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291. 奥尔森 Humpty Doo的Lily Pond，2004年高清作品[44%]

图片文件尺寸 : 4757 x 4868px

John Olsen:Lily Pond at Humpty-Doo, 2004
signed and dated lower left: \'John Olsen / 04\'
titled verso: \'Lily Pond at Humpty Doo / N.T.\'
oil on linen
182.0 x 200.0cm (71 5/8 x 78 3/4in).

奥尔森 Humpty Doo的Lily Pond，2004年

292. 大卫·霍克尼漂亮的郁金香高清作品[44%]

图片文件尺寸 : 5001 x 5554px

David Hockney:Pretty Tulips (Scottish Arts Council 115)
Lithograph in colours, 1969, on wove paper, signed, dated, titled and inscribed Artists Proof in pencil, an artist\'s proof aside from the edition of 200, published by Petersburg Press, London, with very pale light-staining, a few minor surface defects, generally in good condition, the colours strong, framed

Sheet 725 x 505mm. (28 1/2 x 19 7/8in.)

大卫·霍克尼漂亮的郁金香

293. 巴勃罗·毕加索之后野生动物高清作品[44%]

图片文件尺寸 : 4801 x 5067px

After Pablo Picasso:La Faune (Maeght 2101), 1958
Etching on japon nacré paper, signed in pencil and numbered 124/200, published by Maeght, Paris, with the blindstamp of the printer, Atelier Crommelynck, Paris, with full margins, framed.
11 7/8 x 10in (30.2 x 25.4cm)
sheet 21 5/8 x 16 7/8in (54.9 x 42.9cm)

巴勃罗·毕加索之后野生动物

294. 源自亨利·马蒂斯 Odalisque au-coffret胭脂高清作品[44%]

图片文件尺寸 : 5293 x 3990px

After Henri Matisse:Odalisque au coffret rouge (Duthuit App. III), 1952
Aquatint in colors on Arches paper, signed in pencil and numbered 45/200, with full margins, framed.
16 1/2 x 22in (42 x 55.2cm)
sheet 22 1/2 x 30in (57 x 76cm)

源自亨利·马蒂斯 Odalisque au-coffret胭脂

295. EUG内拉克鲁克斯站着的北非人的研究高清作品[44%]

$Étude d\'un nord-africain debout$

图片文件尺寸 : 4912 x 4129px

EUGÈNE DELACROIX: Étude d\'un nord-africain debout
stamped with the artist\'s studio stamp \'E.D\' (L.838a) (lower right)
ink and wash on paper
8 1/8 x 5 1/8 in (20.4 x 13.1 cm)

EUG内拉克鲁克斯站着的北非人的研究

296. Gunter Damisch，当代艺术I 高清作品[44%]

图片文件像素：5586 x 5818 px

Gunter Damisch，当代艺术I-

Gunter Damisch * - Zeitgenössische Kunst I-

(Steyr 1958–2016 Vienna)
“Doppelkopfschlinge”, signed, dated G. Damisch 1991 and titled “Doppelkopfschlinge” on the reverse, oil on canvas, 200 x 160 cm, on stretcher

Full-page colour ill.:
G. Damisch, Galerie Willy Schoots, Eindhoven 1992, no. 36

Provenance:
Galerie Ulysses, Vienna (fragment of a label on the reverse)
Private Collection, 德国y

297. 巴勃罗·毕加索之后母性高清作品[44%]

图片文件尺寸 : 4959 x 3811px

After Pablo Picasso:Maternité, 1963
Offset lithograph in colors on wove paper, signed in pencil and annotated \'E.A.\' (an épreuve d\'artiste, aside from the edition of 200), published by Editions Combat de la Paix, Paris, with margins.
30 3/4 x 22 1/4in (78.3 x 56cm)
sheet 35 1/4 x 25 1/4in (89.7 x 64.3cm)

巴勃罗·毕加索之后母性

298. 伟恩·第伯糖果苹果高清作品[44%]

图片文件尺寸 : 5328 x 5088px

Wayne Thiebaud:Candy Apples, 1987
Woodcut in colors on Tosa Kozo paper, signed in pencil, dated and numbered 163/200 (there were also 20 artist\'s proofs), with the blindstamp of the publisher, Crown Point Press, San Francisco, also signed by the printer, Tadashi Toda, printed at Shi-in-do Print Shop, Kyoto, with full margins, framed.
15 1/4 x 16 1/2in (38.7 x 41.9cm)
sheet 23 1/2 x 24 1/4in (59.7 x 61.6cm)

伟恩·第伯糖果苹果

299. 伟恩·第伯糖果苹果高清作品[44%]

图片文件尺寸 : 4951 x 4394px

Wayne Thiebaud:Candy Apples, 1987
Woodcut in colors on Tosa Kozo paper, signed in pencil, dated and numbered 148/200 (there were also 20 artist\'s proofs), with the blindstamp of the publisher, Crown Point Press, San Francisco, also signed by the printer, Tadashi Toda, printed at Shi-in-do Print Shop, Kyoto, with full margins, framed.
15 1/4 x 16 1/2in (38.7 x 41.9cm)
sheet 23 3/8 x 24 1/4in (59.4 x 61.6cm)