图片文件尺寸 : 4803 x 4156px

YAMAKAWA SHUHO (1898-1944):A standing beauty
Showa era (1926-1989)
The hanging scroll in ink, colors, and gold on silk, the beauty dressed in a horizontally striped and pattered kimono with her back to the viewer, showing off her elaborately tied obi sash, stands below a branch of flowering cherry blossoms, and holds another branch in her hands, while dandelions bloom around her feet, signed Shuho and sealed Shuho
With wood tomobako storage box and cardboard box sleeve
45 1/2 x 12 1/4in (115.6 x 31.1cm)

山川树浩（1898-1944） 站立的美丽昭和时代

图片文件尺寸 : 4234 x 4885px

KAWASE HASUI (1883-1957):One oban yoko-e print and one oban tate-e print
Showa era (1926-1989), 1947
The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Kintaibashi no shunsho (Spring Evening at Kintai Bridge); both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 10 1/2 x 15 1/4in (26.6 x 38.8cm); the second, 15 7/16 x 10 5/8in (39.2 x 26.9cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1947年

图片文件尺寸 : 4741 x 4286px

KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1929年

图片文件尺寸 : 4778 x 5216px

NARITA MORIKANE (DATES UNKNOWN):Two woodblock prints
Showa era (1926-1989), 1931
Each an oban tate-e, the first depicting a beauty combing her hair by a river, her kimono hanging on a branch beside her, the second depicting a beauty applying a red band to her upper arm, both form the series Adesugata Nijushi ko (24 Figures of Charming Women), each signed and sealed Morikane, and with publisher\'s seal Yamase (2)
16 x 11 1/8in (40.6 x 28.2cm)

纳瑞塔·莫里凯恩（日期不详） 两幅木版印刷品《昭和时代》，1931年

图片文件尺寸 : 5138 x 5689px

DOMOTO INSHO (1891-1975):Dagyo
Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century
Ink, colors, and gold on silk depicting a beauty dressed as a wakushu (dandy) strolling with a parasol, signed Insho sei and sealed Insho
With a wood tomobako storage box with attestation inscription on the interior of the lid by Miwa Akihisa (....) and registration serial number ma-30 issued by the Domoto Insho Authentication Committee
51 1/16 x 10 1/16in (129.7 x 25.6cm)

DOMOTO INSHO（1891-1975） 大吉大正或昭和，20世纪早期/中期

图片文件尺寸 : 4843 x 4135px

KAWASE HASUI (1883-1957):Two oban tate-e prints
Showa era (1926-1989), 1947
The first, entitled Mino no Tanigumidera (Tanigumi Temple of Mino); the second entitled Kintaibashi no Shunsho (Spring Evening at Kintai Bridge), with Kintai-bashi in Spring, near Hiroshima Hasui Kawase written in pencil; both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 15 7/16 x 10 3/8in (38.2 x 26.3cm); the second, 14 15/16 x 10 3/8in (38 x 26.3cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1947年，两幅欧本州的版画

图片文件尺寸 : 4190 x 3815px

KAWASE HASUI (1883-1957):Three oban tate-e prints
Showa era (1926-1989), 1931-1948
The first, entitled Meguro Fudodo (The Fudo Hall of Meguro), dated 1931; the second, entitled Okayama no Kanetsukido (The Bell Tower of Okayama), dated 1947; the third, entitled Haru no Yu (Ueno Toshogu) (Spring Evening (Ueno Tosho-gu Shrine)), dated 1948, with Evening in Spring at Uyeno Park, Tokyo Hasui Kawase written in pencil; all published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (3)
The first, 15 5/8 x 10 9/16in (39.7 x 26.8cm); the second, 15 5/16 x 10 3/8in (38.9 x 26.4cm); the third, 14 15/16 x 10 3/8in (38 x 26.4cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1931-1948年

图片文件尺寸 : 5180 x 5260px

YOSHIDA HIROSHI (1876-1950):Two oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1928-1933
The first, entitled Sarusawa ike (Sarusawa Pond), dated 1933, signed Hiroshi Yoshida with jizuri seal; the second, entitled Kono Matsuri (\"Country Holiday\" Festival at Kono), dated 1933, signed Hiroshi Yoshida; the third, entitled Kingyo sukui (Scooping Up Goldfish) from the series Tokyo junidai (12 Scenes of Tokyo), dated 1928, signed Yoshida, with jizuri seal (3)
The first, 16 x 10 3/4in (40.6 x 27.3cm); the second, 15 3/4 x 10 1/2in (40 x 26.7cm); the third, 10 5/8 x 15 13/16in (27 x 40.2cm)

吉田广史（1876-1950） 昭和时代，1928-1933年

图片文件尺寸 : 5072 x 4080px

IIZUKA HOSAI II (1872–1934) OR IIZUKA ROKANSAI (1890–1958):A bamboo flower basket
Showa era (1926-1989), late 1920s/early 1930s
Of madake (timber bamboo) with applications of dust and lacquer, worked in diagonal free-style and bundled plaiting and wrapping, signed on a cross bar on the base Hosai Sanjin (Hosai the Recluse); with an otoshi (water container) formed from a stem of bamboo and cut with vertical striations
11 1/2in (29.2cm) high

IIZUKA HOSAI II（1872–1934）或IIZUKA ROKANSAI（1890–1958） 竹篮昭和时代，20世纪20年代末/30年代初

图片文件尺寸 : 5218 x 4867px

PAUL JACOULET (1902-1960):One large horizontal print and one large vertical print
Showa era (1926-1989), 1948
The first, entitled Fumees de Santal. Mandchoukuo (Sandalwood Smoke), carved by Maeda Kentaro, printed by Uchikawa Matashiro, mitsu tomoe seal, with edition number 229/250 on verso; the second, entitled Longevite. Coree-Moppo (Longevity. Moppo, Korea), carved by Maeda Kentaro, printed by Ogawa Fusakichi, peach seal, with edition number 210/350 on verso; both signed in pencil Paul Jacoulet (2)
The first, 14 x 18 5/8in (35.6 x 47.3cm), the second, 18 1/2 x 14 1/4in (47 x 36.2cm)

保罗·雅克莱特（1902-1960） 一幅大型横印和一幅大型竖印昭和时代，1948年