图片文件尺寸 : 4700 x 4811px

Roy Lichtenstein: Spray Can from 1¢ Life; Pistol from Banner Multiples Calendar (2 works) (Corlett 34), 1963-64; 1968
Spray Can Lithograph in colors on wove paper, from the edition of 2000, published by E.W. Kornfeld, Bern, Switzerland, printed by Maurice Beaudet, Paris, the full sheet.
WITH
Pistol, (not in Corlett), Screenprint in colors on wove paper, from an edition of unknown size, with the inkstamp on verso of the publisher, Multiples, Inc., New York, the full sheet. (2 works)
sheets 16 1/8 x 11 1/2in (40.9 x 29.2cm); 15 3/4 x 15in (40 x 38.1cm)

罗伊·利希滕斯坦 来自1#162的喷雾罐生活横幅多人日历中的手枪

图片文件尺寸 : 4417 x 4326px

迈耶·瓦斯曼 健忘主义者的旗帜

图片文件尺寸 : 7036 x 9936px

“Bock啤酒，横幅Bock by RodeBrand”-Rode Brand

博克啤酒，横幅博克--Rode Brand (美国, 19th/20th Century)

图片文件尺寸 : 1806 x 2718px

“KatōKazue no kami Kiyomasa跪在横幅旁”-a Banner by Tsukioka Yoshitoshi

Katō Kazue no kami Kiyomasa Kneeling--Tsukioka Yoshitoshi (Japanese, 1839-1892)

材质 : Silkscreen

图片文件尺寸 : 4859 x 3695 px

Banner Multipe Calender 1969-Kalender 1969. + Domberger-Siebdruck-Kalender 1973

横幅多点压延机1969-1969年日历。+Domberger Siebdruck Kalender 1973年

图片文件尺寸 : 5089 x 6009px

A TEMPLE BANNER WITH OFFERINGS TO MAHAKALA:TIBET, 19TH/20TH CENTURY
Distemper on silk.
Himalayan Art Resources item no.4546
22 1/2 x 161 in. (57.2 x 409 cm), irregular;
With frilled edges: 22 1/2 x 187 in. (57.2 x 475 cm), irregular

供奉马哈卡拉的寺庙横幅 西藏，19/20世纪

图片文件尺寸 : 5466 x 4580px

OAKELEY (RICHARD BANNER):

奥克利（理查德·班纳） 卡纳塔克邦Halebidu Hoysaleswara Temple花园入口处的雕塑和楼梯，约1856年

图片文件尺寸 : 4929 x 4851px

ROERICH, NIKOLAI KONSTANTINOVICH. 1874-1947.:Himalaya, a Monograph. New York: Brentano\'s, 1926.
Folio. 24 mounted color plates, 78 mounted halftones, including portrait of Roerich by his son Sviatoslav Roerich. Publisher\'s tan cloth stamped in gilt. Upper joint cracked through, sunned, corners bumped, hinges reinforced, toning.

LIMITED EDITION, number 165 of 500 copies. Celebrated Russian painter, writer, archeologist, philosopher and mystic Roerich settled with his family in the Kullu Valley in India in 1929. The mansion on the estate became the home to the Urusvati Himalayan Research Institute that the Roerichs founded in 1928. This opulent volume pulls together excerpts from a diary kept during his often treacherous travels through the Himalayas, and reproductions of many of his best known works including his \"Banners of the East\" series of nineteen paintings devoted to the world\'s greatest religious teachers including Buddha, Confucius, Moses, Jesus and Mohammed. Many of these pictures are now in the Roerich Museum in New York City.

罗里奇，尼古拉·康斯坦丁诺维奇。1874-1947. 喜马拉雅，一本专著。纽约：布伦塔诺出版社，1926年。

图片文件尺寸 : 5024 x 4454px

KITAGAWA UTAMARO (1754-1806), TORII KIYONAGA (1752-1815), KATSUKAWA SHUNKO (1743-1812), AND OTHERS:Eight woodblock prints
Edo period (1615-1868), 19th century
Seven oban tate-e prints comprising one sheet of a polyptych depicting three courtesans and a gentleman on a veranda, signed Utamaro hitsu; one sheet of a polyptych depicting three beauties looking out into a wintery garden, signed Kiyonaga ga; one sheet of a polyptych depicting a group of women in a pleasure house, signed Shunko ga; a beauty from the series Shokoku meisho zusho (Famous Views of the Provinces Illustrated), signed Kuniyoshi ga; a standing beauty from the series Bijin awase, signed Kochoro Kunisada ga; Suruga Miho (Miho in Suruga Province), from the series Honcho Fukei Bijin Kurabe (Beauties Compared with Scenic Spots of Our Country), signed Kochoro Kunisada ga, published by Sanoya Kihei; a bird\'s-eye view of a large villa with banners flying in celebration of Boys\' Day, signed Shun\'ei ga; an oban yoko-e depicting two samurai (8)
15 3/8 x 10 1/8in (39 x 25.7cm), the largest

北川郁太郎（1754-1806）、菊川拓里（1752-1815）、长川顺子（1743-1812）等 八幅木版印刷品19世纪

图片文件像素：4956 x 4842 px

安杰洛·萨韦利-

Angelo Savelli * - Zeitgenössische Kunst I-

(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed

This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity

Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection

Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.

Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.

Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.

Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.

His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.