材质 : Collage. Torn "Flowers" color silkscreen

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Arman Fernandez-Colères accumulatives (What happened to the flowers - Homage to Andy Warhol), 1964.

阿尔曼·费尔侬戴-《科尔ères积累》（《花的遭遇——向安迪·沃霍尔致敬》），1964年。

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MILITARIA.:2 titles:
1. GIOVIO, PAOLO. 1483-1552. Dialogo dell\'imprese militari et amorose. Lyon: Guillaume Rouille, 1574. 8vo (162 x 110 mm). Title with woodcut device, portrait of author on verso. Numerous emblematic illustrations. Red morocco, edges gilt. Light staining to covers. See Praz p 352.
2. DELAFIELD, RICHARD. 1798-1873. Report on the Art of War in Europe in 1854, 1855, and 1856. Washington: George W. Bowman, 1861. 4to (290 x 220 mm). Numerous folding maps, plans, and lithograph plates. Contemporary black cloth with US seal stamped in blind, rebacked preserving original spine. Some light wear. Spotting throughout, some maps torn, mostly marginal.

军事。 2个标题：

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GESNER, CONRAD. 1516-1565.:Vogelbuch. Zurich: Christoffel Froschouwer, 1581.
BOUND WITH: Schlangenbuch. Zurich: Froschouwer, 1589.
2 works in 1 volume. Folio (375 x 237 mm). Numerous woodcut illustrations of birds and snakes in text. Modern quarter morocco and marbled boards. Large area of first title page torn away and repaired with loss to text at top corner; margins somewhat trimmed, dampstaining through upper corners, browning and spotting, old ink underlining and a few notations.

Third German edition of Vogelbuch and second German edition of Schlangenbuch (which also includes a section on scorpions), volumes 3 and 5 of Gesner\'s Historia animalium. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM 77). Nissen IVB 350; Nissen ZB 1557 (second title); Staedtke Gessner 1516-1565, p 154;

康拉德州盖斯纳。1516-1565. 鸟书。苏黎世：Christoffel Froschouwer，1581年。

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SCIENCE AND NATURAL HISTORY.:7 titles:
1. LAMARCK, JEAN BAPTISTE DE. Recherches sur l\'organisation des corps vivans. 8vo. Folding letterpress table. Modern quarter morocco and cloth. Scattered foxing and minor staining.
2. GOEDAERT, JOHANN. Metamorphosis naturalis. Middelburgh: 1662-1669. 3 volumes. 8vo. Numerous engraved illustrations. Contemporary calf. Rubbed, chipping to corners of spines, browning and spotting.
3. TREVIRANUS, GOTTFRIED REINHOLD. Biologie, oder Philosophie der lebenden Natur für Naturforscher und Aerzte. Gottingen: 1802-1821. 6 volumes. 8vo. Modern quarter calf and marbled boards. Light staining and toning.
4. PERRIER, JEAN OCTAVE EDMOND. Theses présentées a la faculté des sciences de Paris. Paris: 1869. 4to. 7 engraved plates. Modern buckram. Some scuffing, top corner of title page torn away, some marginal repaired tears, foxing.
5. HAECKEL, ERNST. Anthropogenie oder Entwickelungsgeschichte des Menschen. Leipzig: 1874. 8vo. Contemporary morocco and marbled boards. Lithographic plates. Heavily rubbed, first few leaves loose, ink library stamp on title, toning.
6. EYFERTH, B. Die einfachsten Lebensformen des Tier- und Pflanzenreiches. Brunswick: 1900. 8vo. Contemporary morocco and marbled boards. Spine perished, corners bumped, toning.
7. KRÜGER, FRIEDRICH. Die Trichocysten der Ciliaten im Dunkelfeldbild. Stuttgart: 1936. 6 plates. Publisher\'s printed wrappers, pages uncut. Slight warping, edges of wrappers chipped, toning.

科学和自然历史。 7个标题：

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MOTRAYE, AUBRE DE LA. 1674-1743.:Travels Through Europe, Asia, and into Part of Africa. London: Printed for the author, 1723-1732.
3 volumes. Folio (340 x 222 mm). Engraved frontispiece in volume III, 53 (of 63?) engraved maps, plans and plates (some folding or double-page). Rebacked contemporary paneled calf. Covers chipped, especially at corners, ink ownership inscriptions on title pages, folding map at head of volume I torn with significant loss, some plates repaired, a few plates trimmed with losses, some ink marginalia, browning and spotting, a few rust holes, edge chipping with some paper repairs to corners.

FIRST EDITION. Although the author was French, no French edition was published until 1727. The later third volume includes a treatise on European orders of knighthood, in addition to the history and geography of Prussia, Poland and Russia. A variety of engravers contributed to the plates, including William Hogarth. Cox I, 77-78; ESTC T142580; Hamilton Palace II, 1479.

Motraye，Aubre de la。1674-1743年。 穿越欧洲、亚洲，进入非洲部分地区。伦敦：1723-1732年为作者印刷。

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PICART, BERNARD. 1673-1733.:The Ceremonies and Religious Customs of the Various Nations of the Known World. London: Claude Du Bosc, 1731-39.
7 volumes in 6. Folio (447 x 275 mm). Half titles, titles in red and black with engraved vignettes, engraved dedication page in volume IV, 215 (of 220) engraved plates, many double-page or folding, engraved illustrations and headers in text. Modern quarter morocco and marbled boards. A few pages re-margined at outside edges, leaf 5O2 (pp 419-420) in volume 3 torn through but complete, dampstaining, especially to last volumes, browning and spotting throughout.

FIRST EDITION IN ENGLISH, A richly illustrated landmark work on religious tolerance. \"No other work before then had ever attempted, in word and image, such a grand sweep of human religions, Religious Ceremonies of the World marked a major turning point in European attitudes toward religious beliefs and hence the sacred\" (Hunt, Jacob Mijnhardt The Book that Changed Europe: Picart and Bernard\'s Religious Ceremonies of the World p 1). Picart\'s engravings \"are indeed so finely executed, both in the drawing and engraving, that there are few plates even at this day which excel them\" (Field 1212, French edition). Sabin 4934.

皮卡特，伯纳德。1673-1733年。 已知世界各国的仪式和宗教习俗。伦敦：克劳德·杜·博斯克，1731-39年。

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GREW, NEHEMIAH. 1641-1712. :Musaeum Regalis Societatis, or a Catalogue Description of the Natural and Artificial Rarities Belonging to the Royal Society and Preserved at Gresham College ... Whereunto is Subjoyned the Comparative Anatomy of Stomachs and Guts. London: W. Rawlins, for the author, 1681.
Folio (320 x 205 mm). Engraved portrait and 31 engraved plates. Later quarter vellum and marbled boards, dark green morocco spine label; covers rubbed, light browning throughout, title and final leaves extended at inner margin, B1 soiled, 3D2 torn away at lower outer corner, not affecting text.

FIRST EDITION of Grew\'s catalogue of the museum of the Royal Academy. He was the secretary of the Society, and an early advocate of microscopy who coined the term \"comparative anatomy.\" Garrison-Morton 297; Nissen ZBI 1714; Wing G-1952; Wood, p 369.

长大了，尼希米亚。1641-1712. Musaeum Regalis Societatis，或是一份属于皇家学会并保存在格雷沙姆学院的自然和人工罕见物目录和描述……这里被称为胃和肠道的比较解剖学。伦敦：W.Rawlins，作者，1681年。

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JONSTON, JOHN. 1603-1675.:Dendrographias Sive Historiae Naturalis De Arboribus Et Fruticibus Tam Nostri Quam Peregrini Orbis. Frankfurt: Hieronymi Polichii for the heirs of Matthaüs Merian, 1662.
4to (340 x 197 mm). Engraved frontis, 137 engraved plates. 18th-century mottled calf, morocco title labels to spine, gilt. Minor foxing throughout, edge of upper corner torn at pl. 87/8.
Provenance: Charles de Secondat, Baron de Montesquieu (ink note to title page: \"Ex Biblioth. de Montesquieu;\" Desgraves Catalogue De La Bibliothèque De Montesquieu À La Brède 1380); Arpad Plesch (his bookplate, his sale, Sotheby Parke Bernet Company, 17 November 1975, lot 408).

BARON DE MONTESQUIEU\'S COPY, FROM ARPAD PLESCH, THE FIRST EDITION OF JONSTON\'S IMPORTANT WORK ON FRUITS. A complete copy of this work including the famous engraving of \"Agnus scythicus\" or \"Planta Tartarica Barometz,\" a plant of Central Asia believed to grow sheep as fruit. Plesch 408 (for this copy); Stafleu Cowan II:3408.

约翰·琼斯顿。1603-1675. Sive树木和Nostri和Peregrini Orbis果实的自然历史。法兰克福：希罗尼米·波里奇伊（Hieronymi Polichii）为马蒂亚斯·梅里安（Matthaüs Merian）的继承人，1662年。

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EAST ASIAN ART.:10 titles:
1. TAKASHIMA, S. and KAZUMASA OGAWA, photographer. Illustrations of Japanese Life. Yokahama: 1893. 3 volumes. 8vo. 94 collotype photographic illustrations printed on crepe paper. Publisher\'s pictorial crepe paper wrappers, bound with silk twine, custom clamshell box. Rubbing and slight fading to wrappers, stains to clamshell box, light toning and spotting throughout.
2. JACOBY, GUSTAV. Japanische Schwertzieraten. Leipzig: 1904. Folio. 37 heliogravure plates. Publisher\'s pictorial cloth. Browning and staining to covers, slightly loose, even toning and light foxing.
3. BROCKHAUS, ALBERT. Netsuke. Leipzig: 1905. 4to. Numerous chromolithographic plates, wood-engraved and half-tone photographic illustrations in text. Publisher\'s brown suede, stamped in gilt. Suede deteriorating and torn, text block somewhat loose, toning.
4. GROHMANN, ADOLF. Göttersymbole und Symboltiere auf südarabischen Denkmälern. Vienna: 1914. Folio. Publisher\'s printed yellow wrappers, pages uncut. Numerous illustrations in text. Wear and soiling to wrappers, a few small tears to spine edges, toning.
5. KÜMMEL, OTTO. Meisterwerke chinesischer und japanischer Kunst, Sammlung Fuchs. Stuttgart and Berlin: 1910. Folio. 15 photographic plates, text introduction. Loose as issued, in board portfolio with string ties, custom cloth clamshell box. Portfolio rubbed, slight toning.
6. ---. Die Kunst Ostasiens. Berlin: 1922. 4to. 166 black and white photographic plates. Publisher\'s quarter cloth and boards. Staining to spine and covers, text block somewhat loose, toning.
7. GLASER, CURT. Die Kunst Ostasiens. Leipzig: 1920. 8vo. 56 photographic plates, some folding. Publisher\'s quarter cloth and boards. Covers sunned and slightly soiled, chips to spine ends corners bumped, light chipping to some page edges, toning.
8. GUNSAULUS, HELEN C. Japanese Sword-Mounts in the Collections of the Field Museum. Chicago: 1923. 61 photographic plates. Later quarter cloth and boards, original front wrapper laid down to upper board. Covers heavily rubbed and soiled, corners chipped, cloth tape lettering piece applied to spine, text block loose, browning.
9. GROUSSET, RENE. Art of the Far East. New York: 1945. 16 color photographic plates. Publisher\'s pictorial wrappers. Warping, wrappers heavily chipped, staining, light toning to interior.
10. VISSER, H.F.E. Asiatic Art. New York: 1948. Large 4to. Numerous color and black and white photographic plates. Publisher\'s black cloth stamped in gilt. Covers warped, text block slightly loose, slight foxing and browning.

东亚艺术。 10个标题：

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BIBLE IN ENGLISH: THE GREAT \"SHE\" BIBLE.:The Holy Bible, Conteyning the Old Testament, and the New. London: Robert Barker, [1613] - 1611. Folio (390 x 257 mm). title and final leaf supplied in facsimile, lacking 2 quires A and F, and with 19 leaves supplied from a later edition, engraved map of Canaan by John Speed, loosely inserted, and with its margins restored with some loss. Title to New Testament title dated 1611, set within wide woodcut pictorial borders, wood-cut head and tail pieces, calendar and almanack printed in red and black, occasional light toning, a few upper margins cut slightly close to border line. Paneled calf, antique, red speckled edges.
Collation: A1 (General Title, a facsimile of the He Bible and dated 1611), A2-4 (a2 margin slightly restored, a few restored holes affecting letters), B1-4, C1-6, D1-4: Quire A1-6 lacking (Title to genealogies and first 11 pages), B-E6, (Lacking quire F1-6), G-Z6, Aa-Zz6, Aaa-Zzz6 (rrr1 outer and lower margins torn with loss), Aaaa-Zzzz6, Aaaaa-Ccccc6;
New Testament: A-Z6 (with 15 leaves P1-6, S3-4, V5, X2-6 and Z3 all silked and damaged, and supplied from a shorter later edition, possibly the 1617 folio edition), 6A 1-5 supplied from another folio edition, 6A6 a facsimile leaf.
Provenance: Exhibited by Mr. Young (of Leicester, UK) in the early 20th Century, with a printed and manuscript exhibition label, containing manuscript notes on the typographical errors in the \"SHE\" Bible, the label loosely inserted at the front.

THE KING JAMES\' GREAT \"SHE\' BIBLE, THE SECOND FOLIO EDITION, with the reading in Ruth 3:15 corrected to \"She went into the citie,\" and with other errors including Matthew 26:36 where Judas appears for Jesus, but in this copy that error has been a corrected in an 18th century manuscript hand.

The King James Great Bible is considered to be the most important English Bible to have been printed. The biblical scholar Francis Fry described the \"SHE\" Bible as the first edition second issue without reprints, printed within two years of the first issue to correct typographical errors that were found in the text. The King James Bible was drawn up to reconcile the versions of the bible used by the Clergy, on the one hand, and the laity on the other. The translators, who numbered around 50, were divided into committees based in Oxford. Cambridge and London, and they were instructed to take the Bishops Bible as their basis and then consult with Tyndale\'s, Coverdale\'s, Matthew\'s, Whitchurch\'s and the Geneva versions to come up with an authorized text. This copy, although with facsimile first and last leaves, and two quires lacking, is substantially complete. \"From about the middle of the seventeenth century until the appearance of the Revised Bible of 1881-5, the King James\' version reigned without rival\"(Herbert 319). cf. PMM 114; STC 2224.

英语圣经：伟大的“她”圣经。 《圣经》、《旧约》和《新约》。伦敦：罗伯特·巴克，[1613]-1611。