire F1-6), G-Z6, Aa-Zz6, Aaa-Zzz6 (rrr1 outer and lower margins torn with loss), Aaaa-Zzzz6, Aaaaa-Ccccc6;
New Testament: A-Z6 (with 15 leaves P1-6, S3-4, V5, X2-6 and Z3 all silked and damaged, and supplied from a shorter later edition, possibly the 1617 folio edition), 6A 1-5 supplied from another folio edition, 6A6 a facsimile leaf.
Provenance: Exhibited by Mr. Young (of Leicester, UK) in the early 20th Century, with a printed and manuscript exhibition label, containing manuscript notes on the typographical errors in the \"SHE\" Bible, the label loosely inserted at the front.

THE KING JAMES\' GREAT \"SHE\' BIBLE, THE SECOND FOLIO EDITION, with the reading in Ruth 3:15 corrected to \"She went into the citie,\" and with other errors including Matthew 26:36 where Judas appears for Jesus, but in this copy that error has been a corrected in an 18th century manuscript hand.

The King James Great Bible is considered to be the most important English Bible to have been printed. The biblical scholar Francis Fry described the \"SHE\" Bible as the first edition second issue without reprints, printed within two years of the first issue to correct typographical errors that were found in the text. The King James Bible was drawn up to reconcile the versions of the bible used by the Clergy, on the one hand, and the laity on the other. The translators, who numbered around 50, were divided into committees based in Oxford. Cambridge and London, and they were instructed to take the Bishops Bible as their basis and then consult with Tyndale\'s, Coverdale\'s, Matthew\'s, Whitchurch\'s and the Geneva versions to come up with an authorized text. This copy, although with facsimile first and last leaves, and two quires lacking, is substantially complete. \"From about the middle of the seventeenth century until the appearance of the Revised Bible of 1881-5, the King James\' version reigned without rival\"(Herbert 319). cf. PMM 114; STC 2224.

英语圣经:伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦:罗伯特·巴克,[1613]-1611。

310. 维多利亚古典主义艺术家大全 维多利亚古典主义的画家都有谁? 高清作品[14%]

 
英国,19 世纪中后期
维多利亚古典主义是一种英国历史绘画形式,灵感来自古典希腊罗马的艺术和建筑。 在 19 世纪,越来越多的西欧人前往地中海地区进行“大旅行”。人们对该地区失落的文明和异国文化产生了浓厚的兴趣,这种兴趣推动了英国古典主义和主要集中在欧洲大陆的东方主义的兴起。古典主义者与拉斐尔前派 密切相关,许多艺术家在某种程度上受到这两种风格的影响。这两个运动都非常浪漫,并受到相似的历史和神话主题的启发——关键区别在于古典主义者是僵化的缩影绘画的学术标准,而拉斐尔前派最初是作为对这些标准的反叛而形成的。 弗雷德里克·莱顿 ( Frederick Leighton )和劳伦斯·阿尔玛-塔德玛 (Lawrence Alma-Tadema ) 是领先的古典主义者,在他们的一生中,许多人认为他们是他们这一代最优秀的画家。
维多利亚古典主义者的年代列表
使用ctrl-F (PC) 或command-F (Mac) 搜索名字

弗雷德里克·莱顿勋爵 1830-1896 英国画家/雕塑家
劳伦斯·阿尔玛-塔德玛爵士 1836-1912 荷兰/英国画家
爱德华波因特爵士 1836-1919 英国画家
阿尔伯特·约瑟夫·摩尔 1841-1893 英国画家
约翰科利尔 1850-1934 英国画家
托马斯·拉尔夫·斯宾塞 1855-1918 英国画家
所罗门约瑟夫所罗门 1860-1927 英国画家
约翰·威廉·戈德沃德 1861-1922 英国画家
威廉·雷诺兹-斯蒂芬斯爵士 1862-1943 英国雕塑家
赫伯特·德雷珀 1863-1920 英国画家
阿比奥特森 1864-1949 澳大利亚画家
阿瑟·沃德尔 1864-1949 英国画家
拉尔夫孔雀 1868-1946 画家
阿瑟·德拉蒙德 1871-1951 英国画家
 
 
herbert油画图片- 高清herbert绘画作品- 代表作全集 中艺名画下载


304. 威廉·赫伯特·巴克·邓顿 《大平原与荒野之心》,摘自《西部之心》系列 高清作品[40%]

On the Great Plains and Heart of the Wilderness, from Heart of the West Series

图片文件尺寸 : 4095 x 4183px

William Herbert \'Buck\' Dunton:On the Great Plains and Heart of the Wilderness, from Heart of the West Series, 1932; 1933
Two lithographs on wove paper, each signed in pencil, titled, dated, annotated \'Prong Horn Antelope\' and \'Elk.\' respectively, numbered \'No. 54-100.\' and \'No. 98\' respectively, with margins, each framed.
11 3/4 x 10 in. (29.8 x 25.4 cm.)
each framed 25 1/2 x 22 1/2 in. (64.8 x 57.2 cm.)

威廉·赫伯特·巴克·邓顿 《大平原与荒野之心》,摘自《西部之心》系列

305. 威廉·赫伯特·巴克·邓顿 一组肖像5 高清作品[37%]

A Group of Portraits 5

图片文件尺寸 : 4430 x 5250px

William Herbert \'Buck\' Dunton:A Group of Portraits, 1931
A group of 5 lithographs on various wove paper, four signed in pencil, each titled and dated, annotated \'Knew Bert and his posse, Clay Allison and other early western characters...\', \'Model: Van Price. No. 69.\', \'Model: Corn Weeds. No. 73.\', \'Model: Chapman Ballard. No. 52.\', \'Model: Bill Woods. No. 74.\' respectively, with margins, each framed.

Titles and dates include:
The Old Timer (Harry R. Leatherman), from the Southwest Series, 1929; Texas Bronc Twister, from the Southwestern Series, 1930; Taos Pueblo Indian Girl (Corn Weeds), from Southwestern Series, 1931; The Old Pioneer, from the Old Timer Series, 1931; The Prospector, from the Southwestern Series, 1931 (5)
various sizes

威廉·赫伯特·巴克·邓顿 一组肖像5

306. 赫伯特·F·罗伊尔 有四座山峰的景观,可能是Rùm岛的Hallival、Askival、Trollabhal和Sgur nan Gillian 高清作品[36%]

Landscape with four mountain peaks, probably Hallival, Askival, Trollabhal and Sgurr nan Gillean, Isle of Rùm

图片文件尺寸 : 4865 x 4728px

Herbert F. Royle:Landscape with four mountain peaks, probably Hallival, Askival, Trollabhal and Sgurr nan Gillean, Isle of Rùm
signed \'H Royle\' (lower left); bears inscription naming peaks (in pencil on the reverse)
oil on board
30.5 x 40.7cm (12 x 16in).

赫伯特·F·罗伊尔 有四座山峰的景观,可能是Rùm岛的Hallival、Askival、Trollabhal和Sgur nan Gillian

307. 彼得·弗朗西斯·彼得斯` by Pieter Francis Peters 高清作品[34%]

DO-Pieter Francis Peters - Gemälde des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

彼得·弗朗西斯·彼得斯-

-

(Nymwegen 1818–1903 Stuttgart)
Blick auf die Bucht von Santa Margherita (bei Genua), Ligurien, Italien, signiert P. F. Peters, Öl auf Holz, 28 x 73,5 cm, gerahmt

Pieter Francis Peters wurde ursprünglich von seinem Vater zum Glasmaler ausgebildet, bevor er 1836 nach Deutschland zog. Er unternahm mehrere Reisen nach Oberbayern, Tirol, in die Schweiz und nach Italien, auf denen mehrere stimmungsvolle Landschaftsgemälde entstanden. Die Gegend um die Bucht von Santa Margherita, wie sie auf dem diesem Bild zu sehen ist, war bereits im 19. Jahrhundert ein beliebtes Ziel für Touristen, denn Besucher, die nach Portofino wollten, reisten oft zuerst durch Santa Margherita. Ligurien wurde von illustren italienischen und ausländischen Persönlichkeiten besucht – der Diplomat, Reisende und Geheimdienstoffizier Aubrey Herbert sowie die Schriftstellerin Elizabeth von Arnim gehörten zu jenen Personen, die die Gegend in Mode brachten.

308. 旅行。 11个标题: 高清作品[24%]

11 titles:

图片文件尺寸 : 4226 x 6023px

TRAVEL. :11 titles:
1. HULSIUS, LEVINUS. Anders Schiffert in die Orientalischen Indien, so die Hollandische Schiff. Frankfurt: Levinum Hulsium, 1605. 4to. Modern half calf, spine lettered in gilt. Light wear corners and joints.
2. HUTTON, WILLIAM. A Journey from Birmingham to London. Birmingham: Pearson and Rollason, 1785. 12mo. Modern quarter leather. Spotting throughout.
3. CHAPPE D\'AUTEROCHE, JEAN-BAPTISTE. A Journey into Siberia, Made by Order of the King of France. London: T. Jefferys, 1770. 4to. Engraved folding map with hand-coloring and 9 engraved plates. Contemporary calf. Covers worn, joints cracking.
4. GLAISHER, JAMES, ed. Travels in the Air. Philadelphia: J.B. Lippincott Co., 1871. 8vo. Numerous engraved plates. Covers worn, joints cracking, textblock broken.
5. SANSON, NICOLAS. L\'Affrique, en plusieurs cartes nouvelles et exactes. Paris: Chez L\' Autheur, 1656. 4to. 18 double-paged engraved maps. Contemporary morocco, rebacked.
6. CARR, JOHN. A Northern Summer; or Travels round the Baltic, through Denmark, Sweden, Russia, Prussia, and part of Germany, in the year 1804. London: R. Phillips, 1805. 4to. 3 (of 11) engraved plates. Half morocco binding. Joints cracking, chips to both ends of spine.
7. CHEVALIER, BARON. Suite des Voyages de Mr Tavernier. Paris: Gervais Clouzier, 1680. 4to. Engraved frontispiece. Numerous folding plates. Modern quarter morroco. Spine evenly faded.
8. SANDYS (GEORGE). A Relation of a Journey Begun An: Dom. 1610. Foure Bookes Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, of the Remote Parts of Italy, and Islands Adioyning. London: Andrew Crooke, 1637. Engraved title. Half calf over marbled boards, gilt-lettered spine.
9. HERBERT, THOMAS. Some Yeares Travels into Divers Parts of Asia and Afrique. London: Jacob Blome and Richard Bishop, 1638. Additional engraved title, numerous engraved plates and maps in the text throughout. Half calf over marbled boards, gilt lettered spine. Joints worn.
10.FEDCHENKO, A.P. Puteshestvie v Turkestan (Travels in Turkestan). St. Petersburg and Moscow: 1875. Engraved frontispiece, numerous engraved plates. Modern half cloth.
11. ARTAMONOV, M. Etudes D\'Histoire Ancienne des Khazares. Leningrad: Editions d\' Etat, 1936. 4to. Russian text. Publisher\'s stamped cloth.

旅行。 11个标题:

309. 英语圣经:伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦:罗伯特·巴克,[1613]-1611。 高清作品[19%]

The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611.

图片文件尺寸 : 5080 x 4062px

BIBLE IN ENGLISH: THE GREAT \"SHE\" BIBLE.:The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611. Folio (390 x 257 mm). title and final leaf supplied in facsimile, lacking 2 quires A and F, and with 19 leaves supplied from a later edition, engraved map of Canaan by John Speed, loosely inserted, and with its margins restored with some loss. Title to New Testament title dated 1611, set within wide woodcut pictorial borders, wood-cut head and tail pieces, calendar and almanack printed in red and black, occasional light toning, a few upper margins cut slightly close to border line. Paneled calf, antique, red speckled edges.
Collation: A1 (General Title, a facsimile of the He Bible and dated 1611), A2-4 (a2 margin slightly restored, a few restored holes affecting letters), B1-4, C1-6, D1-4: Quire A1-6 lacking (Title to genealogies and first 11 pages), B-E6, (Lacking quire F1-6), G-Z6, Aa-Zz6, Aaa-Zzz6 (rrr1 outer and lower margins torn with loss), Aaaa-Zzzz6, Aaaaa-Ccccc6;
New Testament: A-Z6 (with 15 leaves P1-6, S3-4, V5, X2-6 and Z3 all silked and damaged, and supplied from a shorter later edition, possibly the 1617 folio edition), 6A 1-5 supplied from another folio edition, 6A6 a facsimile leaf.
Provenance: Exhibited by Mr. Young (of Leicester, UK) in the early 20th Century, with a printed and manuscript exhibition label, containing manuscript notes on the typographical errors in the \"SHE\" Bible, the label loosely inserted at the front.

THE KING JAMES\' GREAT \"SHE\' BIBLE, THE SECOND FOLIO EDITION, with the reading in Ruth 3:15 corrected to \"She went into the citie,\" and with other errors including Matthew 26:36 where Judas appears for Jesus, but in this copy that error has been a corrected in an 18th century manuscript hand.

The King James Great Bible is considered to be the most important English Bible to have been printed. The biblical scholar Francis Fry described the \"SHE\" Bible as the first edition second issue without reprints, printed within two years of the first issue to correct typographical errors that were found in the text. The King James Bible was drawn up to reconcile the versions of the bible used by the Clergy, on the one hand, and the laity on the other. The translators, who numbered around 50, were divided into committees based in Oxford. Cambridge and London, and they were instructed to take the Bishops Bible as their basis and then consult with Tyndale\'s, Coverdale\'s, Matthew\'s, Whitchurch\'s and the Geneva versions to come up with an authorized text. This copy, although with facsimile first and last leaves, and two quires lacking, is substantially complete. \"From about the middle of the seventeenth century until the appearance of the Revised Bible of 1881-5, the King James\' version reigned without rival\"(Herbert 319). cf. PMM 114; STC 2224.

英语圣经:伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦:罗伯特·巴克,[1613]-1611。

310. 维多利亚古典主义艺术家大全 维多利亚古典主义的画家都有谁? 高清作品[14%]

 
英国,19 世纪中后期
维多利亚古典主义是一种英国历史绘画形式,灵感来自古典希腊罗马的艺术和建筑。 在 19 世纪,越来越多的西欧人前往地中海地区进行“大旅行”。人们对该地区失落的文明和异国文化产生了浓厚的兴趣,这种兴趣推动了英国古典主义和主要集中在欧洲大陆的东方主义的兴起。古典主义者与拉斐尔前派 密切相关,许多艺术家在某种程度上受到这两种风格的影响。这两个运动都非常浪漫,并受到相似的历史和神话主题的启发——关键区别在于古典主义者是僵化的缩影绘画的学术标准,而拉斐尔前派最初是作为对这些标准的反叛而形成的。 弗雷德里克·莱顿 ( Frederick Leighton )和劳伦斯·阿尔玛-塔德玛 (Lawrence Alma-Tadema ) 是领先的古典主义者,在他们的一生中,许多人认为他们是他们这一代最优秀的画家。
维多利亚古典主义者的年代列表
使用ctrl-F (PC) 或command-F (Mac) 搜索名字

弗雷德里克·莱顿勋爵 1830-1896 英国画家/雕塑家
劳伦斯·阿尔玛-塔德玛爵士 1836-1912 荷兰/英国画家
爱德华波因特爵士 1836-1919 英国画家
阿尔伯特·约瑟夫·摩尔 1841-1893 英国画家
约翰科利尔 1850-1934 英国画家
托马斯·拉尔夫·斯宾塞 1855-1918 英国画家
所罗门约瑟夫所罗门 1860-1927 英国画家
约翰·威廉·戈德沃德 1861-1922 英国画家
威廉·雷诺兹-斯蒂芬斯爵士 1862-1943 英国雕塑家
赫伯特·德雷珀 1863-1920 英国画家
阿比奥特森 1864-1949 澳大利亚画家
阿瑟·沃德尔 1864-1949 英国画家
拉尔夫孔雀 1868-1946 画家
阿瑟·德拉蒙德 1871-1951 英国画家