图片文件尺寸 : 4378 x 6019px

Salvador Dal&~;: Plate 65, Al matadero from Les Caprices de Goya; WITH FRANCISCO GOYA (1746-1828) Plate 10, Donde vá mamá? from Los Caprichos (2 works) (Field 77-3-16; Delteil 102; Harris 100), 1791; 1977
Heliogravure of Goya\'s plate 65, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 65, Donde vá mamá? from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 图版65，《戈雅随想曲》中的Al matadero与FRANCISCO GOYA Plate 10，Donde v妈妈？来自Los Caprichos

图片文件像素：5317 x 4272 px

Gerardo Dottori-现代-

Gerardo Dottori * - Moderne-

(Perugia 1884–1977)
Temporale in città, 1919, signiert und datiert; rückseitig auf einem Aufkleber betitelt, datiert und signiert, Öl auf Tafel, 43 x 50 cm, gerahmt

Ein Fotozertifikat von Massimo Duranti liegt als Fotokopie vor.

Provenienz:
Galleria Giorgi, Florenz (Rückseite Klebezettel)
Galleria Arte Centro, Mailand (rücks. Klebezettel und Stempel)
Sammlung Man, Mailand
Artenetwork, Marcon, Venedig (Provenienz-Zertifikat vorhanden)
Europäische Privatsammlung (dort erworben)

Ausgestellt:
Rom, Casa d\'Arte Bragaglia, 1920, Ausst.-Kat. Nr. 31
Florenz, XIX Biennale Internazionale d’Arte Premio del Fiorino, Palazzo Strozzi, 3. Mai – 15. Juni 1969 (Rückseite Klebezettel)
Rom, Centro Arte Editalia, 1970
Florenz, Salone Arte Contemporanea, Galleria Giorgi, 1972, Ausst.-Kat. Nr. 6 mit Abb.
Mailand, Futurismo e Aeropittura. Velocità e dinamismo dal Trentino alla Sicilia, Galleria Arte Centro, 2009, Ausst.-Kat. S. 48 Nr. 141 mit Abb.
Alessandria, A+B+C/F=Futurismo, Palazzo del Monferrato, 2009, Ausstellungs Kat. S. 73
Mamiamo di Traversetolo, Parma, Futurismo! Da Boccioni all’Aeropittura, Fondazione Magnani Rocca, 2009, Ausstellungs Kat. S. 116 mit Abb.

Literatur:
B. Crispoldi, 1920 mit Abb.
V. Scheiwiller, 1966, Nr. 3
A. Sartoris, 1968, Nr. 14
Le Arti, Nr. 7/8 bis, 1970, S. 14
M. Duranti, Catalogo Ragionato delle opere di Gerardo Dottori, Effe Fabrizio Fabbri Editore, 2006, S. 445, Nr. 72-219 mit Abb.
F. Lattuada (Hrsg.), Collezione Man, I Futuristi, 2007, S. 61
F. Lattuada (Hrsg.), Il secondo futurismo, Arte Centro, Mailand 2021, S. 59 Nr. 73

图片文件尺寸 : 4447 x 4683px

Salvador Dalí:Plate 24, Es un cuadro colosal from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 24, Nohubo remedio from Los Caprichos (2 works) 1977; 1799 (Field 77-3-57; Delteil 61; Harris 59), 1977;1799
Heliogravure of Goya\'s plate 24, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 24, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 1/2 x 8 3/8in (29.2 x 20.5cm)

萨尔瓦多·达利 24号板块，是戈雅一时兴起的一幅巨幅画作弗朗西斯科·戈雅（Francisco Goya）24岁，1977年一时兴起没有补救办法1799年

图片文件尺寸 : 3905 x 5874px

Salvador Dal&~;: Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 37, Si sabrá mas el discipulo from Los Caprichos (2 works) (Field; 77-3-45; Delteil 74; Harris 72), 1799; 1977
Heliogravure of Goya\'s plate 37, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 37, Si sabrá mas el discipulo from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 37号板，S来自戈雅的突发奇想弗朗西斯科·戈雅（Francisco Goya）板37，如果知道的话更多来自异想天开的门徒

图片文件尺寸 : 4807 x 5591px

Salvador Dal&~;: Plate 10, Vomitac&~;on rec&~;proca from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 10, El Amor y la muerte from Los Caprichos (2 works) (Field 77-3-72; Delteil 47; Harris 45), 1799; 1977
Heliogravure of Goya\'s plate 10, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 10, El Amor y la muerte from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published by the Real Academia, printed by Calcograf&~;a, Madrid, with margins. (2 works)
9 x 9in (22.7 x 17cm); 8 2/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 10号板块，呕吐在REC戈雅一时兴起的过程加上弗朗西斯科·戈雅（Francisco Goya）的第10版，奇想中的爱与死

图片文件尺寸 : 5260 x 4921px

Salvador Dal&~;: Plate 59, Cinco o seis por lo menos from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 59, Y aun no se van! from Los Caprichos (2 works) (Field 77-3-22; Delteil 96; Harris 94), 1799; 1977
Heliogravure of Goya\'s plate 59, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 59, Y aun no se van! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/ Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 59号板块，至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁，他们还没有离开！从幻想中

图片文件尺寸 : 4354 x 5152px

Salvador Dal&~;: Plate 14, Qué ramo de bonitas cerezas! from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 14, Qué Sacrificio! from Los Caprichos (2 works) (Field 77-3-67; Delteil 51; Harris 49), 1799; 1977
Heliogravure of Goya\'s plate 14, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 14, Qué Sacrificio! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm).

萨尔瓦多·达尔 板块14，qu一束漂亮的樱桃！来自戈雅的突发奇想加上弗朗西斯科·戈雅（Francisco Goya）的14号钢板，qu牺牲！从幻想中

图片文件尺寸 : 5259 x 4407px

Salvador Dal&~;: Plate 25, Se quebro el cantero from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 25, Si quebró el Cantaro from Los Caprichos (2 works) (Field 77-3-56; Delteil 39; Harris 37), 1799; 1977
Heliogravure of Goya\'s plate 25, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 25, Si quebró el Cantaro, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 25号板块，戈雅的采石场因一时兴起而破裂弗朗西斯科·戈雅（Francisco Goya）板25，Si quebr#243来自奇思妙想的歌手

图片文件尺寸 : 5254 x 5276px

Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块，卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号，因为他对突发奇想很敏感

图片文件尺寸 : 4401 x 5902px

Salvador Dal&~;: Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos (2 works) (Field 77-3-79; Delteil 39; Harris 37), 1799; 1977
Heliogravure of Goya\'s plate 2, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 2, El si pronuncian y la mano alargan al primero que llega, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第二盘，戈雅任性的前18把柳条椅子弗朗西斯科·戈雅（Francisco Goya）板块2，IF发音，手拉长第一个来自突发奇想的人