图片文件尺寸 : 4282 x 3280px

《丽贝卡和布莱恩·德·博伊斯·吉尔伯特》，作者：莱昂·科涅特-Léon Cogniet

Rebecca and Brian de BoisGuilbert--Léon Cogniet (法国, 1794-1880)

图片文件尺寸 : 4714 x 4655px

南戈尔丁 Nan布莱恩在床上，纽约

图片文件尺寸 : 4829 x 5420px

Brian James Dunlop:Still Life with Lemons
signed upper left: \'Dunlop\'
gouache on paper
42.0 x 42.0cm (16 9/16 x 16 9/16in).

布莱恩·詹姆斯·邓洛普 有柠檬的静物

图片文件尺寸 : 5035 x 4019px

John Hoyland R.A.:Tembi
Etching and aquatint printed in colours, 1980, on wove, signed, dated and inscribed \'Brians Proof\' in pencil, a proof aside from the numbered edition of 60, printed by Kelpra Studio, London, published by Waddington Graphics, London, with the printer\'s blindstamp, with full margins, 682 x 923mm (26 7/8 x 36 1/4in)(SH)(unframed)

约翰·霍兰德。 称作滕比

图片文件尺寸 : 4726 x 3935px

Brian Rice: Colossal, 1967
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 22/75, with the blind stamp of the publisher London Graphic Arts Associates, London, printed by Advanced Graphics, London, with full margins.
18 x 18in (45.7 x 45.7cm)
sheet 25 1/4 x 23in (64 x 58.4cm)

布莱恩·赖斯 巨大的

图片文件尺寸 : 3990 x 4354px

Francesco Clemente:Fathers, 1990
Spit bite aquatint on wove paper, signed in pencil and numbered AP 9 (an artist\'s proof aside from the edition of 21), with the blindstamps of the publisher/printer Crown Point Press/ Brian Shure, San Francisco, with full margins.
36 x 45in (91.4 x 114.2cm)
sheet 45 x 53in (114.2 x 134.5cm)

弗朗切斯科·克莱门特 父亲

图片文件尺寸 : 4011 x 4723px

Sean Scully: Square Light I, 1988
Soap-ground and spit-bite aquatint in colors on wove paper, signed in pencil, titled, dated \'88\' and annotated \'TPB\' (a proof, aside from the edition of 25), with the blindstamps of the publisher/printer, Crown Point Press/Brian Shure, San Francisco, with full margins, framed.
20 3/4 x 20 3/4in (52.7 x 52.7cm)
sheet 33 3/4 x 30 1/2in (85.7 x 77.4cm)

肖恩·斯库利 方形灯I

图片文件尺寸 : 5462 x 4991px

Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)

Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes

各种艺术家 彼得·诺顿圣诞艺术项目

加拿大艺术家作品集