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ASTROLOGY: ILLUSTRATED MANUSCRIPT.:Illustrated Astrological Manuscript in Cyrillic, with numerous astrological charts, 14 handcut and illustrated volvelles, 18th-century, 149 x 94 mm, 297 leaves, written recto and verso, red and black ink on paper, printed folding table inserted in front (\"These are the print letters/These are the letters used in writting [sic]\" from The Russian Catechism, London: Meadows, 1725), numerous astrological charts and illustrations, including the volvelles (some appear to be lacking), modern green morocco stamped in black, custom chemise and slipcase.
Provenance: R.D. Combe (ink stamp to front matter).

This eighteenth-century astrological manuscript contains information on astrology including tables and zodiacal charcts, as well as palmistry. There are 14 working handcut volvelles throughout, while on numerous others the inner wheel is no longer present.

占星术：插图手稿。 西里尔字母占星手稿插图，有许多占星图表，14个手绘和插图，

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BARLOW, FRANCIS. C.1626-1704. :Varia Quadrupedum Species Accuratissime Delineatae. [London]: E. Cooper, C.1695.
BOUND WITH: Diversae Avium Species studiosissime ad vitam delineatae.
Oblong 4to (185 x 275 mm). The first title in 2 parts, with separate engraved title pages, 22 engraved plates; second title with engraved title page by Gaywood, and 11 engraved plates of birds, as well as 10 engraved plates of insects from another work. Rebacked 18th century gilt-ruled calf, spine gilt-ruled with 5 raised bands, titled in gilt. Joints cracking, edges and corners rubbed, scattered foxing and spotting, one insect plate with repaired tear into center of image.

Contains sixteen plates engraved by Wenceslas Hollar after drawings by Barlow. Francis Barlow was a prolific illustrator and artist, particularly known for his scenes of nature and hunting.

弗朗西斯·巴洛。C、 1626-1704年。 各种精确的四英尺物种。[伦敦]：E.Cooper，C.1695。

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卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Bluviola, 1972, signed; signed and dated on the reverse, casein on canvas, 60 x 68 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale, Finarte, 28 March 1995, lot 105
Galleria Russo, Rome (stamp on the reverse)
European Private Collection

Literature:
G. Celant, Carla Accardi, Charta, Milan 1999, p. 339, no. 1972 22 with ill.

More than colors I have always loved the way they match, as well as the light they give off. Even my white-black phase was a period of light, this contrast, just like in my mother’s saltworks in Trapani, a truly blinding sort of light.

When I used red with green, and sometimes even pink with light blue, the two colors had to have the same strength and couldn’t be complementary.
This way they struggle against one other and create light.
Carla Accardi in A.M Boetti, Lo specchio ardente, in Data, Milan no. 18, 1975

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JUDAICA.:2 titles including Maimonides and Ibn Ben Ezra:
1. [IBN EZRA, ABRAHAM BEN ME\'IR. 1092-1167.] GUARICUS, LUCAS, 1476-1558. Translator. Tractatus de nativitatibus per Lucam Gauricum. Rome: Valerius and Aloisius Doricus, 1545. 4to (206 x 140 mm). Woodcut tables and charts in text. Modern quarter vellum and marbled boards. Several leaves with paper repairs, dampstaining, some ink marginalia. Latin translation of Sefer ham-moladot by 12th-century Spanish-Jewish astronomer (as well as poet and scholar) Ibn Ezra, illustrated with woodcut astrological tables. Houzeau/ Lancaster 3908.
2. MAIMONIDES, MOSES. 1135-1204. De idololatria liber. Amsterdam: Johann and Cornelius Blaeu, 1642.
4to (192 x 146 mm). Woodcut printer\'s device on title page, text in Hebrew and Latin. Modern quarter morocco and marbled boards. Several leaves with repaired chipping at edges, browning, some light dampstaining. FIRST EDITION, translated into Latin by Dionies Vos (1612-1633) from Maimonides\' Mishneh Torah. Rare in this edition, with none found at American Book Prices Current since 1980. Cowley p 476; Zedner p 584.

犹大。 2个标题，包括Maimonides和Ibn Ben Ezra：

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WELLING, GEORGE VON (SALLWIGT, GREGORIUS ANGLUS). 1652-1727.:Opus mago-cabalisticum. Frankfurt: Anton Heidscheidt, 1719.
Folio (342 x 207 mm). 10 engraved plates (2 engraved on the verso of another plate, some folding). Modern quarter morocco and marbled boards. A few underlined passages, toning and minor spotting.

FIRST EDITION, eventually completed with the posthumous publication of the second edition in 1735. Often believed to have been used as a resource by Goethe during the writing of Faust, this treatise on alchemy, cosmology, and necromancy expands beyond the transmutation of metals (considered to be the primary focus of alchemy), into a complete philosophical-cosmological system, based on the Kabbalah. It also influenced the ideas of the Rosicrucian movement and the American Society of Harmony, founded by Georg Rapp in 1805.

乔治·冯·威林（索尔威特，格雷戈里斯·安格鲁斯）。1652-1727. 卡巴利斯蒂姆歌剧院。法兰克福：Anton Heidscheidt，1719年。

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SCHOTT, GASPAR. 1608-1666. :Physica Curiosa, sive Mirabilia Naturae et Artis. Würzburg Nuremberg: J.A. Endter J. Hertz, 1667.
4to (225 x 190 mm). 2 parts in 1. Half-title, letterpress title in red and black with engraved coat of arms on verso, additional engraved title by Sandrart, 61 engraved plates (6 folding). [54], 1389, [23] pp. Modern half red-brown morocco and marbled boards; heavy foxing and toning throughout, a few closed tears and paper flaws.

SECOND EDITION of this encyclopedia of the natural world by the Jesuit Gaspar Schott, a student of Athanasius Kircher. Includes case studies of satyrs, centaurs, marine monsters, cyclops, two-headed animals and a man with a head on his belly, among other curiosities, as well as a discussion of demonology.

肖特，加斯帕。1608-1666. 好奇的物理学，或自然和艺术的奇迹。维尔茨堡和纽伦堡：J.A.Endter和J.Hertz，1667年。

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HARTSOEKER, NICOLAS. 1656-1725.:Recueil de plusieurs pieces de physique: où l\'on fait principalement voir l\'invalidité du système de Mr. Newton : et où se trouve, entre autres, une dissertation sur la peste.... Utrecht: Broedelet, 1722.
12mo (132 x 78 mm). Woodcut scientific diagrams. Early vellum, later morocco title label, gilt. Minor soiling.

RARE COLLECTION OF HARTSOEKER PIECES, including the first publication in book form of his \"Lettre a Monsieur Le Clerc\" on the invalidity of Newton\'s system, as well as his dissertation on the plague, based on the 1720 French outbreak of bubonic plague.

哈索克，尼古拉斯。1656-1725. 收集了几篇物理论文：或者主要是牛顿先生的系统失效：或者是一篇关于瘟疫的论文……乌得勒支：布罗德莱特，1722年。

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PARACELSUS. 1493-1541.:AMMAN, JOST, illustrator. Opus Chyrurgicum. Frankfurt am Mayn: Martin Lechler, 1566 [colophon states 1565]. 4to (290 x 190 mm). 35 woodcut medical engravings (including woodcut portrait on title page), from 13 woodblocks (many signed \"JA\" for Joost Amman). Recent half-morocco over cloth. Some light dampstaining, thin ink stains at lower margin of last several leaves, browning.

EARLY ISSUE OF THE JOST AMMAN EDITION OF PARACELSUS\'S WORKS. Philippus Aureolus Theophrastus Bombastus von Hohenheim, who wrote under the pen name Paracelsus, was a Renaissance pioneer of medicine as well as an astronomer and alchemist. A native of Switzerland, he was educated in Basel, Vienna, and Ferrara, and traveled extensively throughout Europe during his life as an itinerant physician. He is credited with establishing the role of chemistry in medicine, and is sometimes referred to as the \"father of toxicology.\" He recorded the first clinical descriptions of syphilis and epilepsy, and advocated the humane treatment of the mentally ill in an era when they were believed to be possessed by demons. His controversial views alienated both publishers and other physicians, and many of the ideas he proposed were not accepted as medical orthodoxy until hundreds of years after his death. Durling 3464; Sudhoff 62 (both for first edition).

扑热息痛。1493-1541. Chyrurgicum歌剧院。法兰克福：马丁·勒克勒，1566年[科隆州1565年]。

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THE MOON.:2 titles:
1. WILKINS, JOHN. 1614-1672. A Discovery of a New World ... \'tis Probable there may be another Habitable World in the Moon London: J. Rawlins for John Gellibrand, 1684. 2 parts in 1 volume. 8vo (172 x 112 mm). Woodcut illustrations in text. Modern calf. Front blank heavily browned and chipped, corners chipped on first several leaves, browning and spotting throughout.

Fifth edition, \"Corrected and Amended.\" Wilkins\' bold assertions in his various editions of this book include the possibility that the moon might be inhabited, that humans might be able to find a way to travel there, and that the Earth might indeed be a planet. An Anglican clergyman and Bishop of Chester, Wilkins was a visionary polymath who served as both Warden of Wadham College, Oxford, and Master of Trinity College, Cambridge. He remained well-respected in science and the clergy, despite his sometimes controversial writings. In addition to writing on mathematics, religious philosophy, and astronomy, he proposed a universal language, and a universal system of measurement that predated the metric system. ESTC R22749; Wing 2186.

2. NASMYTH, JAMES HALL. 1808-1890; and JAMES CARPENTER. 1840-1899. The Moon: Considered as a Planet, a World, and a Satellite.... London: John Murray, 1874. 4to (280 x 220 mm). Lithographic frontispiece, and 23 plates. Publisher\'s blue cloth, rebacked retaining original spine and covers. Shaken, corners and edges bumped, slight warping to pages, fingermarks and spotting.

FIRST EDITION. The authors sculpted detailed models of the lunar surface as observed through telescopes, and then photographed them to create images of the moon that could not otherwise be taken using existing techniques of telescopic photography at the time. Truthful Lens 125.

月亮。 2个标题：

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Gunter Damisch，当代艺术I-

Gunter Damisch * - Zeitgenössische Kunst I-

(Steyr 1958–2016 Vienna)
“Rotfeldweltwege/Doppelflämmerer”, signed and dated
G. Damisch 2000/2001 on the reverse as well as label with the title, oil on canvas, 160 x 140 cm, on metal stretcher

Provenance:
Galerie Ohse, Bremen
Private Collection, 德国y

Yes, in the sense that a painting actually always develops out of a proliferation and growth and evolutionary process and in the sense that every result cries out for a new one, so to speak, or generates something new. This always plays itself out in various ways. In principle, it has something to do with the phenomena that can be experienced in painting. This global issue results from the fact that I have found painting to be something that creates identity and meaning. You get to know yourself and express yourself and enter into a process where you are not only passively at the mercy of others, but can also achieve a lot on a creative level.
Gunter Damisch, in conversation with Friedhelm Mennekes

Ja, in diesem Sinne, daß sich ein Bild eigentlich immer aus einem Wuchern und Wachsen und evolutionären Prozeß heraus entwickelt und sozusagen jedes Ergebnis nach einem neuen schreit oder etwas Neues generiert. Das spielt sich immer in Variationen durch und hat grundsätzlich etwas mit Phänomenen zu tun, die in der Malerei erfahrbar sind. Dieses Weltthema resultiert daher, daß ich Malerei als etwas Identitäts- und Sinnstiftendes empfunden habe. Man lernt sich da kennen und ausdrücken und begibt sich in einen Prozeß, wo man nicht nur passiv ausgeliefert ist, sondern auch gestalterisch eine Menge bewirken kann.
Gunter Damisch aus einem Gespräch mit Friedhelm Mennekes