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约翰内斯·克里斯蒂安·卡雷尔·克林肯伯格（Johannes Christiaan Karel Klinkenberg）的《亨德里卡德王子与圣尼古拉斯教堂、施赖尔斯托伦教堂和阿姆斯特丹路德会教堂》-Johannes Christiaan Karel Klinkenberg

A view of the Prins Hendrikkade with the St Nicolaas Church, he Schreierstoren and the Lutherian church, Amsterdam--Johannes Christiaan Karel Klinkenberg (荷兰, 1852-1924)

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:Nova totius terrarum orbis geographica ac hydrographica tabula. Amsterdam: [c.1635].
Hand-colored double-page map, 410 x 550 mm, Dutch text on verso, 3 decorative cartouches, one flanked by maidenheads, one representing the new world with native dress, the other possibly representing Europa, bordered by 22 vignettes (4 Elements; 4 Seasons; Sun, Moon and 5 known planets; 7 \"Wonders of the World\"), 2 inset views of the world from the Polar regions, compass roses, several ships and sea creatures. Framed. Reinforcement to verso of centerfold, but a clean, attractive example.

\"Celebrated as the supreme examples of the map maker\'s art\" (Shirley Mapping of the World 255). 4th state as often found.

无 题 全球新的地理和水文表。阿姆斯特丹：[c.1635]。

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伦勃朗·哈曼斯。莱茵河的 从卡迪克看阿姆斯特丹

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《月光下的阿姆斯特丹景色》埃利亚斯·彼得·范·博梅尔著-Elias Pieter van Bommel

月光下的阿姆斯特丹景色--Elias Pieter van Bommel (荷兰, 1819 - 1890)

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GUERICKE, OTTO VON. 1602-1686. :Experimenta nova (ut vocantur) Magdeburgica, de vacuo spatio. Amsterdam: Johannes Jansson Waesberge, 1672.
Folio (313 x 192 mm). Engraved portrait frontispiece, engraved additional title and 7 full-page engraved plates (one repeated), 2 double-page engraved plates and 24 engraved diagrams and figures in text. Contemporary calf, rebacked. Some light browning and staining.
Provenance: Institution of Naval Architects, Scott Library Collection (bookplate).

FIRST EDITION of Guericke\'s record of the famous 1657 Magdeburg experiments with air and vacuum, in which he demonstrated that two copper hemispheres could not be pulled apart by teams of horses once a vacuum was created. \"A book of prime importance in electrical discovery, air-pressure and the vacuum pump\' states Dibner, though Guericke was a Copernican and \'his experimental work represented only one facet of his attempt to reach a complete physical world view.\' As the sub-title makes clear, his book also dealt with the problems of empty space and the movement of heavenly bodies, making \'infinite space ... a conceptual possibility\" (DSB V, p 576). Dibner Heralds 55; Grolier/Horblit 44; Sparrow Milestones of Science 90; NLM/Krivatsy 5074; Norman 952; Wellcome III, p 175; Wheeler Gift 170.

盖里克，奥托·冯。1602-1686. 尝试新的马格德堡，真空空间。阿姆斯特丹：约翰内斯·扬松·瓦斯贝格，1672年。

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克劳德·莫奈《阿姆斯特丹的亨德里卡德王子和克罗姆·瓦尔》-Claude Monet

阿姆斯特丹Hendrikkade亲王和Kromme Waal亲王的视图--Claude Monet (法国, 1840-1926)

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Jan Abrahamsz Beerstraaten的《阿姆斯特丹，从西北看海利格威斯波特，冰封运河上的滑冰者》-Jan Abrahamsz Beerstraaten

阿姆斯特丹，从西北看海利格威斯波特，冰封运河上的滑冰者--Jan Abrahamsz Beerstraaten (荷兰, 1622 – 1666)

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LE BRUN, CORNELIUS. 1652-1727/28.:Voyages De Corneille Le Brun ... Moscovie, en Perse ... Vol. I II. Amsterdam: Freres Wetstein, 1718.
2 volumes. Folio (330 x 210 mm). Engraved frontispiece in volume 1, title-pages printed in red and black, engraved portrait frontispiece in volume 2, 2 (of 3) double-page engraved maps, 115 engraved plates, many double-page, some folding, the majority with multiple images, and numerous engraved illustrations in text. Modern quarter morocco and red cloth. Paper repair to portrait, a few small tears, some penciled marginalia, scattered spotting and browning.

FIRST EDITION IN FRENCH of Le Brun\'s travels to Russia, Persia, India and Java, copiously illustrated with flora, fauna, native studies, costumes, antiquities and views. Also included are two particularly wide folding panoramas, one of Moscow and a second of Isfahan. Following an initial voyage to the Levant, \"In 1701, Le Bruyn started on the second of his journeys taking a ship to the country of the Samoyeds, and then proceeding to Moscow. Traveling by way of Asia Minor, he arrived in Persia where he remained for the years 1704-05. Leaving Persia he proceeded [by ship] to India [stopping at Cochin], Ceylon and the East Indies [i.e. Batavia]. He returned by much the same route, residing in Persia between 1706 and 1707 and describing the ruins of Persepolis and Pasargades\" (Howgego). Brunet III, 911; Cohen-de Ricci 610; Howgego B177; Lipperheide 546; Wilson p 33.

棕色的，科尼利厄斯。1652-1727/28年。 棕色科内尔之旅…莫斯科，波斯…第一卷和第二卷。阿姆斯特丹：韦茨坦兄弟，1718年。

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JUDAICA. :4 titles:
1. Hagadah. Seder Hagadah shel Pesach. According to Roman rite. Hebrew with translation into Judeo-Italian. With commentary Tzeli Esh, R. Judah Modena\'s abridgment of Don Isaac Abrabanel\'s commentary Zevach Pesach. Venice: Alvise Bragadin: 1716. Folio (328 x 230 mm). 24 of 26 leaves. Each page of text enclosed within an elaborate architectonic frame; numerous woodcut initials containing miniature depictions of figures and scenes; large woodcut illustrations placed at the head and/or foot of most pages; smaller woodcuts of Moses, Aaron, David, and Solomon often flanking the text. Trimmed closely. Some leaves with marginal repairs. Modern morocco antique. Based on the 1609 Passover Haggadah published in Venice by Israel Zifroni. Yudlov 131.
2. WAGENSEIL, JOHANN CHRISTOPH. 1633-1705. Exercitationes sex varii argumenti. Altdorf: Johann Heinricus Schoennerstadt, 1687.
4to (217 x 173 mm). 7 engraved headpieces and one full page engraved illustration. 20th-century half calf. A few marginal repairs, some light marginal browning. First illustrated edition with charming views of Altdorf and Prag, See Fürst III, 489.
3. BIBLE, Hebrew. Biblia Hebraica. Edited by Johanne Simonis. Amsterdam, Jacob Wetstein, 1753. 8vo (212 x 123 mm). Engraved title and engraved folding plates. Contemporary vellum. Darlow and Moule, 5155.
4. GANS, DAVID. 1554-1613. Nechmad Vena\'im [Delightful and Pleasant]. Jessnitz: Israel ben Abraham, 1743.
4to (212 x 169 mm). Title within architectural border, numerous astronomical diagrams. Contemporary calf. Without the (often lacking) introduction in Latin.FIRST EDTION, the first Hebrew book to mention Copernicus by name. Vinograd, Jessnitz 49.

犹大。 4个标题：

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NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。