21. 班克西。 班克斯奎特 高清作品[49%]

Banksquiat

图片文件尺寸 : 5391 x 5485px

Banksy:Banksquiat (Grey)
Screenprint in colours, 2019, on grey card, signed and numbered 218/300 in white crayon, published by the artist, with their blindstamp, the full sheet, in very good condition, framed

Sheet 703 x 750mm. (27 1/2 x 29 1/2in.)

班克西。 班克斯奎特

22. 理查德·欧文·鲍曼 动态学441961 高清作品[48%]

Kinetogenic 44 , 1961

图片文件尺寸 : 4683 x 5945px

RICHARD IRVING BOWMAN:Kinetogenic 44 (Caro Pink Painting), 1961

signed, inscribed with the abbreviated title, and dated \'Kg44 R. Bowman 3-61\' (lower center)
oil on canvas

41 1/2 x 86 in.
105.4 x 218.4 cm.

理查德·欧文·鲍曼 动态学441961

23. 保罗·谢吉 高清作品[44%]

DO-Paolo Scheggi  - 现代艺术 I
图片文件像素:5891 x 5856 px

保罗·谢吉-

Paolo Scheggi * - Zeitgenössische Kunst I-

(Florence 1940–1971 Rome)
Intersuperficie curva dal giallo + rosso, 1967, signed and titled on the reverse, acrylic on three superimposed canvases, 100 x 180 x 7 cm

This work is registered in the Archivio Associazione Paolo Scheggi, Milan and is accompanied by a photo certificate of authenticity

Provenance:
G. Marucelli Collection, Milan
European Private Collection
Sale Sotheby’s Milan, 26 November 2007, lot 218
European Private Collection (acquired from the above)

24. 阿伯斯 I-S LXXIIa型 高清作品[43%]

I-S LXXIIIa

图片文件尺寸 : 4550 x 5167px

Josef Albers:I-S LXXIIIa (Danilowitz 218), 1973
Screenprint in colors on wove paper, initialed in pencil, titled, dated and numbered 93/100 (there were also 35 hors commerce), with the blindstamp of the publisher, Ives-Sillman, Inc., New Haven, printed by Sirocco Screenprints, New Haven, with full margins, framed.
17 1/2 x 17 1/2in (44.5 x 44.5cm)
sheet 28 x 28in (71.1 x 71.1cm)

阿伯斯 I-S LXXIIa型

25. 马里尼 莎士比亚二世的马里诺,图版七 高清作品[40%]

Marino from Shakespeare II, Plate VII

图片文件尺寸 : 4782 x 4640px

Marino Marini:Marino from Shakespeare II, Plate VII (Guastalla A218), 1978
Drypoint, aquatint and etching in colors on Arches paper, signed in pencil and annotated \'P.A.\' (one of 20 artist\'s proofs, from the edition of 75 in Arabic plus 50 in Roman numerals), with the blindstamp of the publisher, ZWR, London, printed by Labyrinth, Florence, with full margins.
19 1/4 x 15in (48.9 x 38.1cm)
sheet 30 1/8 x 22 1/4in (76.5 x 56.5cm)

马里尼 莎士比亚二世的马里诺,图版七

26. 詹姆斯·罗森奎斯特 Time Door Time d\'Or,来自《欢迎来到水星球》 高清作品[37%]

Time Door Time d\'Or, from Welcome to the Water Planet

图片文件尺寸 : 5327 x 5852px

James Rosenquist:Time Door Time d\'Or, from Welcome to the Water Planet (Glenn 218), 1989
Colored pressed paper pulp with lithographic collage on two sheets of TGL handmade paper, the collage elements on Rives BFK paper, signed in pencil, titled, dated and numbered 11/28 (there were also 12 artist\'s proofs), with the blindstamp of the publisher/printer, Tyler Graphics Ltd., Mount Kisco, New York, the full sheet, framed.
sheet approx. 98 x by 121in (248.9 x 307.3cm)

詹姆斯·罗森奎斯特 Time Door Time d\'Or,来自《欢迎来到水星球》

27. 未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中 高清作品[37%]

The World\'s Greatest Psychic Sensation Samri S. and Miss Baldwin in Oriental Hypnotic Dream Visions, The White Mahatmas

图片文件尺寸 : 5078 x 5556px

Unknown Artist:The World\'s Greatest Psychic Sensation Samri S. and Miss Baldwin in Oriental Hypnotic Dream Visions, The White Mahatmas (Magic pp. 262–63), c. 1895
Lithograph in colors on 16 wove sheets, printed by Calhoun Print, Hartford, linen-backed, with wooden dowels at the upper and lower sheet edges.
overall 107 x 86in (271.8 x 218.4cm)

未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中

28. 詹姆斯·杰布萨·香农爵士,RA,RBA,RHA 一位女士的肖像,全身站立,身穿奶油色连衣裙,右手放在椅子上 高清作品[36%]

Portrait of a lady, standing full-length, in a cream dress, resting her right hand on a chair

图片文件尺寸 : 4513 x 4005px

Sir James Jebusa Shannon, RA, RBA, RHA:Portrait of a lady, standing full-length, in a cream dress, resting her right hand on a chair
indistinctly signed (lower left); inscribed \'J. J. Shannon Esq. R.A. /Holland Pk. Rd.)\' (on artist\'s label affixed stretcher verso)
oil on canvas
218.5 x 124.5cm (86 x 49in).

詹姆斯·杰布萨·香农爵士,RA,RBA,RHA 一位女士的肖像,全身站立,身穿奶油色连衣裙,右手放在椅子上

29. Cagnaccio di San Pietro-现代 高清作品[35%]

DO-Cagnaccio di San Pietro - Moderne
图片文件像素:5437 x 5205 px

Cagnaccio di San Pietro-现代-

Cagnaccio di San Pietro - Moderne-

(Desenzano del Garda 1897-1946 Venedig)
L’aragosta e l’astice, 1934, signiert und datiert, Öl auf Holz, 58,5 x 80 cm, gerahmt

Provenienz:
Galleria Gomiero, Mailand - Padua
Europäische Privatsammlung

Ausgestellt:
Rom, Seconda Quadriennale d’Arte Nazionale, Palazzo delle Esposizioni, 5. Februar – 31. Juli 1935 (Rückseite Klebezettel)
Rovereto, Un’eterna bellezza. Il canone classico nell’Arte 意大利a del primo Novecento, MART, 2. Juli – 5. November 2017, Ausstellungs Kat. S. 218, Nr. 103 mit Abb.

Notiz:
Eine kleinere, leicht beschnittene Version dieses Gemäldes ist in der folgenden Literatur abgebildet:
AA. VV., Cagnaccio di San Pietro, Katalog der Ausstellung im Museo Correr, Venedig, Electa 1991, Nr. 82 mit Abb.
Claudia Gian Ferrari (Hrsg.), Cagnaccio di San Pietro: la magia dello sguardo, Katalog zur Ausstellung im Palazzo Martinengo, Brescia, 1997, S. 85, Nr. 45 mit Abb.

30. 莎士比亚,威廉。1564-1616. 第一、第二、第三和第四页的标题页集合: 高清作品[34%]

A collection of title leaves from the first, second, third and fourth folios:

图片文件尺寸 : 4563 x 4015px

SHAKESPEARE, WILLIAM. 1564-1616.:A collection of title leaves from the first, second, third and fourth folios:
1. Title leaf, The Second Part of Henry the Fourth, Containing his Death: and the Coronation of King Henry the Fifth, from the 1623 First Folio, leaf f6v, 297 x 198 mm, trimmed at edges, no loss of text.
2. Title leaf, The Comedie of Errors, from the 1632 Second Folio, leaf H1, 329 x 219 mm, minor foxing.
3. Title leaf, As You Like It, from the 1664 Third Folio, leaf Q3, 335 x 218 mm, two neat ink annotations in the margin.
4. Title leaf, The Life of Timon of Athens, from the 1685 Fourth Folio, leaf Aaa1, 341 x 222 mm, ink annotation at head \"Part 3,\" minor soiling.

莎士比亚,威廉。1564-1616. 第一、第二、第三和第四页的标题页集合:

218油画图片- 高清218绘画作品- 代表作全集 中艺名画下载


21. 班克西。 班克斯奎特 高清作品[49%]

Banksquiat

图片文件尺寸 : 5391 x 5485px

Banksy:Banksquiat (Grey)
Screenprint in colours, 2019, on grey card, signed and numbered 218/300 in white crayon, published by the artist, with their blindstamp, the full sheet, in very good condition, framed

Sheet 703 x 750mm. (27 1/2 x 29 1/2in.)

班克西。 班克斯奎特

22. 理查德·欧文·鲍曼 动态学441961 高清作品[48%]

Kinetogenic 44 , 1961

图片文件尺寸 : 4683 x 5945px

RICHARD IRVING BOWMAN:Kinetogenic 44 (Caro Pink Painting), 1961

signed, inscribed with the abbreviated title, and dated \'Kg44 R. Bowman 3-61\' (lower center)
oil on canvas

41 1/2 x 86 in.
105.4 x 218.4 cm.

理查德·欧文·鲍曼 动态学441961

23. 保罗·谢吉 高清作品[44%]

DO-Paolo Scheggi  - 现代艺术 I
图片文件像素:5891 x 5856 px

保罗·谢吉-

Paolo Scheggi * - Zeitgenössische Kunst I-

(Florence 1940–1971 Rome)
Intersuperficie curva dal giallo + rosso, 1967, signed and titled on the reverse, acrylic on three superimposed canvases, 100 x 180 x 7 cm

This work is registered in the Archivio Associazione Paolo Scheggi, Milan and is accompanied by a photo certificate of authenticity

Provenance:
G. Marucelli Collection, Milan
European Private Collection
Sale Sotheby’s Milan, 26 November 2007, lot 218
European Private Collection (acquired from the above)

24. 阿伯斯 I-S LXXIIa型 高清作品[43%]

I-S LXXIIIa

图片文件尺寸 : 4550 x 5167px

Josef Albers:I-S LXXIIIa (Danilowitz 218), 1973
Screenprint in colors on wove paper, initialed in pencil, titled, dated and numbered 93/100 (there were also 35 hors commerce), with the blindstamp of the publisher, Ives-Sillman, Inc., New Haven, printed by Sirocco Screenprints, New Haven, with full margins, framed.
17 1/2 x 17 1/2in (44.5 x 44.5cm)
sheet 28 x 28in (71.1 x 71.1cm)

阿伯斯 I-S LXXIIa型

25. 马里尼 莎士比亚二世的马里诺,图版七 高清作品[40%]

Marino from Shakespeare II, Plate VII

图片文件尺寸 : 4782 x 4640px

Marino Marini:Marino from Shakespeare II, Plate VII (Guastalla A218), 1978
Drypoint, aquatint and etching in colors on Arches paper, signed in pencil and annotated \'P.A.\' (one of 20 artist\'s proofs, from the edition of 75 in Arabic plus 50 in Roman numerals), with the blindstamp of the publisher, ZWR, London, printed by Labyrinth, Florence, with full margins.
19 1/4 x 15in (48.9 x 38.1cm)
sheet 30 1/8 x 22 1/4in (76.5 x 56.5cm)

马里尼 莎士比亚二世的马里诺,图版七

26. 詹姆斯·罗森奎斯特 Time Door Time d\'Or,来自《欢迎来到水星球》 高清作品[37%]

Time Door Time d\'Or, from Welcome to the Water Planet

图片文件尺寸 : 5327 x 5852px

James Rosenquist:Time Door Time d\'Or, from Welcome to the Water Planet (Glenn 218), 1989
Colored pressed paper pulp with lithographic collage on two sheets of TGL handmade paper, the collage elements on Rives BFK paper, signed in pencil, titled, dated and numbered 11/28 (there were also 12 artist\'s proofs), with the blindstamp of the publisher/printer, Tyler Graphics Ltd., Mount Kisco, New York, the full sheet, framed.
sheet approx. 98 x by 121in (248.9 x 307.3cm)

詹姆斯·罗森奎斯特 Time Door Time d\'Or,来自《欢迎来到水星球》

27. 未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中 高清作品[37%]

The World\'s Greatest Psychic Sensation Samri S. and Miss Baldwin in Oriental Hypnotic Dream Visions, The White Mahatmas

图片文件尺寸 : 5078 x 5556px

Unknown Artist:The World\'s Greatest Psychic Sensation Samri S. and Miss Baldwin in Oriental Hypnotic Dream Visions, The White Mahatmas (Magic pp. 262–63), c. 1895
Lithograph in colors on 16 wove sheets, printed by Calhoun Print, Hartford, linen-backed, with wooden dowels at the upper and lower sheet edges.
overall 107 x 86in (271.8 x 218.4cm)

未知艺术家 世界上最伟大的心灵感应——桑丽·s和鲍德温小姐在《东方催眠梦幻境》《白色圣女》中

28. 詹姆斯·杰布萨·香农爵士,RA,RBA,RHA 一位女士的肖像,全身站立,身穿奶油色连衣裙,右手放在椅子上 高清作品[36%]

Portrait of a lady, standing full-length, in a cream dress, resting her right hand on a chair

图片文件尺寸 : 4513 x 4005px

Sir James Jebusa Shannon, RA, RBA, RHA:Portrait of a lady, standing full-length, in a cream dress, resting her right hand on a chair
indistinctly signed (lower left); inscribed \'J. J. Shannon Esq. R.A. /Holland Pk. Rd.)\' (on artist\'s label affixed stretcher verso)
oil on canvas
218.5 x 124.5cm (86 x 49in).

詹姆斯·杰布萨·香农爵士,RA,RBA,RHA 一位女士的肖像,全身站立,身穿奶油色连衣裙,右手放在椅子上

29. Cagnaccio di San Pietro-现代 高清作品[35%]

DO-Cagnaccio di San Pietro - Moderne
图片文件像素:5437 x 5205 px

Cagnaccio di San Pietro-现代-

Cagnaccio di San Pietro - Moderne-

(Desenzano del Garda 1897-1946 Venedig)
L’aragosta e l’astice, 1934, signiert und datiert, Öl auf Holz, 58,5 x 80 cm, gerahmt

Provenienz:
Galleria Gomiero, Mailand - Padua
Europäische Privatsammlung

Ausgestellt:
Rom, Seconda Quadriennale d’Arte Nazionale, Palazzo delle Esposizioni, 5. Februar – 31. Juli 1935 (Rückseite Klebezettel)
Rovereto, Un’eterna bellezza. Il canone classico nell’Arte 意大利a del primo Novecento, MART, 2. Juli – 5. November 2017, Ausstellungs Kat. S. 218, Nr. 103 mit Abb.

Notiz:
Eine kleinere, leicht beschnittene Version dieses Gemäldes ist in der folgenden Literatur abgebildet:
AA. VV., Cagnaccio di San Pietro, Katalog der Ausstellung im Museo Correr, Venedig, Electa 1991, Nr. 82 mit Abb.
Claudia Gian Ferrari (Hrsg.), Cagnaccio di San Pietro: la magia dello sguardo, Katalog zur Ausstellung im Palazzo Martinengo, Brescia, 1997, S. 85, Nr. 45 mit Abb.

30. 莎士比亚,威廉。1564-1616. 第一、第二、第三和第四页的标题页集合: 高清作品[34%]

A collection of title leaves from the first, second, third and fourth folios:

图片文件尺寸 : 4563 x 4015px

SHAKESPEARE, WILLIAM. 1564-1616.:A collection of title leaves from the first, second, third and fourth folios:
1. Title leaf, The Second Part of Henry the Fourth, Containing his Death: and the Coronation of King Henry the Fifth, from the 1623 First Folio, leaf f6v, 297 x 198 mm, trimmed at edges, no loss of text.
2. Title leaf, The Comedie of Errors, from the 1632 Second Folio, leaf H1, 329 x 219 mm, minor foxing.
3. Title leaf, As You Like It, from the 1664 Third Folio, leaf Q3, 335 x 218 mm, two neat ink annotations in the margin.
4. Title leaf, The Life of Timon of Athens, from the 1685 Fourth Folio, leaf Aaa1, 341 x 222 mm, ink annotation at head \"Part 3,\" minor soiling.

莎士比亚,威廉。1564-1616. 第一、第二、第三和第四页的标题页集合: