图片文件尺寸 : 4409 x 4375px
Yaacov Agam:Festival (Tapestry), 1982
Wool pile tapestry in colors with signature in black wool on recto, signed in blue ink on label verso, titled, dated and numbered 94/99, with fabric loops at top edge on verso for installation purposes.
83 x 82 1/2in (210.9 x 209.5cm)
亚科夫·阿加姆 节日
图片文件尺寸 : 4158 x 4644px
Eugène Bourgeois:Chamonix- Montenvers / \"Mer de Glace\" (Hillion p. 209), c. 1910
Lithograph in colors on wove paper, printed by Moullot Fils Ainé, Marseille, with margins, framed.
40 1/2 x 28 3/8in (102.9 x 72.1cm)
资产阶级尤金 夏蒙尼-蒙特弗斯/“冰海”
图片文件尺寸 : 5441 x 5594px
Italian School:
The Supper at Emmaus
oil on canvas
155 x 209cm (61 x 82 5/16in).
in a carved and gilt frame
意大利学校 在伊曼纽斯的晚餐在雕刻和镀金框架
图片文件尺寸 : 4493 x 3833px
Dylan Lewis:
\'Walking Tiger Maquette\' (S209)
signed and numbered \'Dylan Lewis 2/15\' (to base)
bronze
35 x 43 x 12cm (13 3/4 x 16 15/16 x 4 3/4in).
迪伦·刘易斯 “行走的老虎马奎特”35 x 43 x 12厘米。
图片文件尺寸 : 4751 x 4154px
Roy Lichtenstein:Yellow Brushstroke (Corlett 209), 1985
Photoetching in colors on Rives BFK, signed in pencil, dated and numbered AP 8/11 (an artist\'s proof, aside from the edition of 40), published by the artist and Gemini G.E.L., Los Angeles, for the Brooklyn Academy of Music, with the blindstamp of the printer Gemini G.E.L., Los Angeles, with full margins, framed.
23 1/2 x 12 3/4in (59.7 x 32.4cm)
sheet 31 x 19 7/8in (78.7 x 50.5cm)
罗伊·利希滕斯坦 黄色画笔
图片文件尺寸 : 5208 x 4765px
David Hockney:Illustrations for Fourteen Poems by C.P. Cavafy (Scottish Arts Council 47-59; Museum of Contemporary Art Tokyo 47-59), 1967
The complete portfolio comprising 12 etchings with aquatint, 1966-67, with title page, text by C. P. Cavafy, and justification, this copy Edition A, signed in pencil and numbered 209/500, published by Editions Alecto, London, on Crisbrook handmade paper, bound (as issued), contained in red cloth-covered boards and black slipcase.
overall 18 5/8 x 13 1/4 x 1 1/8in (47.3 x 33.6 x 2.8cm)
大卫·霍克尼 C.P.卡瓦菲十四首诗插图
图片文件尺寸 : 3970 x 5977px
Salvador Dalí:Poèmes de Mao-Tse-Toung (Field 67-1, Michler/Löpsinger 209-216), 1967
The complete portfolio, comprising 8 etchings on Arches paper with artist\'s embossed signature, loose (as issued), signed in pencil and dated on the justification (aside from the total edition of 229), published by Éditions Argillet, Paris, signed again in pencil opposite the title page, dated, dedicated \'Pour Jean Pierre Martin...\' and with drawing, each sheet with full margins, contained in original blue linen portfolio with embossed signature and clamshell box.
each sheet 15 x 11 1/8in (38.1 x 28.3cm)
box 15 3/4 x 11 7/8 x 1 3/4in (40 x 30.2 x 4.4cm)
萨尔瓦多·达利 毛泽东诗歌
图片文件像素：4600 x 3500 px
古斯塔夫·克里姆特-现代-
-
(Wien 1862–1918)
Damenbrustbild nach rechts, den Kopf nach vorne gedreht, Porträtzeichnung zum Gemälde „Bildnis Ria Munk III“ 1917/18 unvollständig - (Novotny-Dobai Nr. 209, Weidinger Nr. 246 - dort mit dem Titel Damenbildnis bzw. Frauenbildnis, Natter Nr. 236), signiert (oval) Gustav Klimt, Bleistift, roter und blauer Farbstift auf Papier, 50 x 32,5 cm, Passep.-Ausschnitt 48 x 31 cm, gerahmt
Alice Strobl, Gustav Klimt, Die Zeichnungen 1912–1918, Bd. III, Verlag Galerie Welz, 1984, S. 126/2627, S. 127 Abb.
Vermerkt unter Strobl Nr. 2627:
Signiert re. oben: „Gustav Klimt“ (oval) (von fremder Hand?)
Marian Bisanz-Prakken hat diese Zeichnung im Frühjahr 2022 im Original untersucht - die Signatur stammt von Gustav Klimt.
图片文件尺寸 : 4972 x 4843px
HOLBEIN, HANS, THE YOUNGER. 1497-1543.:Icones historiarum Veteris Testamenti. Lyon: J. Frellon, 1547.
Small 4to (150 x 100 mm). Text in Latin and French, 94 woodcuts after Holbein, 4 portraits of evangelists by another artist at back. 20th century vellum. Lacking colophon leaf, chipping to lower edge with paper repairs to first 5 leaves, not affecting text, light browning.
Fourth edition of this work, first published in 1538, with preface, postscript and verses by Gilles Corrozet, as well as a Latin preface by Nicolas Bourbon. The woodcuts were prepared by Hans Lutzelberger after drawings by Holbein, and were also used in three folio editions of the Bible published by Frellon. Adams B-1963; Bruent III, 252; Baudrier V, 209; Hollstein 14A, 100; Mortimer French 281; USTC 79186.
霍尔拜因，汉斯，年轻一点。1497-1543. Icones Historiarum Veteris Testamenti。里昂：J。弗雷隆，1547年。
图片文件尺寸 : 4018 x 4668px
RÖSEL VON ROSENHOF, AUGUST JOHANN. 1705-1759.:Der monatlich-herausgegebenen Insecten-Belustigung. Nuremburg: Johann Joseph Fleischman, 1746-1761.
WITH: RÖSEL VON ROSENHOF, AUGUST JOHANN; KATHARINA BARABARA RÖSEL VON ROSENHOF; and CHRISTIAN FRIEDRICH CARL KLEEMANN. Der beyträge zur Natur-oder Insecten-Geschichte erster Theil. [Nuremburg: 1776].
Together, 5 volumes. 4to (209 x 174 mm). Hand-colored engraved frontispiece in volume I, hand-colored engraved half-titles in volumes II and III (with additional engraved section half-title after p 432 in volume III), engraved portrait in volume IV; 247 hand-colored engraved plates in volumes I-IV, some with two illustrations per plate, and 44 additional plates in the second work (volume V). Modern quarter tan morocco and marbled boards, tissue guards. Browning, foxing, and minor offsetting throughout; marginal dampstaining to volume V.
RÖSEL VON ROSENHOF\'S COMPLETE WORKS ON INSECTS, including the much rarer posthumous work, completed by his daughter Katharina and her husband, artist and astronomer Christian Friedrich Carl Kleemann. Born to an aristocratic family in Austria, August Johann Rösel was raised by his uncle, noted animal painter Wilhelm Rösel von Rosenhof, from whom he inherited the \"von Rosenhof\" title. His observations in this work cover marine invertebrates as well as insects, and his detailed classifications made him a pioneer among European entomologists, influencing Carl Linnaeus, among others. Nissen ZBI 3466 and 2201.
奥塞尔·冯·罗森霍夫（RÖSEL von ROSENHOF），8月JOHANN。1705-1759. 每月的昆虫娱乐。纽伦堡：约翰·约瑟夫·弗莱斯曼，1746-1761年。
图片文件尺寸 : 4409 x 4375px
Yaacov Agam:Festival (Tapestry), 1982
Wool pile tapestry in colors with signature in black wool on recto, signed in blue ink on label verso, titled, dated and numbered 94/99, with fabric loops at top edge on verso for installation purposes.
83 x 82 1/2in (210.9 x 209.5cm)
亚科夫·阿加姆 节日
图片文件尺寸 : 4158 x 4644px
Eugène Bourgeois:Chamonix- Montenvers / \"Mer de Glace\" (Hillion p. 209), c. 1910
Lithograph in colors on wove paper, printed by Moullot Fils Ainé, Marseille, with margins, framed.
40 1/2 x 28 3/8in (102.9 x 72.1cm)
资产阶级尤金 夏蒙尼-蒙特弗斯/“冰海”
图片文件尺寸 : 5441 x 5594px
Italian School:
The Supper at Emmaus
oil on canvas
155 x 209cm (61 x 82 5/16in).
in a carved and gilt frame
意大利学校 在伊曼纽斯的晚餐在雕刻和镀金框架
图片文件尺寸 : 4493 x 3833px
Dylan Lewis:
\'Walking Tiger Maquette\' (S209)
signed and numbered \'Dylan Lewis 2/15\' (to base)
bronze
35 x 43 x 12cm (13 3/4 x 16 15/16 x 4 3/4in).
迪伦·刘易斯 “行走的老虎马奎特”35 x 43 x 12厘米。
图片文件尺寸 : 4751 x 4154px
Roy Lichtenstein:Yellow Brushstroke (Corlett 209), 1985
Photoetching in colors on Rives BFK, signed in pencil, dated and numbered AP 8/11 (an artist\'s proof, aside from the edition of 40), published by the artist and Gemini G.E.L., Los Angeles, for the Brooklyn Academy of Music, with the blindstamp of the printer Gemini G.E.L., Los Angeles, with full margins, framed.
23 1/2 x 12 3/4in (59.7 x 32.4cm)
sheet 31 x 19 7/8in (78.7 x 50.5cm)
罗伊·利希滕斯坦 黄色画笔
图片文件尺寸 : 5208 x 4765px
David Hockney:Illustrations for Fourteen Poems by C.P. Cavafy (Scottish Arts Council 47-59; Museum of Contemporary Art Tokyo 47-59), 1967
The complete portfolio comprising 12 etchings with aquatint, 1966-67, with title page, text by C. P. Cavafy, and justification, this copy Edition A, signed in pencil and numbered 209/500, published by Editions Alecto, London, on Crisbrook handmade paper, bound (as issued), contained in red cloth-covered boards and black slipcase.
overall 18 5/8 x 13 1/4 x 1 1/8in (47.3 x 33.6 x 2.8cm)
大卫·霍克尼 C.P.卡瓦菲十四首诗插图
图片文件尺寸 : 3970 x 5977px
Salvador Dalí:Poèmes de Mao-Tse-Toung (Field 67-1, Michler/Löpsinger 209-216), 1967
The complete portfolio, comprising 8 etchings on Arches paper with artist\'s embossed signature, loose (as issued), signed in pencil and dated on the justification (aside from the total edition of 229), published by Éditions Argillet, Paris, signed again in pencil opposite the title page, dated, dedicated \'Pour Jean Pierre Martin...\' and with drawing, each sheet with full margins, contained in original blue linen portfolio with embossed signature and clamshell box.
each sheet 15 x 11 1/8in (38.1 x 28.3cm)
box 15 3/4 x 11 7/8 x 1 3/4in (40 x 30.2 x 4.4cm)
萨尔瓦多·达利 毛泽东诗歌
图片文件像素：4600 x 3500 px
古斯塔夫·克里姆特-现代-
-
(Wien 1862–1918)
Damenbrustbild nach rechts, den Kopf nach vorne gedreht, Porträtzeichnung zum Gemälde „Bildnis Ria Munk III“ 1917/18 unvollständig - (Novotny-Dobai Nr. 209, Weidinger Nr. 246 - dort mit dem Titel Damenbildnis bzw. Frauenbildnis, Natter Nr. 236), signiert (oval) Gustav Klimt, Bleistift, roter und blauer Farbstift auf Papier, 50 x 32,5 cm, Passep.-Ausschnitt 48 x 31 cm, gerahmt
Alice Strobl, Gustav Klimt, Die Zeichnungen 1912–1918, Bd. III, Verlag Galerie Welz, 1984, S. 126/2627, S. 127 Abb.
Vermerkt unter Strobl Nr. 2627:
Signiert re. oben: „Gustav Klimt“ (oval) (von fremder Hand?)
Marian Bisanz-Prakken hat diese Zeichnung im Frühjahr 2022 im Original untersucht - die Signatur stammt von Gustav Klimt.
图片文件尺寸 : 4972 x 4843px
HOLBEIN, HANS, THE YOUNGER. 1497-1543.:Icones historiarum Veteris Testamenti. Lyon: J. Frellon, 1547.
Small 4to (150 x 100 mm). Text in Latin and French, 94 woodcuts after Holbein, 4 portraits of evangelists by another artist at back. 20th century vellum. Lacking colophon leaf, chipping to lower edge with paper repairs to first 5 leaves, not affecting text, light browning.
Fourth edition of this work, first published in 1538, with preface, postscript and verses by Gilles Corrozet, as well as a Latin preface by Nicolas Bourbon. The woodcuts were prepared by Hans Lutzelberger after drawings by Holbein, and were also used in three folio editions of the Bible published by Frellon. Adams B-1963; Bruent III, 252; Baudrier V, 209; Hollstein 14A, 100; Mortimer French 281; USTC 79186.
霍尔拜因，汉斯，年轻一点。1497-1543. Icones Historiarum Veteris Testamenti。里昂：J。弗雷隆，1547年。
图片文件尺寸 : 4018 x 4668px
RÖSEL VON ROSENHOF, AUGUST JOHANN. 1705-1759.:Der monatlich-herausgegebenen Insecten-Belustigung. Nuremburg: Johann Joseph Fleischman, 1746-1761.
WITH: RÖSEL VON ROSENHOF, AUGUST JOHANN; KATHARINA BARABARA RÖSEL VON ROSENHOF; and CHRISTIAN FRIEDRICH CARL KLEEMANN. Der beyträge zur Natur-oder Insecten-Geschichte erster Theil. [Nuremburg: 1776].
Together, 5 volumes. 4to (209 x 174 mm). Hand-colored engraved frontispiece in volume I, hand-colored engraved half-titles in volumes II and III (with additional engraved section half-title after p 432 in volume III), engraved portrait in volume IV; 247 hand-colored engraved plates in volumes I-IV, some with two illustrations per plate, and 44 additional plates in the second work (volume V). Modern quarter tan morocco and marbled boards, tissue guards. Browning, foxing, and minor offsetting throughout; marginal dampstaining to volume V.
RÖSEL VON ROSENHOF\'S COMPLETE WORKS ON INSECTS, including the much rarer posthumous work, completed by his daughter Katharina and her husband, artist and astronomer Christian Friedrich Carl Kleemann. Born to an aristocratic family in Austria, August Johann Rösel was raised by his uncle, noted animal painter Wilhelm Rösel von Rosenhof, from whom he inherited the \"von Rosenhof\" title. His observations in this work cover marine invertebrates as well as insects, and his detailed classifications made him a pioneer among European entomologists, influencing Carl Linnaeus, among others. Nissen ZBI 3466 and 2201.
奥塞尔·冯·罗森霍夫（RÖSEL von ROSENHOF），8月JOHANN。1705-1759. 每月的昆虫娱乐。纽伦堡：约翰·约瑟夫·弗莱斯曼，1746-1761年。