261. 宋坤 第三只眼 高清作品[64%]

The Third Eye

图片文件尺寸 : 4484 x 5340px

Song Kun:The Third Eye
2005

signed, titled, dated 2005 and inscribed on the reverse
oil on canvas

46 x 33 cm (18 1/8 x 13 in)

Provenance
Acquired directly from the artist by the present owner

宋坤 第三只眼

262. 罗伯特·隆戈，当代艺术II 高清作品[64%]

DO-Robert Longo - 现代艺术 II
图片文件像素：5761 x 4796 px

罗伯特·隆戈，当代艺术II-

Robert Longo - Zeitgenössische Kunst II-

(born in New York in 1953)
Hell’s Gate, 2005, signed, dated Longo 2005, pigment print on paper, no. 17 from the edition of 30 examples, 97 x 101.5 cm, framed

263. 彼得·雨果 无 题 高清作品[64%]

图片文件尺寸 : 3968 x 5881px

Pieter Hugo:Motorbike rider with Amiloo, Abuja, Nigeria 2005
signed \'Pieter Hugo\' (lower right), titled and dated \'Motorbike rider with Amiloo, Abuja, Nigeria, 2005\' (lower centre) and editioned \'4/8\' (lower right)
archival pigment print
image size: 50.8 x 50.8cm (20 x 20in).
sheet size: 62.9 x 61cm (24 3/4 x 24in).
(framed)

彼得·雨果 无 题

264. 米谢·弗龙 高清作品[61%]

DO-Jean-Michel Folon - 现代艺术 I
图片文件像素：5663 x 4147 px

米谢·弗龙-

Jean-Michel Folon * - Zeitgenössische Kunst I-

(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.

This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.

This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.

Provenance:
European Private Collection

The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.

La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.

“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César

相关：
1946到2005油画 姜建国2005年的虾字画 2005年作美女油画 2005精灵油画 西安美院2005级中国画 2005年作品人物画
首页 主题 艺术运动 风景
2005油画图片- 高清2005绘画作品- 代表作全集 中艺名画下载


261. 宋坤 第三只眼 高清作品[64%]

The Third Eye

图片文件尺寸 : 4484 x 5340px

Song Kun:The Third Eye
2005

signed, titled, dated 2005 and inscribed on the reverse
oil on canvas

46 x 33 cm (18 1/8 x 13 in)

Provenance
Acquired directly from the artist by the present owner

宋坤 第三只眼

262. 罗伯特·隆戈，当代艺术II 高清作品[64%]

DO-Robert Longo - 现代艺术 II
图片文件像素：5761 x 4796 px

罗伯特·隆戈，当代艺术II-

Robert Longo - Zeitgenössische Kunst II-

(born in New York in 1953)
Hell’s Gate, 2005, signed, dated Longo 2005, pigment print on paper, no. 17 from the edition of 30 examples, 97 x 101.5 cm, framed

263. 彼得·雨果 无 题 高清作品[64%]

图片文件尺寸 : 3968 x 5881px

Pieter Hugo:Motorbike rider with Amiloo, Abuja, Nigeria 2005
signed \'Pieter Hugo\' (lower right), titled and dated \'Motorbike rider with Amiloo, Abuja, Nigeria, 2005\' (lower centre) and editioned \'4/8\' (lower right)
archival pigment print
image size: 50.8 x 50.8cm (20 x 20in).
sheet size: 62.9 x 61cm (24 3/4 x 24in).
(framed)

彼得·雨果 无 题

264. 米谢·弗龙 高清作品[61%]

DO-Jean-Michel Folon - 现代艺术 I
图片文件像素：5663 x 4147 px

米谢·弗龙-

Jean-Michel Folon * - Zeitgenössische Kunst I-

(Brussels 1934–2005 Monaco)
La pêche miraculeuse (Buste aux poissons) / The Miraculous Catch (Bust with Fish), 2005, bronze, signed and numbered HC 2/2 (from an edition of 2 + 2 EA + 2 HC) with the foundry mark: Romain Fils, h 81 cm w 43 cm.

This work will be included in the artist’s forthcoming catalogue raisonné currently being prepared by the Fondation Folon.

This work is registered at the Fondation Folon with the number F400 and is accompanied by a certificate of authenticity.

Provenance:
European Private Collection

The 比利时 artist Jean-Michel Folon (1934-2005) has left a universal mark on the collective imagination of the last third of the 20th century through his posters, illustrations, television animations, and his numerous exhibitions. A humanist, he left behind a figurative and poetic body of work rooted in traditional techniques, which was atypical for an environment dominated by conceptual art. Folon turned to sculpture in the early 1990s, having initially focused on paper-based techniques (inks, silk-screen printing, watercolour), thus providing him with a new challenge.
His sculptures are inspired by ethnographic art and characterised by their frontality and corporality, from the Cyclades to the Etruscans, from African masks to Amerindian totems. They are largely centred on the human being and embody themes that were once treated graphically and thus project the artist\'s universe into atypical and natural environments: landscapes, gardens, parks, interiors.

La pêche miraculeuse (Buste aux poissons) [The Miraculous Catch (Bust with Fish)] from 2005 presents the artist’s favoured Everyman, the character with the hat, onto whom everyone can project themselves. He is holding an armful of fish. This bust sculpture is a variation on a theme that Folon had explored with a few years earlier in his Fontaine aux poissons [Fountain with Fish], which has been shown to the public on numerous occasions at major exhibitions, notably in Florence in 2005. The quality of the patina of this remarkable Catch is typical of Folon\'s quasi-pictorial quest for sculpture. It drew this comment from the sculptor.

“You make impressionist sculptures, these are the patinas of a painter and each of your sculptures will be unique because you will never be able to do the same thing twice.”
César

相关：
1946到2005油画 姜建国2005年的虾字画 2005年作美女油画 2005精灵油画 西安美院2005级中国画 2005年作品人物画
首页 主题 艺术运动 风景