图片文件尺寸 : 5220 x 4296px
CLARK, ROLAND. 1874-1957.:Gunner\'s Dawn. New York: The Derrydale Press, 1937.
8vo. Original colored etching frontispiece, illustrated with color plates and drawings by Clark. Publisher\'s brown morocco gilt and marbled boards. Slightly rubbed, one corner bumped, a few traces of foxing.
LIMITED DELUXE EDITION, number 6 of 50 deluxe copies signed by Clark in pencil on frontispiece.
克拉克，罗兰。1874-1957. 枪手的黎明。纽约：德里代尔出版社，1937年。
图片文件尺寸 : 4757 x 5736px
Josef Albers:Gray Instrumentation IIg, from Gray Instrumentation II (Danilowitz 228.7), 1975
Screenprint in colors on Arches 88 paper, signed in pencil, titled and numbered 25/36 (there were also 10 artist\'s proofs), with the blindstamp of the artist and publisher/printer, Tyler Graphics Ltd., Bedford, with the artist\'s copyright inkstamp (on reverse), with full margins, colors attenuated, framed.
11 x 11in (27.9 x 27.9cm)
sheet 18 7/8 x 18 7/8in (47.9 x 47.9cm)
阿伯斯 灰色仪表IIg，来自灰色仪表II
图片文件尺寸 : 3994 x 4897px
Andy Warhol:Pete Rose (Feldman Schellman IIB.360B), 1985
Screenprint in colors on Lenox museum board, signed in pencil and numbered TP 10/30 (a trial proof aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso, with full margins. Another color proof is on the verso side.
37 1/2 x 30in (95.2 x 76.2cm)
sheet 39 3/8 x 31 1/2in (99.1 x 80cm)
安迪·沃霍尔 皮特·罗斯
图片文件尺寸 : 3876 x 4753px
阿博特·汉德森·塞耶（Abbott Handerson Thayer）的《冬天的蓝鸟》（Blue Jays In Winter），《动物王国中藏书颜色的研究》-Abbott Handerson Thayer
Blue Jays In Winter, Study For Book Concealing Coloration In The Animal Kingdom--Abbott Handerson Thayer (美国, 1849-1921)
图片文件尺寸 : 4287 x 5029px
Julian Opie:Elena and Cressie Get Ready for the Party 6 (Alan Cristea Gallery 169), 2011
Screenprint in colors on Perspex with background inkjet print in colors on paper, signed in black ink and numbered 30/30 on a label affixed to the reverse (there were also 7 artist\'s proofs), published by Alan Cristea Gallery, London, the full sheet, contained in artist\'s frame.
30 1/3 x 24 1/8in (77.3 x 61cm)
朱利安·奥皮。 Elena和Cressie为派对6做好准备
图片文件尺寸 : 4568 x 5505px
NATURAL HISTORY. :8 titles:
1. BRADLEY, RICHARD. A Philosophical Account of the Works of Nature. London: 1721. 4to. Numerous engraved plates. Rebacked contemporary calf, spine gilt with 5 raised bands. Chipping to corners, joints starting, light toning and browning.
2. JOBLOT, LOUIS. Observations d\'histoire naturelle, faites avec le microscope. Paris: 1754-1755. 2 parts in 1 volume. 4to. Numerous engraved plates. Rebacked contemporary calf. Rubbed, spine ends chipped, scattered spotting and toning.
3. SCHAEFFER, JACOB CHRISTIAN. Piscium bavarico-ratisbonensium pentas. Regensburg: 1761. 4 hand-colored plates. Contemporary boards, with later tape reinforcement on spine. Light toning.
4. GOLDFUSS, GEORG AUGUST. Ueber die Entwicklungsstufen des Thieres. Nuremburg: 1817. 8vo. Folding diagram. Modern quarter vellum and marbled. Scattered spotting.
5. LE CLERC, GEORGE LOUIS and HENRY AUGUSTUS CHAMBERS. A History and Theory of the Earth BOUND WITH: A History of Birds, Fishes, Reptiles and Insects. London: 1821. 2 volumes. 4to. Numerous engraved plates, many hand-colored. Rebacked contemporary tree calf. Scattered browning and spotting.
6. FUNK, ADOLF FREDERICK. De salamandrae terrestris. Berlin: 1827. Folio. 3 engraved plates. Modern quarter vellum and marbled boards, original front wrapper bound in. Foxing, some heavy.
7. AUERER, ALOIS. Die Entdeckung des Natursebsdruckes. Vienna, 1854. Folio. Color lithographic plates. Rebacked contemporary brown cloth. Foxing.
8. LEY, WILLY. Konrad Gesner. Munich: 1929. 8v0. Publisher\'s printed wrappers. Tape repairs, some staining, toning throughout.
自然历史。 8个标题：
图片文件尺寸 : 4213 x 4691px
Andy Warhol:Details of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (Feldman Schellmann II.323), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 60 (there were also 15 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/4 x 37in (64.1 x 93.9cm)
sheet 32 x 44in (81.2 x 111.7cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 5286 x 5363px
Andy Warhol:Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460) (Feldman Schellmann II.325), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 50 (there were also 12 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York, with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/8 x 37 1/4in (63.8 x 94.6cm)
sheet 32 x 44in (81.3 x 111.8cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 4518 x 5144px
INSECTS.:6 titles:
1. SCHÄFFER, JACOB CHRISTIAN. Abhandlungen von Insecten. Regenburg: Johann Leopold Montag, 1764. 3 volumes. 4to. Portrait frontispiece, 48 hand-colored engraved plates. Modern quarter morocco and cloth. Portrait and title page of first volume heavily browned, chipped and laid down; scattered browning throughout. Nissen 3619.
2. EHRENBERG, CHRISTIAN GOTTFRIED; and WILHELM FRIEDRICH HEMPRICH. Symbolae physicae seu icones et descriptiones ... pars zoologica. [Berlin: Ex Officina Academica, 1899]. Folio. 10 color lithographic plates (of 122), with descriptive text leaves. Later board portfolio with penciled titles on cover. Browning and chipping to edges.
3. REDI, FRANCESCO. Experimenta circa generationem insectorum.... Amsterdam: Henric Wetsten, 1686. 12mo. 42 (of 45) engraved plates. Later half vellum and boards.
4. BONNET, CHARLES. Traite d\'insectologie; ou observations sur les pucerons. Paris: 1745. 2 volumes. 8vo. 2 folding letterpress tables, 8 (of 30) folding engraved plates. Contemporary calf, rebacked retaining original covers and spine, modern cloth slipcase. Scattered toning and spotting. First edition. Garrison-Morton-Norman 308; Nissen ZBI 462.
5. PANZER, GEORG WOLFGANG FRANZ. Faunae insectorum Germanicae initia. Nuremburg: Felsecker, 1793-1829. 3 vols. 8vo. 231 hand-colored engraved illustrations (of 1,623), text caption leaves, lacking title pages. 19th century quarter calf and marbled boards, later marbled paper-covered slipcase. Joints slightly tender, light toning and spotting, incomplete set.
6. BERENDT, NATHANAEL. Die Insekten im Bernstein. Danzig: 1830. 4to. Early 20th century quarter morocco and textured cloth boards. Rubbed, inventory label on upper cover, browning and creases throughout.
昆虫。 6个标题：
图片文件尺寸 : 4354 x 5999px
Antoni Tàpies:Arc Blau; Untitled (2 works), 1972; 1971
Etching and aquatint in colors with carborundum and a lithograph in colors, both on wove paper, both signed in pencil and numbered 65/75, 73/150, respectively, one the full sheet, one with full margins. (2 works)
23 x 30 5/8in (58.4 x 77.6cm); 13 x 19in (33 x 48.2cm)
sheet 23 x 30 5/8in (58.4 x 77.6cm); 21 x 30 1/4in (53.3 x 76.8cm)
安东尼·塔皮斯（Antoni Tàpies） 蓝弧无 题
图片文件尺寸 : 5220 x 4296px
CLARK, ROLAND. 1874-1957.:Gunner\'s Dawn. New York: The Derrydale Press, 1937.
8vo. Original colored etching frontispiece, illustrated with color plates and drawings by Clark. Publisher\'s brown morocco gilt and marbled boards. Slightly rubbed, one corner bumped, a few traces of foxing.
LIMITED DELUXE EDITION, number 6 of 50 deluxe copies signed by Clark in pencil on frontispiece.
克拉克，罗兰。1874-1957. 枪手的黎明。纽约：德里代尔出版社，1937年。
图片文件尺寸 : 4757 x 5736px
Josef Albers:Gray Instrumentation IIg, from Gray Instrumentation II (Danilowitz 228.7), 1975
Screenprint in colors on Arches 88 paper, signed in pencil, titled and numbered 25/36 (there were also 10 artist\'s proofs), with the blindstamp of the artist and publisher/printer, Tyler Graphics Ltd., Bedford, with the artist\'s copyright inkstamp (on reverse), with full margins, colors attenuated, framed.
11 x 11in (27.9 x 27.9cm)
sheet 18 7/8 x 18 7/8in (47.9 x 47.9cm)
阿伯斯 灰色仪表IIg，来自灰色仪表II
图片文件尺寸 : 3994 x 4897px
Andy Warhol:Pete Rose (Feldman Schellman IIB.360B), 1985
Screenprint in colors on Lenox museum board, signed in pencil and numbered TP 10/30 (a trial proof aside from an edition of 50), commissioned and published by the Cincinnati Art Museum through the Carl Solway Gallery, Inc., with the authorization of Pete Rose Enterprises, Inc., Cincinnati, with the blindstamp of the printer, Rupert Jasen Smith and artist\'s copyright inkstamp on verso, with full margins. Another color proof is on the verso side.
37 1/2 x 30in (95.2 x 76.2cm)
sheet 39 3/8 x 31 1/2in (99.1 x 80cm)
安迪·沃霍尔 皮特·罗斯
图片文件尺寸 : 3876 x 4753px
阿博特·汉德森·塞耶（Abbott Handerson Thayer）的《冬天的蓝鸟》（Blue Jays In Winter），《动物王国中藏书颜色的研究》-Abbott Handerson Thayer
Blue Jays In Winter, Study For Book Concealing Coloration In The Animal Kingdom--Abbott Handerson Thayer (美国, 1849-1921)
图片文件尺寸 : 4287 x 5029px
Julian Opie:Elena and Cressie Get Ready for the Party 6 (Alan Cristea Gallery 169), 2011
Screenprint in colors on Perspex with background inkjet print in colors on paper, signed in black ink and numbered 30/30 on a label affixed to the reverse (there were also 7 artist\'s proofs), published by Alan Cristea Gallery, London, the full sheet, contained in artist\'s frame.
30 1/3 x 24 1/8in (77.3 x 61cm)
朱利安·奥皮。 Elena和Cressie为派对6做好准备
图片文件尺寸 : 4568 x 5505px
NATURAL HISTORY. :8 titles:
1. BRADLEY, RICHARD. A Philosophical Account of the Works of Nature. London: 1721. 4to. Numerous engraved plates. Rebacked contemporary calf, spine gilt with 5 raised bands. Chipping to corners, joints starting, light toning and browning.
2. JOBLOT, LOUIS. Observations d\'histoire naturelle, faites avec le microscope. Paris: 1754-1755. 2 parts in 1 volume. 4to. Numerous engraved plates. Rebacked contemporary calf. Rubbed, spine ends chipped, scattered spotting and toning.
3. SCHAEFFER, JACOB CHRISTIAN. Piscium bavarico-ratisbonensium pentas. Regensburg: 1761. 4 hand-colored plates. Contemporary boards, with later tape reinforcement on spine. Light toning.
4. GOLDFUSS, GEORG AUGUST. Ueber die Entwicklungsstufen des Thieres. Nuremburg: 1817. 8vo. Folding diagram. Modern quarter vellum and marbled. Scattered spotting.
5. LE CLERC, GEORGE LOUIS and HENRY AUGUSTUS CHAMBERS. A History and Theory of the Earth BOUND WITH: A History of Birds, Fishes, Reptiles and Insects. London: 1821. 2 volumes. 4to. Numerous engraved plates, many hand-colored. Rebacked contemporary tree calf. Scattered browning and spotting.
6. FUNK, ADOLF FREDERICK. De salamandrae terrestris. Berlin: 1827. Folio. 3 engraved plates. Modern quarter vellum and marbled boards, original front wrapper bound in. Foxing, some heavy.
7. AUERER, ALOIS. Die Entdeckung des Natursebsdruckes. Vienna, 1854. Folio. Color lithographic plates. Rebacked contemporary brown cloth. Foxing.
8. LEY, WILLY. Konrad Gesner. Munich: 1929. 8v0. Publisher\'s printed wrappers. Tape repairs, some staining, toning throughout.
自然历史。 8个标题：
图片文件尺寸 : 4213 x 4691px
Andy Warhol:Details of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (Feldman Schellmann II.323), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 60 (there were also 15 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/4 x 37in (64.1 x 93.9cm)
sheet 32 x 44in (81.2 x 111.7cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 5286 x 5363px
Andy Warhol:Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460) (Feldman Schellmann II.325), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 50 (there were also 12 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York, with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/8 x 37 1/4in (63.8 x 94.6cm)
sheet 32 x 44in (81.3 x 111.8cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 4518 x 5144px
INSECTS.:6 titles:
1. SCHÄFFER, JACOB CHRISTIAN. Abhandlungen von Insecten. Regenburg: Johann Leopold Montag, 1764. 3 volumes. 4to. Portrait frontispiece, 48 hand-colored engraved plates. Modern quarter morocco and cloth. Portrait and title page of first volume heavily browned, chipped and laid down; scattered browning throughout. Nissen 3619.
2. EHRENBERG, CHRISTIAN GOTTFRIED; and WILHELM FRIEDRICH HEMPRICH. Symbolae physicae seu icones et descriptiones ... pars zoologica. [Berlin: Ex Officina Academica, 1899]. Folio. 10 color lithographic plates (of 122), with descriptive text leaves. Later board portfolio with penciled titles on cover. Browning and chipping to edges.
3. REDI, FRANCESCO. Experimenta circa generationem insectorum.... Amsterdam: Henric Wetsten, 1686. 12mo. 42 (of 45) engraved plates. Later half vellum and boards.
4. BONNET, CHARLES. Traite d\'insectologie; ou observations sur les pucerons. Paris: 1745. 2 volumes. 8vo. 2 folding letterpress tables, 8 (of 30) folding engraved plates. Contemporary calf, rebacked retaining original covers and spine, modern cloth slipcase. Scattered toning and spotting. First edition. Garrison-Morton-Norman 308; Nissen ZBI 462.
5. PANZER, GEORG WOLFGANG FRANZ. Faunae insectorum Germanicae initia. Nuremburg: Felsecker, 1793-1829. 3 vols. 8vo. 231 hand-colored engraved illustrations (of 1,623), text caption leaves, lacking title pages. 19th century quarter calf and marbled boards, later marbled paper-covered slipcase. Joints slightly tender, light toning and spotting, incomplete set.
6. BERENDT, NATHANAEL. Die Insekten im Bernstein. Danzig: 1830. 4to. Early 20th century quarter morocco and textured cloth boards. Rubbed, inventory label on upper cover, browning and creases throughout.
昆虫。 6个标题：
图片文件尺寸 : 4354 x 5999px
Antoni Tàpies:Arc Blau; Untitled (2 works), 1972; 1971
Etching and aquatint in colors with carborundum and a lithograph in colors, both on wove paper, both signed in pencil and numbered 65/75, 73/150, respectively, one the full sheet, one with full margins. (2 works)
23 x 30 5/8in (58.4 x 77.6cm); 13 x 19in (33 x 48.2cm)
sheet 23 x 30 5/8in (58.4 x 77.6cm); 21 x 30 1/4in (53.3 x 76.8cm)
安东尼·塔皮斯（Antoni Tàpies） 蓝弧无 题