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《1652年7月7日大火后阿姆斯特丹老市政厅的废墟》，作者：Jan Abrahamsz-Jan Abrahamsz. Beerstraten

1652年7月7日大火后的阿姆斯特丹老市政厅废墟--Jan Abrahamsz. Beerstraten (荷兰, 1622-1666)

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A HANIWA EARTHENWARE MODEL OF A HORSE:Kofun period (circa 598-710), 6th/7th century
Of low-fired reddish clay, the standing figure boldly modeled with a deep-sided saddle, bridle, and ornamental trappings, a portion of the vertical mane near the ears jutting out beyond the rest
31in (78.7cm) high; 29in (73.6cm) long

哈尼瓦陶器马模型 Kofun时期，6/7世纪

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John Bentham-Dinsdale:\'The first shot\'
signed \'John Bentham-Dinsdale\' (lower left); further signed, titled and inscribed \'12^th April 1854 the British vessel Fury captured a Russian Schooner but was driven off by a superior Russian force of frigates Brigs. They were the first shot fired in the Crimean War.\' (on the reverse)
oil on canvas
61 x 90.8cm (24 x 35 3/4in).

约翰·本特姆·丁斯代尔 “第一枪”

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“他的母亲坐在炉火边，杰西·威尔科克斯·史密斯（Jessie Willcox Smith）的母亲躺在她的怀里睡着了-the fire, and in her arms lay the prmcess fast asleep by Jessie Willcox Smith

他的母亲坐在那里--Jessie Willcox Smith (美国, 1863 – 1935)

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当两位老人试图在毛德·亨特·斯奎尔（Maud Hunt Squire）的炉火前取暖时，他们的手一起颤抖-Maud Hunt Squire

两位老人当他们试图在炉火前取暖时，他们的手在一起颤抖--Maud Hunt Squire (美国, 1873-1954)

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[RAMUSIO, GIOVANNI BATTISTA. 1485-1557.]:[Brasil]. [Venice: c.1565 or later].
Woodcut map of Brazil, 310 x 410 mm. The seas decorated with galleons and monsters, the land showing habitations and native peoples at work and hunting.

A fine early map of Brazil taken from Ramusio\'s Raccolta di Navigationi et Viaggi, first published in 1550 in this form, from an edition issued after 1565 when the first woodblock was destroyed by fire and the new woodblock added the term \"Terra non\" to \"Descoperta\" at upper margin.

[拉穆西奥，乔瓦尼·巴蒂斯塔，1485-1557。] [巴西]。[威尼斯：约1565年或更晚]。

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Arman:Untitled, with Gérard Deschamps, Untitled, from N.R. (Nouveaux realists) Portfolio (2 works), 1973
Silkscreen on Plexiglas, signed and numbered 194/600,

WITH

Gérard Deschamps, Untitled, fire tempered stainless steel, signed and dated \'1963-1973\', both full compositions without margins, both contained in individual cardboard envelopes printed with the initials of the publisher, Ars Viva Edition, Milan. (2 works)
sheet 19 5/8 x 19 5/8in (50 x 50cm); 19 5/8 x 19 5/8 (50 x 50cm)

阿尔曼 《无题》，与Gérard Deschamps合著，《无题，来自N.R.Portfolio》

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BLAEU, JOAN. 1596-1673.:Nuevo atlas de las partes orientales de Europa. Amsterdam: Joan Blaeu, 1659.
Folio (552 x 356 mm). Volume II only. Engraved title page with imprint slip pasted on, 29 double-page hand-colored engraved maps, woodcuts in text. Publisher\'s Dutch vellum gilt, yapp edges, green silk ties (mostly lacking), all edges gilt. Covers warped, slightly bumped and soiled, dampstaining to lower margins throughout and occasionally at upper corners, with some intrusion into printed areas, scattered browning and spotting.

Second volume (only) of the 5-volume Spanish language \"Grand Atlas,\" published from 1659 to 1672. A wide-margined copy with contemporary hand-coloring and the original vellum binding. Most of the production run was destroyed by a fire at the Blaeu printing house in 1672. Koeman II:641.2.

蓝色，约翰。1596-1673. 欧洲东部的新地图集。阿姆斯特丹：琼·布劳，1659年。

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HERO OF ALEXANDRIA. Fl. c. 65 A.D. :Gli Artifitiosi et Curiosi Moti Spiritale di Herrone. Tradotti da M. Gio. Battista Aleotti d\'Argenta. Ferrara: Vittorio Baldini, 1589.
4to (220 x 160 mm). Title page with woodcut architectural border, 85 woodcut illustrations to text, initials, head- and tailpieces, printer\'s device on colophon. Modern full burgundy morocco, covers tooled in blind to panel design, citron morocco spine labels; sporadic spotting or staining (heavy at top margin of p 97), else a clean, crisp copy.

FIRST EDITION of Aleotti\'s Italian translation of Hero\'s Pneumatics, the first edition in Italian. Hero\'s treatise describes and illustrates various steam-powered devices and toys, including fire engines, mechanical signing birds, a pipe organ, and automatic doors. At the end of the work the translator Aleotti adds his own contributions following a separate title page with sequential pagination. Adams H-367; Mortimer, Italian, 230.

亚历山大的英雄。公元65年左右。 Herrone的手工艺品和好奇主题酒。M.Gio翻译。巴蒂斯塔·阿莱奥蒂·德阿根塔。费拉拉：维托里奥·巴尔迪尼，1589年。

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ILLUMINATED CARTA EXECUTORIA.:Rare patent of nobility issued by Archduke Charles of Austria (later Charles VI, Holy Roman Emperor), fashioning himself Charles III of Spain during the War of the Spanish Succession (1701–1714), conveying the title of Marquess of Callus (in Catalonia) upon Don Jaime Vicente Alamany Descallar, manuscript on vellum, text in Latin, 1711, 290 x 200 mm, 8 leaves bound as a single quire of 4 bifolia.
Collation: i8, the first leaf treated as a blank flyleaf. 22-26 long lines written in brown ink in italic script with one-line roman capitals; headings in larger capitals on ff. 2r-2v; written area: 215 x 125 mm. All text pages decorated with full borders containing delicate brown ink drawings. F. 2r with a cartouche depicting the king on a rearing horse firing a pistol, surmounted by a crown, below him a globe held by two putti and inscribed \"America\", below that the words NOS CAROLUS in a cartouche, all flanked by personifications of the church and the state and other motifs. On f. 2v the continuation of the text continues under a round seal stamped in in black ink, containing a coat of arms, and inscribed: CAROLUS III DEI GRATIA HISPANIARUM ET INDIARUM REX. Borders of ff. 2v-6v filled with vedute, vignettes, putti, cartouches, and various flourishes similar to those found in engraved writing-master books of the period. F. 7r with the last lines of the text and several notarial attestations. F. 7v blank. F. 8r with a large colored coat of arms surrounded by colored arabesque flourishes. F. 8v blank. Binding of later red velvet over pasteboards (worn) with remains of two monkeys-fist closures of woven silk, red silk doublures and single red silk flyleaves front and back, remains of a braided silk cord intended to attach the seal and a circular depression inside the back cover intended to hold the seal (seal missing).

RARE PATENT OF NOBILITY OF \"CHARLES III\" DURING HIS EMBATTLED CLAIM TO THE SPANISH THRONE. On the death of his Hapsburg relative King Charles II of Spain (1661-1700) without a direct heir, Archduke Charles of Austria declared himself the King of Spain, thus occasioning the War of the Spanish Succession, which pitted him against a rival candidate, Philip, Duke of Anjou, grandson of Louis XIV, and a distant cousin of the Archduke. In 1711, when his brother, the Holy Roman Emperor Joseph I, died the Archduke returned to Vienna to assume the imperial crown, while Philip was eventually recognized as King Philip V of Spain. During his brief time as claimant to the Spanish throne, Charles never extended his sphere of influence beyond Catalonia and lived there only from 1705 to 1711.

行政卡有限。 奥地利大公查尔斯在西班牙王位继承战争中塑造了自己的西班牙查理三世，