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卡拉·潘恩的《新手大提琴手》-Carla Paine

新手大提琴手--Carla Paine (美国, b. 1982)

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卡拉·潘恩的《带着装饰品的年轻女人》-Carla Paine

带装饰品的年轻女子--Carla Paine (美国, b. 1982)

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卡拉·潘恩的《坐在摇椅上的女孩》-Carla Paine

坐在摇椅上的女孩--Carla Paine (美国, b. 1982)

材质 :

图片文件尺寸 : 4859 x 3695 px

Michel Comte-Carla Bruni, 1993.

米歇尔·伯爵-卡拉·布鲁尼，1993年。

图片文件像素：5224 x 4132 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection

Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.

More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.

When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975

材质 : Black and white photograph. Lambda print

图片文件尺寸 : 4859 x 3695 px

Michel Comte-Carla Bruni, 2007.

米歇尔·伯爵-卡拉·布鲁尼，2007年。

图片文件像素：5559 x 5817 px

卡拉·阿卡迪-现代-

Carla Accardi * - Moderne-

(Trapani 1924–2014 Rom)
Composizione, 1950, signiert und datiert, Öl auf Leinwand auf Holz, 39,5 x 38 cm, gerahmt

Die vorliegende Arbeit ist im Archiv des Studio Accardi, Rom registriert. Ein vom Künstler signiertes Fotozertifikat liegt vor.

Provenienz:
Europäische Privatsammlung

图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

材质 : Tempera

图片文件尺寸 : 4859 x 3695 px

Carla Accardi-Fondonero, 1954.

卡拉·阿卡迪-丰多内罗，1954年。

图片文件像素：4600 x 3500 px

保罗·特鲁贝茨科伊-

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(Intra 1866–1938 Pallanza)
Carla Erba (1879–1939) auf einer Bank sitzend, signiert, mit Widmung Alle gentilissime sorelle Conconi sculpist Paul Troubetskoy, Gips, 37,5 x 30 x 31 cm