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A PORTABLE LACQUERED WOOD CABINET:Edo period (1615-1868), 18th/19th century
The rectangular cabinet fitted with hinged doors and decorated in dense nashiji and the triple hollyhock aoi family crest, the two removable drawers which span the breadth of the cabinet and the interior of the doors decorated in a nashiji cloud pattern and the same crest as the exterior, the metal hardware protecting the top edge from the long saotoshi handles on each side and the eight corners of the cabinet; keys to the drawer locks now lost
13 x 16 3/4 x 14in (33 x 42.5 x 35.5cm)

便携式漆木橱柜 江户时期，18/19世纪

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YAMAKAWA TAKATSUGU (ACTIVE LATE 19TH/EARLY 20TH CENTURY):A pair of silver okimono (table ornaments) of carp
Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century
Cast in silver as a pair of swimming carp, the surface worked to resemble the natural skin and scales of the fish, the eyes finished in shakudo and gilt, signed Takatsugu, with a wood stand (2)
13 1/4in (33.6cm) long, the longer

山川高松（活跃于19世纪末/20世纪初） 一对19世纪末/20世纪初大正时代或明治时代的银观音

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ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high

归因于铃木正佑（1844-？） 一个大型青铜香炉明治时代，19世纪晚期

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HILBERT, DAVID. 1862-1943.:Über das Unendliche. OFFPRINT FROM: Mathematische Annalen, Volume 95. [Berlin, 1926].
8vo (228 x 154 mm). Pp 161-190, with blue paper backstrip, as issued.

AUTHOR\'S OFFPRINT OF HILBERT\'S MAJOR PAPER ON INFINITY. A vocal advocate of axiomatic method in mathematics, Hilbert is perhaps best known to the general public for the famous \"List\" he put forth in 1900, which challenged the mathematics community to find the solution of 23 long-standing unsolved problems. In the present paper, Hilbert sets out his philosophy of the infinite and attempts to prove the Continuum Problem. He critically examines Cantor\'s theory of Transfinite Numbers in the process and affirms Cantor\'s theory of Transfinite Numbers to be \"the finest product of mathematical genius\" – Hilbert here famously declaring that \"No one will drive us from the paradise which Cantor created for us!\"

大卫·希尔伯特。1862-1943. 关于无限。《数学年鉴》，第95卷，[柏林，1926年]。

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SCIENTIFIC MANUSCRIPT.:Scientific manuscript in Latin, with additions in Greek, recording a university level course of study along a classical Aristotelean model of learning, with containing sections on Logic, Physics, Metaphysics, Ethics, and Cosmography (i.e. geography), with a 1 p addendum on \"maritimort inventis,\" 179 x 112 mm, 82 leaves, written recto and verso, diagram to front pastedown, by Edward Baldwyn, 1687-1688. Bound in contemporary calf, cloth tape neatly affixed at hinges.

INTERESTING SCIENTIFIC MANUSCRIPT WRITTEN IN THE YEAR OF PUBLICATION OF NEWTON\'S PRINCIPIA. Featuring a long section on physics (\"Physica Systema\"), the content of this work stands in sharp and dramatic contrast to the scientific revolution then taking place in England.

科学手稿。 拉丁语的科学手稿，加上希腊语的补充，记录了一个大学级别的学习课程，遵循经典的亚里士多德学习模式

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MYOCHIN IEHISA (ACTIVE 18th CENTURY):A suji kabuto and menpo
Edo period (1615-1868), 18th century
The russet-iron helmet constructed of 16 plates riveted together, the crown mounted with a three-stage gilt-copper and shakudo tehen kanamono, the front adorned with a lacquered-wood maedate formed as a long-eared demon, the helmet bowl fitted with a five-lave solid shikoro lacquered black and laced in green and orange sugake style, the fukigaeshi applied with pebbled leather highlighted with gold lacquer and applied with gilt-copper plum-floret family crests; the russet-iron menpo with a hinged nose plate and deep wrinkles on the cheeks, the interior lacquered red, fitted with a four-lame yodarekake laced to match the shikoro
9 7/8in (25.1cm) wide (across the helmet bowl)

肌球蛋白（活跃的18世纪） 18世纪，一个歌舞伎和门波江户时期

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KANETANE (ACTIVE CIRCA 1467):A Mino tanto with mounts
Muromachi period (1333-1573), 15th century
Hirazukuri, iorimune forged in itame-hada with visible ji-nie, the narrow suguha tempered edge ending in a short turnback and a very small boshi, the omote side carved with suken and the ura side with goma-bashi, the machi-okuri tang with three holes (one plugged), indistinct file marks and signed Kanetane, 11in (27.9cm) long, with a one-piece silver habaki
The koshira-e comprising a black-lacquer saya and tsuka wrapped with same stained dark, the en-suite silver fittings all carved with chrysanthemums with dew drops, the gilt-metal menuki formed as crabs
With Tokubetsu Hozon Token certificate no. 1013969 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 28, 2020

卡尼坦（约1467年活跃） 带山的米诺坦陀罗摩町时期，15世纪

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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A FINE ARMOR WITH A NUINOBU CUIRASS:Edo period (1615-1868), 18th century
The matching components lacquered black and laced in blue with purple and white highlights, comprising a russet-iron 62-plate suji kabuto, finished with a four-stage gilt-metal tehen kanamono engraved with scrolling vines, the mabizashi with a gilt-copper fukurin and gilt kuwagata and maedate formed as a rhombus within a circle, the bowl fitted with a three-lame solid shikoro, the top edge of each lame scalloped, finishing in long fukigaeshi applied with printed leather and gilt-brass matsukawabishi crests; the menpo lacquered russet brown and fitted with a three-lame yodarekake; the nuinobe do laced in sugake style, applied with gilt-metal saihai no kan and tenugui no kan, the edges of the cuirass trimmed in gilt-metal fukurin, fitted with seven sections of five-lame kusazari with scalloped upper edges, and with solid-plate hinged wakibiki; sode with applied leather trim; tsutsu-gote; Etchu haidate; with two wood storage boxes; no armor stand

一件镶有努伊诺布胸甲的精美盔甲 江户时代，18世纪

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ALCHEMY: ILLUSTRATED MANUSCRIPT.:An illustrated alchemical manuscript on paper, in German, \"Ver Rechten Alchemy,\" Germany, 15th century, 150 x 105 mm. 48 leaves, foliated 1-47, xliii in a contemporary hand, complete. Collation: [i + 1-412 + i], horizontal catchwords. 18-20 long lines, written in German cursive script, single vertical bounding lines faintly ruled in lead, written area: 100 x 75 mm. Chapter titles and single-line initials in red. 22 pages with illustrations of chemical apparatus in brown and red ink inserted into the text by the scribe. Occasional contemporary annotations in the margins and on f. 48r-v. (Occasional slight discoloration to blank margins of leaves.) Bound in a vellum wrapper: dimensions 157 x 114 mm.
Contents: ff. 1r-35v, Der rechter Alchamey. Recipe i tail reingold ii tail vera silber und iii tail kupfer purgiert ... so ist es gut; ff. 36r-48r, Das ist das puch das ysac seinem sun von Babilon sandt ... und wirt nymmer mer lebendig.

This small manuscript contains two treatises on alchemy, the first of which is liberally illustrated with depictions of chemical apparatus drawn by the scribe of the codex. The texts consist primarily of recipes for creating silver and gold from baser metals, a topic of considerable interest in the late Middle Ages and early modern period.

炼金术：插图手稿。 一份纸上有插图的炼金术手稿，德文，“Ver Rechten Alchemy”