图片文件尺寸 : 5221 x 4786px

Nathan Oliveira:Plate 8, from Copper Plate Nudes II, 2001
Aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'AP 10\' (an artist\'s proof, aside from the edition of 40), with the blindstamp of the publisher/printer, Crown Point Press, San Francisco, with full margins.
29 3/4 x 22 1/4in (75.6 x 56.5cm)
sheet 40 3/8 x 31 3/4in (102.5 x 80.7cm)

内森·奥利弗瑞 板8，来自铜板Nudes II

图片文件尺寸 : 4354 x 5749px

Richard Diebenkorn:Blue Loop, from Eight Color Etchings, 1980
Aquatint in colors on Rives paper, initialed in pencil, dated and annotated \'Trial proof\' (aside from the edition of 35 plus 10 artist\'s proofs), with the blindstamp of the publisher/printer, Crown Point Press, San Francisco, with full margins, framed.
15 x 11 15/16in (38.1 x 30.3cm)
sheet 30 1/4 x 23 1/4in (76.8 x 59.1cm)

理查德·迪本科恩 蓝色环，来自八色蚀刻

图片文件尺寸 : 4261 x 4922px

ED RUSCHA:Sometimes a Vowel #35 (y), 1996

signed, titled and dated twice \'#35 July 22, 1996 Ed Ruscha 1996\' (interior page)
acrylic on book cover

9 3/4 x 10 in.
24.8 x 25.4 cm.

This work is painted on the exhibition catalog: The Works of Ed Ruscha, San Francisco Museum of Modern Art, 1982.

This work will be included in the forthcoming publication Ed Ruscha: An Archive of Projects, edited by Robert Dean with contributions from Michael Friend, David Platzker, and Allen Ruppersberg, and published by Gagosian.

埃德·鲁沙 有时是元音#351996

图片文件尺寸 : 4623 x 4509px

Pat Steir:Abstraction, Belief, Desire, 1981
Etching, aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 13/35 (there were also 10 artist\'s proofs), with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins, framed.
36 x 55 1/4in (91.4 x 140.3cm)
sheet 42 1/2 x 61 1/2in (107.9 x 155.7cm)

帕特·斯特尔 抽象、信念、欲望

图片文件尺寸 : 2682 x 4096px

查尔斯·德奥利爵士的《圣马可背面视图》-Sir Charles DOyly

圣马可背面视图--Sir Charles D'Oyly (英国, 1781–1845)

图片文件尺寸 : 3179 x 2199px

约翰·罗斯金《佛罗伦萨附近的圣米尼亚托花园》-John Ruskin

佛罗伦萨附近的圣米尼亚托花园--John Ruskin (英国, 1819-1900)

图片文件尺寸 : 4460 x 2703px

鲁本斯·桑托罗（Rubens Santoro）的《从多尔索杜罗看大运河与圣马可钟楼》-Rubens Santoro

从多尔索杜罗（Dorsoduro）欣赏大运河与圣马可钟楼--Rubens Santoro (意大利, 1859–1942)

图片文件尺寸 : 5410 x 4756px

Francesco Clemente:Untitled, 1984
Woodcut in colors on Kosa Toza paper, signed in pencil and numbered 105/200, with the blindstamp of the publisher, Crown Point Press, San Francisco, printed by Shi-un-do Print Shop, Kyoto, with full margins, framed.
14 1/8 x 20 1/8in (35.9 x 51.1cm)
sheet 16 13/16 x 22 9/16in (42 x 57.3cm)

弗朗切斯科·克莱门特 无 题

图片文件尺寸 : 5262 x 3927px

After Sonia Delaunay:Boîte-object, 1994
4 lithographs, two in colors, on Arches paper, each stamped-signed and numbered in pencil 528/600 (there were also 30 artist\'s proofs in Roman numerals), with the printed title and original drawing date on verso, published by Artcurial Diffusions for the Société Azygos/Anticip, printed by Art Estampe Machet-Cosson,Paris, with three pages of printed quotes by the artist, a biography of the artist, and the justification page, housed in the original blue linen covered clamshell portfolio box with metallic lettering.
Titles include: Music-Hall, Gaby, Madrid, 1919; Robe-toupie, Rio, 1922; Danse, rythme sans fin, 1923; and Composition à la robe-disque, 1925
each plate 11 1/4 x 8in (28.5 x 20.3cm)
each sheet 15 3/4 x 11 7/8in (40 x 30.1cm)

Sonia Delaunay之后 框-对象

图片文件尺寸 : 4179 x 5125px

Richard Diebenkorn:White Club, 1981
Aquatint reversal with scraping, burnishing and drypoint in colors on wove paper, initialed in pencil, dated and numbered 6/22, with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins, framed.
18 7/8 x 17 7/8in (48 x 45.4cm)
sheet 37 3/8 x 30 3/8in (94.9 x 77.2cm)

理查德·迪本科恩 白色俱乐部