图片文件像素：4600 x 3500 px

阿尔曼（阿尔曼·皮埃尔·费尔南德斯，当代和现代艺术-

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(Nizza 1928 - 2005 New York)
Ohne Titel (Bassgeigen), 1992, Acrylfarbe auf Pappmaschee auf dünnem Karton, montiert auf Holzplatte, 130 x 95 x 1,5 cm, gerahmt unter Plexiglas

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Sam Francis:Pioggia d\'Oro (Golden Rain) (Lembark I. 97, SFE-069RC), 1988
Etching and aquatint in colors on Fabriano paper, signed in pencil and numbered IX/X (an artist\'s proof, aside from the edition of 30), with the blindstamps of the publisher/printer, 2RC Edizioni d\'Arte/Vigna Antoniniana Stamperia d\'Arte, Rome, with full margins.
38 7/8 x 78 3/4in (98.7 x 200cm)
sheet 45 5/8 x 95 1/4in (115.9 x 241.9cm)

山姆·弗朗西斯 金色的雨

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Sam Francis: Pioggia d\'Oro (Golden Rain) (Lembark I.97; SFE-069 RC), 1988
Etching and aquatint in colors, on Fabriano paper, signed in pencil and numbered III/X (an artist\'s proof, aside from the edition of 30), with the blindstamps of the publisher/printer, 2RC Edizioni d\'Arte/Vigna Antoniniana Stamperia d\'Arte, Rome, with full margins.
38 7/8 x 78 3/4in (98.7 x 200cm)
sheet 45 5/8 x 95 1/4in (115.9 x 241.9cm)

山姆·弗朗西斯 金色的雨

图片文件尺寸 : 5417 x 5819px

Roy Lichtenstein:Red and Yellow Apple, from Seven Apple Woodcuts (Corlett 195), 1983
Woodcut in colors on handmade Iwano Kizuki Hosho paper, signed in pencil, dated and numbered 28/60, published/printed by Petersburg Press, Inc., London and New York, the full sheet, framed.
sheet 28 3/4 x 37 1/2in (73 x 95.2cm)

罗伊·利希滕斯坦 红色和黄色苹果，来自七个苹果木刻

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Roy Lichtenstein:Red and Yellow Apple, from Seven Apple Woodcuts (Corlett 195), 1983
Woodcut in colors on handmade Iwano Kizuki Hosho paper, signed in pencil, dated and numbered 28/60, published/printed by Petersburg Press, Inc., London and New York, the full sheet, framed.
sheet 28 3/4 x 37 1/2in (73 x 95.2cm)

罗伊·利希滕斯坦 红色和黄色苹果，来自七个苹果木刻

图片文件尺寸 : 4814 x 5063px

ETEL ADNAN:Déjeuner au soleil
2016

signed and numbered 1/3 on a label affixed to the reverse; signed, numbered 1/3 and marked with the Maison PINTON label woven into the reverse
wool tapestry

162 by 243 cm.
63 3/4 by 95 11/16 in.

This work was executed in 2016 and is number 1 from an edition of 3.

埃特尔阿德南 2016年阳光午餐

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Sam Francis: La Primavera Fredda (Cold Spring) (Lembark I.99; SFE-071RC), 1988
Etching and aquatint in colors, on Fabriano paper, signed in pencil and numbered VII/X (an artist\'s proof, aside from the edition of 30), with the blindstamps of the publisher/printer, 2RC Edizioni d\'Arte/Vigna Antoniniana Stamperia d\'Arte, Rome, with full margins.
39 x 78 5/8in (99.1 x 199.7cm)
sheet 45 5/8 x 95 1/4in (115.9 x 241.9cm)

山姆·弗朗西斯 弗雷达青年酒店

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Frank Stella: Tuftonboro, from Eccentric Polygons (A. 103), 1974
Lithograph and screenprint in colors on Arches paper, signed in pencil, dated and numbered 95/100, with the blindstamp and inkstamp, verso, of the publisher Gemini G.E.L., Los Angeles, with full margins.
12 1/2 x 13 3/8in (31.7 x 33.9cm)
sheet 17 1/4 x 22 1/4in (43.8 x 56.5cm)

弗兰克·斯特拉 Tuftonboro，来自偏心多边形

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Sam Francis:La Primavera (Spring) (Lembark I.98, SFE-070RC), 1988
Etching and aquatint in colors on Fabriano paper, signed in pencil and numbered VII/X (an artist\'s proof, aside from the edition of 30), with the blindstamps of the publisher/printer, 2RC Edizioni d\'Arte/Vigna Antoniniana Stamperia d\'Arte, Rome, with full margins.
39 1/8 x 78 7/8in (99.4 x 200.3cm)
sheet 45 5/8 x 95 1/4in (115.9 x 241.9cm)

山姆·弗朗西斯 La Primavera酒店

图片文件尺寸 : 4950 x 5262px

Sam Francis: La Primavera (Spring) (Lembark I.98; SFE-070RC), 1988
Etching and aquatint in colors, on Fabriano paper, signed in pencil and numbered IX/X (an artist\'s proof, aside from the edition of 30), with the blindstamps of the publisher/printer, 2RC Edizioni d\'Arte/Vigna Antoniniana Stamperia d\'Arte, Rome, with full margins.
39 1/8 x 78 7/8in (99.4 x 200.3cm)
sheet 45 5/8 x 95 1/4in (115.9 x 241.9cm)

山姆·弗朗西斯 La Primavera酒店