21. 纳塔利娅·奥西普斯 吉赛尔,第二幕NFT独唱 高清作品[58%]

Giselle, Solo of Act II NFT

图片文件尺寸 : 4945 x 5417px

NATALIA OSIPOVA:Giselle, Solo of Act II NFT
November 2021


Music by Adolphe Adam (1803-1856)
Choreography by Jean Coralli (1779-1854) Jules Perrot (1810-1892)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164007132586049537
MP4
Minted on 22 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e



纳塔利娅·奥西普斯 吉赛尔,第二幕NFT独唱

22. 纳塔利娅·奥西普斯 吉赛尔,第二幕NFT的入口 高清作品[57%]

Giselle, The entrance of Act II NFT

图片文件尺寸 : 4000 x 5382px

NATALIA OSIPOVA:Giselle, The entrance of Act II NFT
November 2021


Music by Adolphe Adam (1803-1856)
Choreography by Jean Coralli (1779-1854) Jules Perrot (1810-1892)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164008232097677313
MP4
Minted on 22 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e




纳塔利娅·奥西普斯 吉赛尔,第二幕NFT的入口

23. 川本龙井系 19世纪江户时期的黑漆四箱 高清作品[56%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5058 x 5401px

KAJIKAWA BUNRYUSAI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver, and colored takamaki-e with rats clambering over scattered fusuma and shoji sliding screens, signed Kajikawa Bunryusai with a red kao (cursive monogram); coral bead ojime
3 1/4in (8.2cm) high

川本龙井系 19世纪江户时期的黑漆四箱

24. W.K.Ngai的博物馆品质大型蓝色石英雕刻描绘Sealife 无 题 高清作品[56%]

图片文件尺寸 : 4542 x 5645px

Museum-Quality Large Blue Quartz Carving Depicting Sealife by W.K.Ngai :Depicting an under seascape of a reef with stylized tropical fish, star fish, small sea turtles, a stingray, small sea horses carved from the natural blue and black portion of the original quartz rough. Raised on a decorative coral base, above a shaped onyx base. Measuring 17 x 9 x 13 in

W.K.Ngai的博物馆品质大型蓝色石英雕刻描绘Sealife 无 题

25. KAJIKAWA谱系 19世纪江户时期的四箱金漆 高清作品[55%]

A gold lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4911 x 5066px

KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded square profile with applied cord-runners, decorated in colored hiramaki-e and togidashi maki-e with nashiji on a ground of hirame depicting a woman dressed in a yukata with a male attendant catching fireflies at night, signed Kajikawa saku (signed Kajikawa); coral bead ojime
3 1/4in (8.2cm) high

KAJIKAWA谱系 19世纪江户时期的四箱金漆

26. 加吉川邦瑞 19世纪江户时代或明治时代的金漆四箱 高清作品[53%]

A gold lacquer four-case inroEdo period  or Meiji era , 19th century

图片文件尺寸 : 4065 x 3855px

KAJIKAWA BUNRYUSAI:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, aokin, silver, and colored hiramaki-e, togidashi makie, and takamaki-e on a fine gold hirame ground, depicting on each side a tethered hawk against a brocade background, signed Kajikawa Bunryusai; coral bead ojime
3 5/8in (9.2cm) high

加吉川邦瑞 19世纪江户时代或明治时代的金漆四箱

27. 原佑斋(1772-1845/6) 19世纪江户时期的四箱金漆 高清作品[52%]

A gold-lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5274 x 4550px

HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high

原佑斋(1772-1845/6) 19世纪江户时期的四箱金漆

28. 东洋(活跃于19世纪) 19世纪江户时期的黑漆四箱 高清作品[51%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4852 x 4719px

TOYO (ACTIVE 19TH CENTURY):A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with applied cord-runners, decorated in iro-e togidashi maki-e and hiarme against a glossy black ground with a samurai and two women entertainers walking beneath autumn maples in the evening, interiors nashiji, signed Toyo and with a kao, coral bead ojime; wood manju netsuke decorated with a crab and grasses in gold and silver hiramaki-e, signed Toyo and with a kao
3in (7.6cm) high

东洋(活跃于19世纪) 19世纪江户时期的黑漆四箱

29. 吉多库赛·久库赞 19世纪江户时代或明治时代的金漆四箱 高清作品[51%]

A gold lacquer four-case inroEdo period  or Meiji era , 19th century

图片文件尺寸 : 5038 x 4527px

JITOKUSAI GYOKUZAN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of oval profile with applied cord-runners, decorated in gold and colored hiramaki-e and takamaki-e against a gold hirame and nashiji ground, depicting a rats\' wedding: rats in samurai uniform carry a norimono (palanquin) across the tiled roof of a grand human dwelling, bamboo in the background, signed Jitokusai Gyokuzan with a kao (cursive monogram); coral bead ojime
3 1/2in (8.9cm) high

吉多库赛·久库赞 19世纪江户时代或明治时代的金漆四箱

30. 阿古斯蒂诺·西拉。1629–1700. 来自Corporibus Marinis Lapidescentibus。罗马:约翰·泽佩尔,1759年。 高清作品[50%]

De Corporibus Marinis Lapidescentibus. Rome: Johann Zempel, 1759.

图片文件尺寸 : 5403 x 5655px

SCILLA, AGUSTINO. 1629-1700.:De Corporibus Marinis Lapidescentibus. Rome: Johann Zempel, 1759.
4to (265 x 200 mm). Title with engraved vignette, engraved frontispiece facing first page of text, 31 engraved plates, engraved initials and head-pieces. Later vellum. Light soiling and wear to binding, scattered spotting, light offsetting from plates.
Provenance: George Sarton (Belgian-American science historian, 1884-1956, bookplate to paste-down).

Third Latin edition. The detailed plates show a variety of fossils including mussels, corals, snails, and shark. The Sicilian painter Agostino Scilla shows the close correspondence between fossils and parts of living animals. See Nissen, ZBI 3780.

阿古斯蒂诺·西拉。1629–1700. 来自Corporibus Marinis Lapidescentibus。罗马:约翰·泽佩尔,1759年。

coral油画图片- 高清coral绘画作品- 代表作全集 中艺名画下载


21. 纳塔利娅·奥西普斯 吉赛尔,第二幕NFT独唱 高清作品[58%]

Giselle, Solo of Act II NFT

图片文件尺寸 : 4945 x 5417px

NATALIA OSIPOVA:Giselle, Solo of Act II NFT
November 2021


Music by Adolphe Adam (1803-1856)
Choreography by Jean Coralli (1779-1854) Jules Perrot (1810-1892)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164007132586049537
MP4
Minted on 22 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e



纳塔利娅·奥西普斯 吉赛尔,第二幕NFT独唱

22. 纳塔利娅·奥西普斯 吉赛尔,第二幕NFT的入口 高清作品[57%]

Giselle, The entrance of Act II NFT

图片文件尺寸 : 4000 x 5382px

NATALIA OSIPOVA:Giselle, The entrance of Act II NFT
November 2021


Music by Adolphe Adam (1803-1856)
Choreography by Jean Coralli (1779-1854) Jules Perrot (1810-1892)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164008232097677313
MP4
Minted on 22 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e




纳塔利娅·奥西普斯 吉赛尔,第二幕NFT的入口

23. 川本龙井系 19世纪江户时期的黑漆四箱 高清作品[56%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5058 x 5401px

KAJIKAWA BUNRYUSAI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver, and colored takamaki-e with rats clambering over scattered fusuma and shoji sliding screens, signed Kajikawa Bunryusai with a red kao (cursive monogram); coral bead ojime
3 1/4in (8.2cm) high

川本龙井系 19世纪江户时期的黑漆四箱

24. W.K.Ngai的博物馆品质大型蓝色石英雕刻描绘Sealife 无 题 高清作品[56%]

图片文件尺寸 : 4542 x 5645px

Museum-Quality Large Blue Quartz Carving Depicting Sealife by W.K.Ngai :Depicting an under seascape of a reef with stylized tropical fish, star fish, small sea turtles, a stingray, small sea horses carved from the natural blue and black portion of the original quartz rough. Raised on a decorative coral base, above a shaped onyx base. Measuring 17 x 9 x 13 in

W.K.Ngai的博物馆品质大型蓝色石英雕刻描绘Sealife 无 题

25. KAJIKAWA谱系 19世纪江户时期的四箱金漆 高清作品[55%]

A gold lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4911 x 5066px

KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded square profile with applied cord-runners, decorated in colored hiramaki-e and togidashi maki-e with nashiji on a ground of hirame depicting a woman dressed in a yukata with a male attendant catching fireflies at night, signed Kajikawa saku (signed Kajikawa); coral bead ojime
3 1/4in (8.2cm) high

KAJIKAWA谱系 19世纪江户时期的四箱金漆

26. 加吉川邦瑞 19世纪江户时代或明治时代的金漆四箱 高清作品[53%]

A gold lacquer four-case inroEdo period  or Meiji era , 19th century

图片文件尺寸 : 4065 x 3855px

KAJIKAWA BUNRYUSAI:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, aokin, silver, and colored hiramaki-e, togidashi makie, and takamaki-e on a fine gold hirame ground, depicting on each side a tethered hawk against a brocade background, signed Kajikawa Bunryusai; coral bead ojime
3 5/8in (9.2cm) high

加吉川邦瑞 19世纪江户时代或明治时代的金漆四箱

27. 原佑斋(1772-1845/6) 19世纪江户时期的四箱金漆 高清作品[52%]

A gold-lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5274 x 4550px

HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high

原佑斋(1772-1845/6) 19世纪江户时期的四箱金漆

28. 东洋(活跃于19世纪) 19世纪江户时期的黑漆四箱 高清作品[51%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4852 x 4719px

TOYO (ACTIVE 19TH CENTURY):A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with applied cord-runners, decorated in iro-e togidashi maki-e and hiarme against a glossy black ground with a samurai and two women entertainers walking beneath autumn maples in the evening, interiors nashiji, signed Toyo and with a kao, coral bead ojime; wood manju netsuke decorated with a crab and grasses in gold and silver hiramaki-e, signed Toyo and with a kao
3in (7.6cm) high

东洋(活跃于19世纪) 19世纪江户时期的黑漆四箱

29. 吉多库赛·久库赞 19世纪江户时代或明治时代的金漆四箱 高清作品[51%]

A gold lacquer four-case inroEdo period  or Meiji era , 19th century

图片文件尺寸 : 5038 x 4527px

JITOKUSAI GYOKUZAN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of oval profile with applied cord-runners, decorated in gold and colored hiramaki-e and takamaki-e against a gold hirame and nashiji ground, depicting a rats\' wedding: rats in samurai uniform carry a norimono (palanquin) across the tiled roof of a grand human dwelling, bamboo in the background, signed Jitokusai Gyokuzan with a kao (cursive monogram); coral bead ojime
3 1/2in (8.9cm) high

吉多库赛·久库赞 19世纪江户时代或明治时代的金漆四箱

30. 阿古斯蒂诺·西拉。1629–1700. 来自Corporibus Marinis Lapidescentibus。罗马:约翰·泽佩尔,1759年。 高清作品[50%]

De Corporibus Marinis Lapidescentibus. Rome: Johann Zempel, 1759.

图片文件尺寸 : 5403 x 5655px

SCILLA, AGUSTINO. 1629-1700.:De Corporibus Marinis Lapidescentibus. Rome: Johann Zempel, 1759.
4to (265 x 200 mm). Title with engraved vignette, engraved frontispiece facing first page of text, 31 engraved plates, engraved initials and head-pieces. Later vellum. Light soiling and wear to binding, scattered spotting, light offsetting from plates.
Provenance: George Sarton (Belgian-American science historian, 1884-1956, bookplate to paste-down).

Third Latin edition. The detailed plates show a variety of fossils including mussels, corals, snails, and shark. The Sicilian painter Agostino Scilla shows the close correspondence between fossils and parts of living animals. See Nissen, ZBI 3780.

阿古斯蒂诺·西拉。1629–1700. 来自Corporibus Marinis Lapidescentibus。罗马:约翰·泽佩尔,1759年。