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25.7

263. 源自古斯塔夫·克里姆特 期望，摘自Eine Nachlese对开页 高清作品[40%]

Expectation , from Eine Nachlese folio

图片文件尺寸 : 3983 x 5493px

After Gustav Klimt:Expectation (Eisler #12), from Eine Nachlese folio, 1931
Collotype in colors with metallic inks on chine collé, mounted to heavy cream-wove paper, from the total edition of 500 (200 were printed in German, 150 in French and 150 in English), with printed annotation \'12\' (out of 30 plates), published by Max Eisler, printed by Osterreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, with full margins.
12 3/8 x 7 1/2in (31.5 x 19cm)
sheet 19 x 18in (48.2 x 45.7cm)

源自古斯塔夫·克里姆特 期望，摘自Eine Nachlese对开页

264. 理查德·迪本科恩 梅花和黑桃 高清作品[38%]

Clubs and Spades

图片文件尺寸 : 5164 x 5369px

Richard Diebenkorn:Clubs and Spades (8 works), 1981
A group comprising eight etchings and aquatints on wove paper, five in colors, each initialed in pencil, each dated and numbered 24/35 except for Combination which is numbered 24/40 (there were also 11 artist\'s proofs), each with the blindstamp of the publisher Crown Point Press, Oakland, California, each with full margins, each framed. (8 works)

Titles Include:
Black Club, Blue Club, Card Game, Combination, Oakland Image, Spreading Spade, Tri-color, Tri-color II
assorted images from 13 1/2 x 9 1/2in (34.3 x 24.1cm) to 19 x 18in (48.2 x 45.7cm)
assorted sheets from 30 x 22 1/2in (76.2 x 57.2cm) to 37 1/2 x 30 3/4in (95.2 x 78.1cm)

理查德·迪本科恩 梅花和黑桃

265. 雅各布·劳伦斯。他们也使离开南方的移民非常困难。他们经常去火车站，大批逮捕黑人，这反过来又使他们误了火车。1940-41 高清作品[37%]

Jacob Lawrence. They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train. 1940-41

雅各布·劳伦斯。他们也使离开南方的移民非常困难。他们经常去火车站，大批逮捕黑人，这反过来又使他们误了火车。194041-

266. 雅各布·劳伦斯。移民的另一个社会原因离开是因为他们有时感到不安全，或者深夜在街上发现这不是最好的选择。他们因轻微的挑衅而被捕。1940-41 高清作品[35%]

Jacob Lawrence. Another of the social causes of the migrants leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. 194041- 12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. Another of the social causes of the migrants leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. 1940-41

雅各布·劳伦斯。移民离开的另一个社会原因是，有时他们感到不安全，或者深夜在街上找不到最好的东西。他们因轻微的挑衅而被捕。194041-

267. 阿尔瓦罗·巴里奥斯。阿尔瓦罗·巴里奥斯（Álvaro Barrios）饰演马塞尔·杜尚（Marcel Duchamp）饰演罗丝·塞拉维（Rrose Sélavy）饰演L.H.O.Q.1980–2006 高清作品[35%]

Álvaro Barrios. Álvaro Barrios as Marcel Duchamp as Rrose Sélavy as L.H.O.O.Q.. 1980–2006- composition (irreg.): 11 15/16 x 7 3/4 (30.3 x 19.7 cm); sheet (each): 18 x 12 (45.7 x 30.5 cm)

Álvaro Barrios. Álvaro Barrios as Marcel Duchamp as Rrose Sélavy as L.H.O.O.Q.. 1980–2006

阿尔瓦罗·巴里奥斯。阿尔瓦罗·巴里奥斯（Álvaro Barrios）饰演马塞尔·杜尚（Marcel Duchamp）饰演罗丝·塞拉维（Rrose Sélavy）饰演L.H.O.Q.1980–2006-

268. 雅各布·劳伦斯。由于黑人和白人工人之间的对立，整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。1940-41 高清作品[35%]

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 1940-41

雅各布·劳伦斯。由于黑人和白人工人之间的对立，整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。194041-

269. 雅各布·劳伦斯。他们并不总是离开，因为他们被承诺在北方工作。他们中的许多人因为南方的条件而离开，其中一个原因是洪水毁坏了农作物，因此他们无法在当地谋生。1940-41 高清作品[33%]

Jacob Lawrence. They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were. 1940-41

雅各布·劳伦斯。他们并不总是离开，因为他们被承诺在北方工作。他们中的许多人因为南方的条件而离开，其中一个原因是洪水毁坏了农作物，因此他们无法在当地谋生。194041-

270. 索尔·斯坦伯格 哈珀集市的五幅纸上作品 高清作品[32%]

Five Works on Paper for Harper\'s Bazaar

图片文件尺寸 : 4596 x 4110px

SAUL STEINBERG:Five Works on Paper for Harper\'s Bazaar

i. Untitled (Cancer), 1947
ii. Untitled, 1947
iii. Untitled (Taurus), 1947
iv. Untitled (Aquarius), 1947
v. Untitled (Gemini), 1947

i. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
ii. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
iii. ink on paper
iv. inscribed Steinberg Astrology Oct 10-10 on the reverse; ink on paper
v. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper

i. 14 1/4 by 11 1/2 in.; 36.2 by 29.2 cm.
ii. 14 1/4 by 18 in.; 36.2 by 45.7 cm.
iii. 10 5/8 by 5 1/2 in.; 27 by 14 cm.
iv. 11 by 5 1/8 in.; 27.9 by 13 cm.
v. 10 1/2 by 4 1/4 in.; 26.7 by 10.8 cm.

索尔·斯坦伯格 哈珀集市的五幅纸上作品

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25.7

263. 源自古斯塔夫·克里姆特 期望，摘自Eine Nachlese对开页 高清作品[40%]

Expectation , from Eine Nachlese folio

图片文件尺寸 : 3983 x 5493px

After Gustav Klimt:Expectation (Eisler #12), from Eine Nachlese folio, 1931
Collotype in colors with metallic inks on chine collé, mounted to heavy cream-wove paper, from the total edition of 500 (200 were printed in German, 150 in French and 150 in English), with printed annotation \'12\' (out of 30 plates), published by Max Eisler, printed by Osterreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, with full margins.
12 3/8 x 7 1/2in (31.5 x 19cm)
sheet 19 x 18in (48.2 x 45.7cm)

源自古斯塔夫·克里姆特 期望，摘自Eine Nachlese对开页

264. 理查德·迪本科恩 梅花和黑桃 高清作品[38%]

Clubs and Spades

图片文件尺寸 : 5164 x 5369px

Richard Diebenkorn:Clubs and Spades (8 works), 1981
A group comprising eight etchings and aquatints on wove paper, five in colors, each initialed in pencil, each dated and numbered 24/35 except for Combination which is numbered 24/40 (there were also 11 artist\'s proofs), each with the blindstamp of the publisher Crown Point Press, Oakland, California, each with full margins, each framed. (8 works)

Titles Include:
Black Club, Blue Club, Card Game, Combination, Oakland Image, Spreading Spade, Tri-color, Tri-color II
assorted images from 13 1/2 x 9 1/2in (34.3 x 24.1cm) to 19 x 18in (48.2 x 45.7cm)
assorted sheets from 30 x 22 1/2in (76.2 x 57.2cm) to 37 1/2 x 30 3/4in (95.2 x 78.1cm)

理查德·迪本科恩 梅花和黑桃

265. 雅各布·劳伦斯。他们也使离开南方的移民非常困难。他们经常去火车站，大批逮捕黑人，这反过来又使他们误了火车。1940-41 高清作品[37%]

Jacob Lawrence. They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train. 1940-41

雅各布·劳伦斯。他们也使离开南方的移民非常困难。他们经常去火车站，大批逮捕黑人，这反过来又使他们误了火车。194041-

266. 雅各布·劳伦斯。移民的另一个社会原因离开是因为他们有时感到不安全，或者深夜在街上发现这不是最好的选择。他们因轻微的挑衅而被捕。1940-41 高清作品[35%]

Jacob Lawrence. Another of the social causes of the migrants leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. 194041- 12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. Another of the social causes of the migrants leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation. 1940-41

雅各布·劳伦斯。移民离开的另一个社会原因是，有时他们感到不安全，或者深夜在街上找不到最好的东西。他们因轻微的挑衅而被捕。194041-

267. 阿尔瓦罗·巴里奥斯。阿尔瓦罗·巴里奥斯（Álvaro Barrios）饰演马塞尔·杜尚（Marcel Duchamp）饰演罗丝·塞拉维（Rrose Sélavy）饰演L.H.O.Q.1980–2006 高清作品[35%]

Álvaro Barrios. Álvaro Barrios as Marcel Duchamp as Rrose Sélavy as L.H.O.O.Q.. 1980–2006- composition (irreg.): 11 15/16 x 7 3/4 (30.3 x 19.7 cm); sheet (each): 18 x 12 (45.7 x 30.5 cm)

Álvaro Barrios. Álvaro Barrios as Marcel Duchamp as Rrose Sélavy as L.H.O.O.Q.. 1980–2006

阿尔瓦罗·巴里奥斯。阿尔瓦罗·巴里奥斯（Álvaro Barrios）饰演马塞尔·杜尚（Marcel Duchamp）饰演罗丝·塞拉维（Rrose Sélavy）饰演L.H.O.Q.1980–2006-

268. 雅各布·劳伦斯。由于黑人和白人工人之间的对立，整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。1940-41 高清作品[35%]

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries. 1940-41

雅各布·劳伦斯。由于黑人和白人工人之间的对立，整个北方的种族骚乱非常多。其中许多骚乱的发生是因为黑人被用作北方许多行业的罢工破坏者。194041-

269. 雅各布·劳伦斯。他们并不总是离开，因为他们被承诺在北方工作。他们中的许多人因为南方的条件而离开，其中一个原因是洪水毁坏了农作物，因此他们无法在当地谋生。1940-41 高清作品[33%]

Jacob Lawrence. They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were. 194041- 18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were. 1940-41

雅各布·劳伦斯。他们并不总是离开，因为他们被承诺在北方工作。他们中的许多人因为南方的条件而离开，其中一个原因是洪水毁坏了农作物，因此他们无法在当地谋生。194041-

270. 索尔·斯坦伯格 哈珀集市的五幅纸上作品 高清作品[32%]

Five Works on Paper for Harper\'s Bazaar

图片文件尺寸 : 4596 x 4110px

SAUL STEINBERG:Five Works on Paper for Harper\'s Bazaar

i. Untitled (Cancer), 1947
ii. Untitled, 1947
iii. Untitled (Taurus), 1947
iv. Untitled (Aquarius), 1947
v. Untitled (Gemini), 1947

i. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
ii. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
iii. ink on paper
iv. inscribed Steinberg Astrology Oct 10-10 on the reverse; ink on paper
v. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper

i. 14 1/4 by 11 1/2 in.; 36.2 by 29.2 cm.
ii. 14 1/4 by 18 in.; 36.2 by 45.7 cm.
iii. 10 5/8 by 5 1/2 in.; 27 by 14 cm.
iv. 11 by 5 1/8 in.; 27.9 by 13 cm.
v. 10 1/2 by 4 1/4 in.; 26.7 by 10.8 cm.

索尔·斯坦伯格 哈珀集市的五幅纸上作品

首页 主题 艺术运动 风景