306. 杰日·齐列津斯基。1914-1982. 24德国集中营图纸。慕尼黑：F.布鲁克曼，1946年。 高清作品[64%]

24 Drawings from the Concentration Camps in Germany. Munich: F. Bruckmann, 1946.

图片文件尺寸 : 4733 x 5007px

ZIELEZINSKI, JERZY (GEORGE ZIEL). 1914-1982.:24 Drawings from the Concentration Camps in Germany. Munich: F. Bruckmann, 1946.
Folio. 24 rotogravure plates, loose as issued. Cloth-backed gray board portfolio with applied rotogravure illustration on cover, black cloth clamshell box. Thumbed, with some fingermarks and minor stains to title page.

LIMITED EDITION, signed by the author on the title page, stamped 0007 on front paste-down of portfolio. These powerful drawings were made by Polish-born Zielezinski while he was a prisoner at Dachau concentration camp. He later settled in the U.S., where he became a prolific illustrator and book jacket designer under the name George Ziel.

杰日·齐列津斯基。1914-1982. 24德国集中营图纸。慕尼黑：F.布鲁克曼，1946年。

307. Giuseppe Capogrossi，当代艺术I 高清作品[64%]

DO-Giuseppe Capogrossi - 现代艺术 I
图片文件像素：6224 x 5523 px

Giuseppe Capogrossi，当代艺术I-

Giuseppe Capogrossi * - Zeitgenössische Kunst I-

(Rome 1900–1972)
Superficie n. 149, 1956, signed and dated; signed, titled and dated again on the reverse, oil on canvas, 65 x 50 cm, framed

We are grateful to Archivio Capogrossi, Rome for the kind assistance with the cataloguing of this work

Provenance:
Galleria d’Arte Selecta, Rome (stamp on the reverse)
F. Russoli Collection, Milan
European Private Collection

Exhibited:
Rome, Galleria Selecta, 1956
Paris, Galerie Rive Gauche, 1956, exh. cat. no. 18
Berlin, Fünf italienischte Maler der Galleria La Bussola, Turin und Rom, 1957
Wuppertal, Städtisches Museum, Fünf italienische Maler, 1957, exh. cat. with ill. (label on the reverse)

Literature:
G. C. Argan, Capogrossi, Editalia, Rome 1967, p. 29, p. 164 no. 235 with ill.

The theme he discovers - this claw, this hand, this trident, this gallows - is already a style. He bends it to his moods, imprints his fantasies on it, calms it or exacerbates it, unleashes it, puts it to sleep, haunts it, indulges it. There is nothing he cannot make it do, nothing he cannot make it say.

One theme: the whole world.

Since Mondrian, I have never seen such an intimate and tenacious union of personal style. Allowing for due differences, of course, as the contrast between the two is remarkable. Capogrossi is infinitely richer than Mondrian, who is infinitely deeper. One established solid and simple foundation from which the other can profit, build upon, and afford a thousand fantasies.
Michel Seuphor in the catalogue of the exhibition Capogrossi, Galleria del Naviglio, Milan 1953

相关：
an he he baitao he tianjian he kongde 3162714_he_lay_where_he_had_been_jerked_still_as_a_log the girl he left
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306. 杰日·齐列津斯基。1914-1982. 24德国集中营图纸。慕尼黑：F.布鲁克曼，1946年。 高清作品[64%]

24 Drawings from the Concentration Camps in Germany. Munich: F. Bruckmann, 1946.

图片文件尺寸 : 4733 x 5007px

ZIELEZINSKI, JERZY (GEORGE ZIEL). 1914-1982.:24 Drawings from the Concentration Camps in Germany. Munich: F. Bruckmann, 1946.
Folio. 24 rotogravure plates, loose as issued. Cloth-backed gray board portfolio with applied rotogravure illustration on cover, black cloth clamshell box. Thumbed, with some fingermarks and minor stains to title page.

LIMITED EDITION, signed by the author on the title page, stamped 0007 on front paste-down of portfolio. These powerful drawings were made by Polish-born Zielezinski while he was a prisoner at Dachau concentration camp. He later settled in the U.S., where he became a prolific illustrator and book jacket designer under the name George Ziel.

杰日·齐列津斯基。1914-1982. 24德国集中营图纸。慕尼黑：F.布鲁克曼，1946年。

307. Giuseppe Capogrossi，当代艺术I 高清作品[64%]

DO-Giuseppe Capogrossi - 现代艺术 I
图片文件像素：6224 x 5523 px

Giuseppe Capogrossi，当代艺术I-

Giuseppe Capogrossi * - Zeitgenössische Kunst I-

(Rome 1900–1972)
Superficie n. 149, 1956, signed and dated; signed, titled and dated again on the reverse, oil on canvas, 65 x 50 cm, framed

We are grateful to Archivio Capogrossi, Rome for the kind assistance with the cataloguing of this work

Provenance:
Galleria d’Arte Selecta, Rome (stamp on the reverse)
F. Russoli Collection, Milan
European Private Collection

Exhibited:
Rome, Galleria Selecta, 1956
Paris, Galerie Rive Gauche, 1956, exh. cat. no. 18
Berlin, Fünf italienischte Maler der Galleria La Bussola, Turin und Rom, 1957
Wuppertal, Städtisches Museum, Fünf italienische Maler, 1957, exh. cat. with ill. (label on the reverse)

Literature:
G. C. Argan, Capogrossi, Editalia, Rome 1967, p. 29, p. 164 no. 235 with ill.

The theme he discovers - this claw, this hand, this trident, this gallows - is already a style. He bends it to his moods, imprints his fantasies on it, calms it or exacerbates it, unleashes it, puts it to sleep, haunts it, indulges it. There is nothing he cannot make it do, nothing he cannot make it say.

One theme: the whole world.

Since Mondrian, I have never seen such an intimate and tenacious union of personal style. Allowing for due differences, of course, as the contrast between the two is remarkable. Capogrossi is infinitely richer than Mondrian, who is infinitely deeper. One established solid and simple foundation from which the other can profit, build upon, and afford a thousand fantasies.
Michel Seuphor in the catalogue of the exhibition Capogrossi, Galleria del Naviglio, Milan 1953

相关：
an he he baitao he tianjian he kongde 3162714_he_lay_where_he_had_been_jerked_still_as_a_log the girl he left
首页 主题 艺术运动 风景