图片文件尺寸 : 3938 x 5196px

Faith Ringgold:Here Come Moses, 2014
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 37/200 (there were also 15 printer\'s proofs), published by The Print Club of New York, New York, printed by the Experimental Printmaking Institute, Lafayette College, Easton, Pennsylvania, with full margins, framed.
19 3/4 x 26 1/2in (51 x 67.5cm)
sheet 22 1/2 x 30in (57.2 x 76.2cm)

林格尔德 摩西来了

图片文件尺寸 : 4104 x 4268px

Richard Anuszkiewicz:Sequential X, 1972
Screenprint in colors on wove paper, signed in pencil and annotated \'X\', dated and numbered 191/200, published by Sanmore Editions, New York, with full margins, framed.
26 1/8 x 19 1/4in (66.3 x 48.8cm)
sheet 28 x 21in (71.1 x 53.3cm)

理查德·安努斯科维奇 顺序X

图片文件尺寸 : 5407 x 5720px

After Pablo Picasso:Maternité, 1963
Offset lithograph in colors on wove paper, signed in pencil and annotated \'H.C.\' (an hors-commerce, aside from the edition of 200), published by Editions Combat de la Paix, Paris, with margins.
30 3/4 x 22 1/4in (78.3 x 56cm)
sheet 35 1/4 x 25 1/4in (89.7 x 64.3cm)

巴勃罗·毕加索之后 母性

图片文件尺寸 : 5396 x 6031px

Andy Warhol:Mammy, from Myths (Feldman Schellmann II.262), 1981
Screenprint in colors with diamond dust on Lenox Museum Board, signed in pencil and numbered 131/200 (there were also 30 artist\'s proofs), with the inkstamp verso of the publisher Ronald Feldman Fine Arts, Inc., New York, with the blindstamp of the printer Rupert Jasen Smith, New York, the full sheet.
sheet 38 x 38in (96.5 x 96.5cm)

安迪·沃霍尔 奶妈，来自神话

图片文件尺寸 : 4839 x 5687px

Wayne Thiebaud:Hill Street, 1987
Woodcut in colors on Echizen Mashi paper, signed in pencil, dated and numbered 76/200 (there were also 20 artist\'s proofs), signed in Japanese by the printer, Tadashi Toda, with the blindstamp of the publisher, Crown Point Press, San Francisco, with the printer\'s seal, with full margins, framed.
30 1/8 x 20 1/4in (76.5 x 51.4cm)
sheet 37 1/8 x 24 1/8in (94.3 x 61.3cm)

伟恩·第伯 希尔街

图片文件尺寸 : 4150 x 5828px

Jim Dine:Two Hearts at Sunset, from 2005 Suite, 2005
Lithograph in colors on Rives BFK paper, signed in pencil, dated and numbered 25/200 (there were also 10 artist\'s proofs), published by Marco Fine Arts Contemporary, Hawthorne, California, printed by Atelier Michael Woolworth, Paris, the full sheet.
sheet 20 1/2 x 26 3/8in (52 x 66.9cm)

吉姆·戴恩 日落的两颗心，2005套房

图片文件尺寸 : 4798 x 4460px

EUGÈNE BOUDIN: Retour du Terre-neuvier Portrieux
signed and dated \'71 E. Boudin\' (lower right) and inscribed \'Portrieux\' (lower left); inscribed \'Retour du terreneuvier - Portrieux\' (on the reverse)
oil on paper laid on panel
22.3 x 30.3cm (8 3/4 x 11 15/16in).
Painted in 1871

EUG宽度，宽度 纽芬兰返回港口

图片文件尺寸 : 5410 x 4756px

Francesco Clemente:Untitled, 1984
Woodcut in colors on Kosa Toza paper, signed in pencil and numbered 105/200, with the blindstamp of the publisher, Crown Point Press, San Francisco, printed by Shi-un-do Print Shop, Kyoto, with full margins, framed.
14 1/8 x 20 1/8in (35.9 x 51.1cm)
sheet 16 13/16 x 22 9/16in (42 x 57.3cm)

弗朗切斯科·克莱门特 无 题

图片文件尺寸 : 4525 x 4681px

Roy Lichtenstein:Guild Hall East Hampton, 1980
Screenprint in colors with text on wove paper, signed in pencil, dated and numbered 115/200 on the reverse (there was also an unsigned edition of 1,000), published by Guild Hall Museum, East Hampton, New York, with full margins.
27 3/4 x 33 1/2in (70.4 x 85cm)
sheet 32 x 34 1/8in (81.2 x 86.7cm)

罗伊·利希滕斯坦 东汉普顿会馆

图片文件尺寸 : 5343 x 3816px

Keith Haring:The Kutztown Connection (Not in Littmann), 1984
Offset lithograph on wove paper with printed text, signed in red marker and numbered \'200\' twice in ink and pencil on the verso, with the blindstamp of the publisher, New Arts Program, Inc., Kutztown, Pennsylvania, created for The Kutztown Connection- Performances to benefit the new arts program of Kutztown, Pennsylvania, the full sheet, framed.
sheet 33 x 20in (83.8 x 50.8cm)

基思·哈林 Kutztown连接