261. 理查德·迪本科恩 三色II,来自梅花和黑桃 高清作品[41%]

Tri-Color II, from Clubs and Spades

图片文件尺寸 : 5098 x 5664px

Richard Diebenkorn:Tri-Color II, from Clubs and Spades, 1981
Etching and aquatint in colors on Arches paper, initialed in pencil, dated and numbered 3/35 (there were also 11 artist\'s proofs), with the blindstamp of the publisher/printer, Crown Point Press, Oakland, with full margins, framed.
19 x 18in (48.3 x 45.7cm)
sheet 37 1/2 x 30 1/2in (95.3 x 77.5cm)

理查德·迪本科恩 三色II,来自梅花和黑桃

262. 安迪·沃霍尔 皮特·罗斯 高清作品[41%]

Pete Rose

图片文件尺寸 : 4885 x 5916px

Andy Warhol:Pete Rose, 1985
Screenprint in colors on Lenox museum board, signed in pencil and annotated \'Progressive Proof\' (1 of 4 progressive proofs aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso with full margins. Another color proof is on the verso side.
37 1/2 x 29 1/2in (95.2 x 74.9cm)
sheet 39 3/8 x 31 1/2in (100 x 80.1cm)

安迪·沃霍尔 皮特·罗斯

263. 奥斯卡·拉斯克-现代 高清作品[41%]

DO-Oskar Laske - Moderne
图片文件像素:4597 x 5800 px

奥斯卡·拉斯克-现代-

Oskar Laske - Moderne-

(Czernowitz 1874–1951 Wien)
„Die Teufelsaustreibung“, signiert, datiert O. Laske 1930 sowie betitelt „Die Teufelsaustreibung“ und mit Op. 75 bezeichnet, Öltempera auf Leinwand, 95 x 85 cm, gerahmt

Verzeichnet:
Lily Schulz-Laske und Elisabeth Kesselbauer-Laske, Oskar Laske, der künstlerische Nachlaß, S. 8 - dort mit anderen Maßangaben

Provenienz:
Sammlung Maximilian Florian (1901–1982) Wien - direkt vom Künstler
Privatsammlung, Wien

Zitat:
„Überhaupt ist allerlei Mummenschanz bei uns beliebt.“

Oskar Laske – aus seinen Lebenserinnerungen

264. 安迪·沃霍尔 皮特·罗斯 高清作品[41%]

Pete Rose

图片文件尺寸 : 3994 x 4897px

Andy Warhol:Pete Rose (Feldman Schellman IIB.360B), 1985
Screenprint in colors on Lenox museum board, signed in pencil and numbered TP 10/30 (a trial proof aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso, with full margins. Another color proof is on the verso side.
37 1/2 x 30in (95.2 x 76.2cm)
sheet 39 3/8 x 31 1/2in (99.1 x 80cm)

安迪·沃霍尔 皮特·罗斯

266. 理查德·安努斯科维奇 蓝色与黑色,来自午夜套房 高清作品[40%]

Blue with Black, from Midnight Suite

图片文件尺寸 : 5353 x 5726px

Richard Anuszkiewicz:Blue with Black, from Midnight Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer proof, aside from the edition of 95), published by Atelier Editions, Los Angeles, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 1/2 x 30 1/4in (80 x 76.8cm)

理查德·安努斯科维奇 蓝色与黑色,来自午夜套房

267. 萨尔瓦多·达利 卡桑德拉的爱 高清作品[40%]

Les amours de Cassandre

图片文件尺寸 : 5120 x 4750px

Salvador Dalí:Les amours de Cassandre (10 works) (Field 68-2-A-J; Michler/Löpsinger 248-57(g)), 1968
The portfolio comprising of 10 engravings, each hand-colored on japon nacré paper, each signed in pencil and numbered 18/95 (a separate edition aside from the book edition of 349 with text), each with the artist\'s blindstamp, published by Éditions Argillet, Paris, each will full margins. (10 works)
each 12 5/8 x 9 5/8in (32.5 x 23.9cm)
each sheet 15 x 11 3/8in (38.2 x 28.9cm)

萨尔瓦多·达利 卡桑德拉的爱

268. 理查德·安努斯科维奇 绿色与红色,来自秋季套房 高清作品[40%]

Green with Red, from Autumn Suite

图片文件尺寸 : 4855 x 5326px

Richard Anuszkiewicz:Green with Red, from Autumn Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 1/2 x 30 3/8in (80 x 77.2cm)

理查德·安努斯科维奇 绿色与红色,来自秋季套房

269. 理查德·安努斯科维奇 黄色与黄色,来自春季套房 高清作品[40%]

Yellow with Yellow, from Spring Suite

图片文件尺寸 : 3914 x 4326px

Richard Anuszkiewicz:Yellow with Yellow, from Spring Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer proof, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 3/8 x 30 3/8in (79.7 x 77.1cm)

理查德·安努斯科维奇 黄色与黄色,来自春季套房

270. 罗伯特·马瑟韦尔 无标题,来自伦敦系列赛II 高清作品[40%]

Untitled , from London Series II

图片文件尺寸 : 4600 x 3932px

Robert Motherwell: Untitled (Black and Yellow), from London Series II (E.B.95, B.66), 1971
Screenprint in colors on J.B. Green paper, signed in pencil and numbered 131/150, with the blindstamp of the artist, published by Marlborough Graphics, Inc., New York, with the inkstamp of the printer Kelpra Studio, London, verso, the full sheet, printed to one edge.
19 1/4 x 27 1/2in (48.8 x 69.8cm)
sheet 28 x 41in (77 x 104cm)

罗伯特·马瑟韦尔 无标题,来自伦敦系列赛II

95油画图片- 高清95绘画作品- 代表作全集 中艺名画下载


261. 理查德·迪本科恩 三色II,来自梅花和黑桃 高清作品[41%]

Tri-Color II, from Clubs and Spades

图片文件尺寸 : 5098 x 5664px

Richard Diebenkorn:Tri-Color II, from Clubs and Spades, 1981
Etching and aquatint in colors on Arches paper, initialed in pencil, dated and numbered 3/35 (there were also 11 artist\'s proofs), with the blindstamp of the publisher/printer, Crown Point Press, Oakland, with full margins, framed.
19 x 18in (48.3 x 45.7cm)
sheet 37 1/2 x 30 1/2in (95.3 x 77.5cm)

理查德·迪本科恩 三色II,来自梅花和黑桃

262. 安迪·沃霍尔 皮特·罗斯 高清作品[41%]

Pete Rose

图片文件尺寸 : 4885 x 5916px

Andy Warhol:Pete Rose, 1985
Screenprint in colors on Lenox museum board, signed in pencil and annotated \'Progressive Proof\' (1 of 4 progressive proofs aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso with full margins. Another color proof is on the verso side.
37 1/2 x 29 1/2in (95.2 x 74.9cm)
sheet 39 3/8 x 31 1/2in (100 x 80.1cm)

安迪·沃霍尔 皮特·罗斯

263. 奥斯卡·拉斯克-现代 高清作品[41%]

DO-Oskar Laske - Moderne
图片文件像素:4597 x 5800 px

奥斯卡·拉斯克-现代-

Oskar Laske - Moderne-

(Czernowitz 1874–1951 Wien)
„Die Teufelsaustreibung“, signiert, datiert O. Laske 1930 sowie betitelt „Die Teufelsaustreibung“ und mit Op. 75 bezeichnet, Öltempera auf Leinwand, 95 x 85 cm, gerahmt

Verzeichnet:
Lily Schulz-Laske und Elisabeth Kesselbauer-Laske, Oskar Laske, der künstlerische Nachlaß, S. 8 - dort mit anderen Maßangaben

Provenienz:
Sammlung Maximilian Florian (1901–1982) Wien - direkt vom Künstler
Privatsammlung, Wien

Zitat:
„Überhaupt ist allerlei Mummenschanz bei uns beliebt.“

Oskar Laske – aus seinen Lebenserinnerungen

264. 安迪·沃霍尔 皮特·罗斯 高清作品[41%]

Pete Rose

图片文件尺寸 : 3994 x 4897px

Andy Warhol:Pete Rose (Feldman Schellman IIB.360B), 1985
Screenprint in colors on Lenox museum board, signed in pencil and numbered TP 10/30 (a trial proof aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso, with full margins. Another color proof is on the verso side.
37 1/2 x 30in (95.2 x 76.2cm)
sheet 39 3/8 x 31 1/2in (99.1 x 80cm)

安迪·沃霍尔 皮特·罗斯

266. 理查德·安努斯科维奇 蓝色与黑色,来自午夜套房 高清作品[40%]

Blue with Black, from Midnight Suite

图片文件尺寸 : 5353 x 5726px

Richard Anuszkiewicz:Blue with Black, from Midnight Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer proof, aside from the edition of 95), published by Atelier Editions, Los Angeles, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 1/2 x 30 1/4in (80 x 76.8cm)

理查德·安努斯科维奇 蓝色与黑色,来自午夜套房

267. 萨尔瓦多·达利 卡桑德拉的爱 高清作品[40%]

Les amours de Cassandre

图片文件尺寸 : 5120 x 4750px

Salvador Dalí:Les amours de Cassandre (10 works) (Field 68-2-A-J; Michler/Löpsinger 248-57(g)), 1968
The portfolio comprising of 10 engravings, each hand-colored on japon nacré paper, each signed in pencil and numbered 18/95 (a separate edition aside from the book edition of 349 with text), each with the artist\'s blindstamp, published by Éditions Argillet, Paris, each will full margins. (10 works)
each 12 5/8 x 9 5/8in (32.5 x 23.9cm)
each sheet 15 x 11 3/8in (38.2 x 28.9cm)

萨尔瓦多·达利 卡桑德拉的爱

268. 理查德·安努斯科维奇 绿色与红色,来自秋季套房 高清作品[40%]

Green with Red, from Autumn Suite

图片文件尺寸 : 4855 x 5326px

Richard Anuszkiewicz:Green with Red, from Autumn Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 1/2 x 30 3/8in (80 x 77.2cm)

理查德·安努斯科维奇 绿色与红色,来自秋季套房

269. 理查德·安努斯科维奇 黄色与黄色,来自春季套房 高清作品[40%]

Yellow with Yellow, from Spring Suite

图片文件尺寸 : 3914 x 4326px

Richard Anuszkiewicz:Yellow with Yellow, from Spring Suite, 1979
Etching and aquatint in colors on Somerset paper, signed in pencil, dated and annotated \'B.A.T.\' (the Bon-a-Tirer proof, aside from the edition of 95), printed by Deli Sacilotto, Atelier Editions, Inc., New York, with full margins.
21 5/8 x 21 1/2in (54.9 x 54.6cm)
sheet 31 3/8 x 30 3/8in (79.7 x 77.1cm)

理查德·安努斯科维奇 黄色与黄色,来自春季套房

270. 罗伯特·马瑟韦尔 无标题,来自伦敦系列赛II 高清作品[40%]

Untitled , from London Series II

图片文件尺寸 : 4600 x 3932px

Robert Motherwell: Untitled (Black and Yellow), from London Series II (E.B.95, B.66), 1971
Screenprint in colors on J.B. Green paper, signed in pencil and numbered 131/150, with the blindstamp of the artist, published by Marlborough Graphics, Inc., New York, with the inkstamp of the printer Kelpra Studio, London, verso, the full sheet, printed to one edge.
19 1/4 x 27 1/2in (48.8 x 69.8cm)
sheet 28 x 41in (77 x 104cm)

罗伯特·马瑟韦尔 无标题,来自伦敦系列赛II