图片文件尺寸 : 5283 x 4482px

AFTER FERNAND LÉGER:Composition murale, also titled Composition abstraite
with the signature \'F. Léger.\' in the weave (lower right) and the Atelier Tabard Frères Soeurs monogram in the weave (lower left); numbered \'2/6\' and with the Atelier Tabard Frères Soeurs label showing the reference number \'879\' (on the reverse)
hand-woven Aubusson wool tapestry
195.7 x 394.1cm (77 1/16 x 155 3/16in).
Conceived in 1953, this tapestry executed by the Atelier Tabard Frères Soeurs in 1962 in a numbered edition of 6, of which only 4 were realised.

在FERNAND LÉGER之后 合成壁画，也称为合成抽象

图片文件尺寸 : 5382 x 5330px

BAKST, LEON. 1866-1924.:Two works:
1. L\'Oeuvre Pour la Belle au Bois Dormant. Paris: M. de Brunoff, 1922.
Folio. Frontispiece portrait of Bakst after Picasso, 54 mounted color plates and 2 mounted color illustrations in text, captioned tissue guards. Quarter green morocco and cloth, with clipped portion of publisher\'s gilt-titled wrappers laid down to upper cover. LIMITED EDITION, number 424 of 500, signed by Bakst on the limitation page. Toning, removed bookplate and partial gift inscription on front flyleaf.

2. The Decorative Art of Leon Bakst. London: The Fine Art Society, 1913. Folio. Portrait frontispiece and 77 tipped-in plates (50 in color). Rebacked publisher\'s half vellum gilt over marbled boards, top edge gilt, custom cloth-covered clamshell box.
soiled, fingermarks and toning.

莱昂·巴克斯特。1866-1924. 两件作品：1。睡美人的作品。

图片文件尺寸 : 5156 x 5154px

Gustave Baumann: Cedar Grand Canyon, (Chamberlain 77), 1921
Woodcut in colors, on Zanders laid paper with Hand-in-Heart watermark, signed in pencil, titled, dedicated \'To Reginald R. Lumsden For a Midnight Tow in Arizona\' and numbered \'II 24/125\', from the third (final) edition printed c. 1935, with the artist\'s Hand-in-Heart inkstamp, with margins, in a replica Baumann frame.
13 x 13in
sheet 16 5/8 x 14 3/8in
framed 22 x 21 3/4in

古斯塔夫·鲍曼 雪松大峡谷，1921年13 x 13英寸活页16 5/8 x 14 3/8英寸边框22 x 21 3/4英寸

图片文件尺寸 : 5425 x 4392px

GESNER, CONRAD. 1516-1565.:Vogelbuch. Zurich: Christoffel Froschouwer, 1581.
BOUND WITH: Schlangenbuch. Zurich: Froschouwer, 1589.
2 works in 1 volume. Folio (375 x 237 mm). Numerous woodcut illustrations of birds and snakes in text. Modern quarter morocco and marbled boards. Large area of first title page torn away and repaired with loss to text at top corner; margins somewhat trimmed, dampstaining through upper corners, browning and spotting, old ink underlining and a few notations.

Third German edition of Vogelbuch and second German edition of Schlangenbuch (which also includes a section on scorpions), volumes 3 and 5 of Gesner\'s Historia animalium. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM 77). Nissen IVB 350; Nissen ZB 1557 (second title); Staedtke Gessner 1516-1565, p 154;

康拉德州盖斯纳。1516-1565. 鸟书。苏黎世：Christoffel Froschouwer，1581年。

图片文件尺寸 : 4140 x 5620px

Salvador Dalí:Plate 44, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 44, from Los Caprichos (2 works) (Field 77-3-38: Delteil 81; Harris 79), 1977; 1799
Heliogravure of Goya\'s plate 44, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 44, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版44，出自《戈雅随想曲》加上来自Los Caprichos的FRANCISCO GOYA Plate 44

图片文件尺寸 : 4072 x 3810px

Salvador Dalí: Plate 28, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 28, from Los Caprichos (2 works) (Field 77-3-53: Delteil 65; Harris 63), 1977; 1799
Heliogravure of Goya\'s plate 28, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 28, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版28，出自《戈雅随想曲》加上来自Los Caprichos的FRANCISCO GOYA Plate 28

sheet (irreg.): 73 × 51 (185.4 × 129.5 cm) frame: 77 × 55 1/2 (195.6 × 141 cm)

Kandis Williams. We have spared no expense. scope, scalpel, axe, drill. The Sort of Thing You Should Not Admit: violent death, turns out to be puzzlingly complex and if you have a problem figuring out whether youre for me or, then you aint black.. 2020

坎迪斯·威廉姆斯。我们不遗余力。镜、手术刀、斧头、钻头。你不应该承认的那种事情：暴力死亡，事实证明是令人困惑的复杂，如果你想知道你是支持我还是支持我，那么你就不是黑人-

图片文件尺寸 : 4484 x 5197px

Salvador Dalí: Plate 35, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 35, from Los Caprichos (2 works) (Field 77-3-47: Delteil 72; Harris 70), 1977; 1799
Heliogravure of Goya\'s plate 35, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 35, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版35，出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 35

图片文件尺寸 : 5088 x 3911px

Salvador Dalí:Plate 38, from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 38, from Los Caprichos (2 works) (Field 77-3-44; Delteil 75; Harris 73), 1977; 1799
Heliogravure of Goya\'s plate 38, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 38, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 图版38，出自《戈雅随想曲》加上洛杉矶卡普里乔斯的FRANCISCO GOYA Plate 38

图片文件尺寸 : 4631 x 4806px

MOTRAYE, AUBRE DE LA. 1674-1743.:Travels Through Europe, Asia, and into Part of Africa. London: Printed for the author, 1723-1732.
3 volumes. Folio (340 x 222 mm). Engraved frontispiece in volume III, 53 (of 63?) engraved maps, plans and plates (some folding or double-page). Rebacked contemporary paneled calf. Covers chipped, especially at corners, ink ownership inscriptions on title pages, folding map at head of volume I torn with significant loss, some plates repaired, a few plates trimmed with losses, some ink marginalia, browning and spotting, a few rust holes, edge chipping with some paper repairs to corners.

FIRST EDITION. Although the author was French, no French edition was published until 1727. The later third volume includes a treatise on European orders of knighthood, in addition to the history and geography of Prussia, Poland and Russia. A variety of engravers contributed to the plates, including William Hogarth. Cox I, 77-78; ESTC T142580; Hamilton Palace II, 1479.

Motraye，Aubre de la。1674-1743年。 穿越欧洲、亚洲，进入非洲部分地区。伦敦：1723-1732年为作者印刷。