图片文件尺寸 : 4069 x 3026px

《罗马附近Tivoli的橄榄林》Jørgen Roed著-Jørgen Roed

Olive Grove from Tivoli near Rome--Jørgen Roed (丹麦, 1808 – 1888)

图片文件尺寸 : 2696 x 2138px

雅各布·菲利普·哈克特的《罗马圣彼得的观点》-Jakob Philipp Hackert

View of Saint Peter’s in Rome--Jakob Philipp Hackert (德国, 1737–1807)

图片文件尺寸 : 4437 x 3249px

雅各布·莫尔（Jacob More）的《隔着台伯河远眺罗马》-Jacob More

A distant view of Rome across the Tiber--Jacob More (Scottish, 1740–1793)

图片文件尺寸 : 2732 x 3662px

安东尼·史密克·皮特罗的《罗马维拉布罗的圣乔治》-Antonie Sminck Pitloo

San Giorgio in Velabro in Rome--Antonie Sminck Pitloo (荷兰, 1790 – 1837)

图片文件尺寸 : 2624 x 3808px

约翰·弗拉克斯曼的《阿波罗与里瑟》，罗马美第奇别墅-John Flaxman

Apollo With the Lyre, Villa Medici, Rome--John Flaxman (英国, 1755-1826)

图片文件尺寸 : 2886 x 2167px

阿尔伯特·托马斯·德·罗马的《旧灵感之路的约塞米蒂》-Albert Thomas De Rome

Yosemite from Old Inspiration Road--Albert Thomas De Rome (美国, 1885 - 1959)

图片文件尺寸 : 4260 x 2498px

卢卡·卡莱瓦里吉斯的《罗马罗托桥随想的河流景观》-Luca Carlevarijs

River Landscape With A Capriccio View Of The Ponte Rotto, Rome--Luca Carlevarijs (意大利, 1663 – 1730)

图片文件尺寸 : 4656 x 5357px

EDGAR DEGAS: Etude d\'homme nu
with the signature \'Degas\' and inscribed \'Rome\' (lower right)
pencil on paper
17 5/16 x 11 7/16 in (44 x 29 cm)
Executed in Rome circa 1857-1858

EDGAR脱气器 舞蹈练习曲

图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

图片文件尺寸 : 3267 x 4200px

休伯特·罗伯特在罗马圣彼得教堂雕塑家-Hubert Robert

Sculpteur travaillant à la statue dun saint à SaintPierre de Rome--Hubert Robert (法国, 1733-1808)