材质 : Woodcut
图片文件尺寸 : 6263 x 3980 px
Totentanz-1 Bll. Totentanz (Imago mortis, H. Schedel). 1493.
死亡之舞-1模糊Totentanz(Imago mortis,H.Schedel)。1493
大约有84幅作品符合查询(搜索耗时:0.0233秒)
图片文件尺寸 : 4900 x 4156px
PARACELSUS. 1493-1541.:AMMAN, JOST, illustrator. Opus Chyrurgicum. Frankfurt am Mayn: Martin Lechler, 1566 [colophon states 1565]. 4to (290 x 190 mm). 35 woodcut medical engravings (including woodcut portrait on title page), from 13 woodblocks (many signed \"JA\" for Joost Amman). Recent half-morocco over cloth. Some light dampstaining, thin ink stains at lower margin of last several leaves, browning.
EARLY ISSUE OF THE JOST AMMAN EDITION OF PARACELSUS\'S WORKS. Philippus Aureolus Theophrastus Bombastus von Hohenheim, who wrote under the pen name Paracelsus, was a Renaissance pioneer of medicine as well as an astronomer and alchemist. A native of Switzerland, he was educated in Basel, Vienna, and Ferrara, and traveled extensively throughout Europe during his life as an itinerant physician. He is credited with establishing the role of chemistry in medicine, and is sometimes referred to as the \"father of toxicology.\" He recorded the first clinical descriptions of syphilis and epilepsy, and advocated the humane treatment of the mentally ill in an era when they were believed to be possessed by demons. His controversial views alienated both publishers and other physicians, and many of the ideas he proposed were not accepted as medical orthodoxy until hundreds of years after his death. Durling 3464; Sudhoff 62 (both for first edition).
扑热息痛。1493-1541. Chyrurgicum歌剧院。法兰克福:马丁·勒克勒,1566年[科隆州1565年]。
图片文件尺寸 : 5375 x 4699px
PARACELSUS. 1493-1541.:5 titles:
1. Drei Bücher Von wunden und schäden, sampt allen jren zufellen, und derselben vollkommener Cur, Des Hochgelarten unnd weitberhümpten. Frankfurt: Christian Egenolffs Erben, 1565. 8vo (148 x 93 mm). Title page printed in red and black. Modern quarter calf and marbled boards. Lacking final blank, browning, wormhole through upper corner margin of several leaves, some ink marginalia. Second (first 8vo) edition.
2. Des Hochgelehrte und hocherfahrnen Herren ... etliche Tractaten zum ander mal in Truck außgangen. WITH: Medici libelli ... vorhin niemals in Truck ausgangen. Cologne: Arnold Birckman heirs, 1567. 2 volumes. Small 4to (189 x 150 mm). Woodcut portraits in both volumes, woodcut border on first work title page. Modern brown morocco. Some worming through portrait and a few other leaves of first volume, lacking final blank of first volume. Second edition of the first work, and first edition of the second work, bound as a set. Durling 3478; Sudhoff 92 (first work); Sudhoff 87; Wellcome I, 4759 (second work).
3. Metamorphosis Theophrasti Paracelsi. [Berne: Perna-Waldkirch], 1584. 8vo (155 x 103 mm). Contemporary vellum. Staining, warping, and a few repairs to vellum; some paper repairs to margins with slight loss of text, dampstaining. Reprint of the 1574 edition. Sudhoff 204.
4. Aureum vellus, oder guldin Schatz und Kunstkammer.... Rorschach: [Leonhard Straub], 1598. Part 1 of 3 only. Small 4to (184 x 148 mm). Title page in red and black, woodcut illustrations in text. Modern half green morocco and marbled boards. Margins slightly trimmed, light dampstaining, browning and spotting. Caillet 10840; Durling, NLM 3519; Ferguson II, 469; Wellcome 6357.
5. Opera. Bücher und Schrifften.... Strassbourg: Lazarus Zetzner, 1616. Volume 1 (of 2) only. Folio (323 x 204 mm). 1127 pages. Title page in red and black with historiated woodcut border. Modern calf antique, cloth-covered slipcase. Browning, minor dampstaining, library stamps (Bibl. Bernhard Vrat.), a few leaves with marginal worming. Second Strassbourg edition, reprinting the first collected folio edition of 1603. Krivatsy 8558; Sudhoff 300; Wellcome I, 4809.
扑热息痛。1493-1541. 5个标题:
图片文件尺寸 : 5043 x 4532px
MUNDINUS (DI LUZZI, MONDINO). 1275–1326.:MELLERSTADT, MARTINUS, editor. c.1455-1513. Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]
4to (200 x 140 mm). 40 leaves, 34 lines, title with full-page woodcut of an anatomical scene. Modern calf antique. Inner margin of title neatly reinforced, tiny repair to blank outer margin of last leaf, illegible old library stamp to lower margin of title page, scattered light browning, mostly marginal.
FIRST ILLUSTRATED EDITION OF THE FIRST DEDICATED ANATOMY BOOK. \"The first modern book devoted solely to anatomy ... Mundinus re-introduced human dissection, which had been neglected for 1500 years before him; he was the most noted dissector of his period, and he set forth the medieval anatomical vocabulary, deriving it mainly from Arabic\" (Garrison). Mondino de\' Luzzi, professor at Bologna, is considered to be the founder of anatomy in the Middle Ages. His treatise remained popular until the beginning of the 16th-century and appeared in multiple editions.
\"The subject of anatomy was not taught either by lectures or by dissection in the universities at the middle of the fifteenth century. An occasional \'anatomy\' was held, but the neglect of the subject is well illustrated by the absence of anatomical books. There is only one in the list, that of Mundinus . . . Mundinus was a professor at Bologna from 1306 to 1326, and was the first to teach anatomy from the subject, usually the corpse of a condemned criminal; but there is the record of a procedure in 1319 against four medical students for body-snatching. His Anatomia, written in 1316, was for two hundred years the popular text book\" (Osler).
In the introduction of the book, Mundinus says, \"proposui meis scholaribus in medicina quoddam opus componere, \'I have proposed to compose a work in medicine for my scholars.\" The work \"met a need universally felt just at that time and commended itself for its brevity, conciseness, and completeness, as well as for the fact that it taught for each separate organ the necessary anatomic technique, as. for example, in the first chapter: \'Situato itaque corpore vel homine mortuo per decollationem vel suspensionem supino\', etc., \'accordingly, laying out the body of a man dead by decapitation or hanging, etc....\" (Choulant). VERY RARE: According to American Book Prices Current no copy sold in the past 42 years. Choulant-Frank History and Bibliography of Anatomic Illustration (Chicago 1920, pp 88-93); Garrison-Morton-Norman 361 (for the 1478 edition); Goff M-874; GW M-25671 (recording only 2 copies/fragments); Hain 11633; see Osler Incunabula Medica 156; Wellcome I, 4484.
蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。]
图片文件尺寸 : 4242 x 3809px
NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).
FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.
纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。
大约有84幅作品符合查询(搜索耗时:0.0233秒)
图片文件尺寸 : 4900 x 4156px
PARACELSUS. 1493-1541.:AMMAN, JOST, illustrator. Opus Chyrurgicum. Frankfurt am Mayn: Martin Lechler, 1566 [colophon states 1565]. 4to (290 x 190 mm). 35 woodcut medical engravings (including woodcut portrait on title page), from 13 woodblocks (many signed \"JA\" for Joost Amman). Recent half-morocco over cloth. Some light dampstaining, thin ink stains at lower margin of last several leaves, browning.
EARLY ISSUE OF THE JOST AMMAN EDITION OF PARACELSUS\'S WORKS. Philippus Aureolus Theophrastus Bombastus von Hohenheim, who wrote under the pen name Paracelsus, was a Renaissance pioneer of medicine as well as an astronomer and alchemist. A native of Switzerland, he was educated in Basel, Vienna, and Ferrara, and traveled extensively throughout Europe during his life as an itinerant physician. He is credited with establishing the role of chemistry in medicine, and is sometimes referred to as the \"father of toxicology.\" He recorded the first clinical descriptions of syphilis and epilepsy, and advocated the humane treatment of the mentally ill in an era when they were believed to be possessed by demons. His controversial views alienated both publishers and other physicians, and many of the ideas he proposed were not accepted as medical orthodoxy until hundreds of years after his death. Durling 3464; Sudhoff 62 (both for first edition).
扑热息痛。1493-1541. Chyrurgicum歌剧院。法兰克福:马丁·勒克勒,1566年[科隆州1565年]。
图片文件尺寸 : 5375 x 4699px
PARACELSUS. 1493-1541.:5 titles:
1. Drei Bücher Von wunden und schäden, sampt allen jren zufellen, und derselben vollkommener Cur, Des Hochgelarten unnd weitberhümpten. Frankfurt: Christian Egenolffs Erben, 1565. 8vo (148 x 93 mm). Title page printed in red and black. Modern quarter calf and marbled boards. Lacking final blank, browning, wormhole through upper corner margin of several leaves, some ink marginalia. Second (first 8vo) edition.
2. Des Hochgelehrte und hocherfahrnen Herren ... etliche Tractaten zum ander mal in Truck außgangen. WITH: Medici libelli ... vorhin niemals in Truck ausgangen. Cologne: Arnold Birckman heirs, 1567. 2 volumes. Small 4to (189 x 150 mm). Woodcut portraits in both volumes, woodcut border on first work title page. Modern brown morocco. Some worming through portrait and a few other leaves of first volume, lacking final blank of first volume. Second edition of the first work, and first edition of the second work, bound as a set. Durling 3478; Sudhoff 92 (first work); Sudhoff 87; Wellcome I, 4759 (second work).
3. Metamorphosis Theophrasti Paracelsi. [Berne: Perna-Waldkirch], 1584. 8vo (155 x 103 mm). Contemporary vellum. Staining, warping, and a few repairs to vellum; some paper repairs to margins with slight loss of text, dampstaining. Reprint of the 1574 edition. Sudhoff 204.
4. Aureum vellus, oder guldin Schatz und Kunstkammer.... Rorschach: [Leonhard Straub], 1598. Part 1 of 3 only. Small 4to (184 x 148 mm). Title page in red and black, woodcut illustrations in text. Modern half green morocco and marbled boards. Margins slightly trimmed, light dampstaining, browning and spotting. Caillet 10840; Durling, NLM 3519; Ferguson II, 469; Wellcome 6357.
5. Opera. Bücher und Schrifften.... Strassbourg: Lazarus Zetzner, 1616. Volume 1 (of 2) only. Folio (323 x 204 mm). 1127 pages. Title page in red and black with historiated woodcut border. Modern calf antique, cloth-covered slipcase. Browning, minor dampstaining, library stamps (Bibl. Bernhard Vrat.), a few leaves with marginal worming. Second Strassbourg edition, reprinting the first collected folio edition of 1603. Krivatsy 8558; Sudhoff 300; Wellcome I, 4809.
扑热息痛。1493-1541. 5个标题:
图片文件尺寸 : 5043 x 4532px
MUNDINUS (DI LUZZI, MONDINO). 1275–1326.:MELLERSTADT, MARTINUS, editor. c.1455-1513. Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]
4to (200 x 140 mm). 40 leaves, 34 lines, title with full-page woodcut of an anatomical scene. Modern calf antique. Inner margin of title neatly reinforced, tiny repair to blank outer margin of last leaf, illegible old library stamp to lower margin of title page, scattered light browning, mostly marginal.
FIRST ILLUSTRATED EDITION OF THE FIRST DEDICATED ANATOMY BOOK. \"The first modern book devoted solely to anatomy ... Mundinus re-introduced human dissection, which had been neglected for 1500 years before him; he was the most noted dissector of his period, and he set forth the medieval anatomical vocabulary, deriving it mainly from Arabic\" (Garrison). Mondino de\' Luzzi, professor at Bologna, is considered to be the founder of anatomy in the Middle Ages. His treatise remained popular until the beginning of the 16th-century and appeared in multiple editions.
\"The subject of anatomy was not taught either by lectures or by dissection in the universities at the middle of the fifteenth century. An occasional \'anatomy\' was held, but the neglect of the subject is well illustrated by the absence of anatomical books. There is only one in the list, that of Mundinus . . . Mundinus was a professor at Bologna from 1306 to 1326, and was the first to teach anatomy from the subject, usually the corpse of a condemned criminal; but there is the record of a procedure in 1319 against four medical students for body-snatching. His Anatomia, written in 1316, was for two hundred years the popular text book\" (Osler).
In the introduction of the book, Mundinus says, \"proposui meis scholaribus in medicina quoddam opus componere, \'I have proposed to compose a work in medicine for my scholars.\" The work \"met a need universally felt just at that time and commended itself for its brevity, conciseness, and completeness, as well as for the fact that it taught for each separate organ the necessary anatomic technique, as. for example, in the first chapter: \'Situato itaque corpore vel homine mortuo per decollationem vel suspensionem supino\', etc., \'accordingly, laying out the body of a man dead by decapitation or hanging, etc....\" (Choulant). VERY RARE: According to American Book Prices Current no copy sold in the past 42 years. Choulant-Frank History and Bibliography of Anatomic Illustration (Chicago 1920, pp 88-93); Garrison-Morton-Norman 361 (for the 1478 edition); Goff M-874; GW M-25671 (recording only 2 copies/fragments); Hain 11633; see Osler Incunabula Medica 156; Wellcome I, 4484.
蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。]
图片文件尺寸 : 4242 x 3809px
NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).
FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.
纽伦堡编年史。 Liber chronicarum[德语:《克洛诺斯和故事书》]。纽伦堡:Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister,1493年12月23日。